从中心到边缘——“英雄人物”批评话语的源流及考量

“英雄人物”成为共和国初期文学的中心话语，这一话语的提出与实践，至始至终就不是一个纯正的文学命题，而是一个带有时代性、方向性、政策性的理论导引，其预设之初就偏离了戈学的轨道。在之后的文学实践中，“英雄人物”与政治密切相关，致使其每一次的“净化”之路都指向神化、僵化之旅，钻进了人物塑造的死胡同。

From the Center to the Periphery——the Source and Evaluation of "Hero" Critical Discourse

＂Heroes＂ became the central discourse in the beginning of 1950s. its proposal and practice was not a pure literature thesis. Instead, it was guided by the times and policies. In the practice afterwards, I it is closely tied with politics so that every ＂purification＂ oriented towards deitification and rigidification.