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论陈廷焯《白雨斋词话》的"厚"
引用本文:盛莉.论陈廷焯《白雨斋词话》的"厚"[J].三峡大学学报(人文社会科学版),2005,27(4):30-32.
作者姓名:盛莉
作者单位:华中师范大学,文学院,湖北,武汉,430079
摘    要:陈廷焯的<白雨斋词话>以"厚"为词中三味之一,频频以"厚"论词."厚"是从"沉郁"的风格里体现出的一种美学特征,它含有正、深、阔、沉、重、隐、曲的种种内蕴,被用来形容词中意蕴的幽深窈曲、飘忽绵邈,亦带有词人内心深处有感社会人生的情感色彩.于词中求"厚"之根本是词人要有温厚的性情,实现"厚"的途径是做到沉郁,具体采用比、兴手法."厚"对了解<白雨斋词话>的词学思想有重要意义.

关 键 词:《白雨斋词话》    美学特征
文章编号:1672-6219(2005)04-0030-03
修稿时间:2004年12月2日

On "Profundity" in Baiyuzhai Cihua of Chen Ting-zhuo
SHENG Li.On "Profundity" in Baiyuzhai Cihua of Chen Ting-zhuo[J].Journal of China Three Gorges University(Humanities & Social Sciences),2005,27(4):30-32.
Authors:SHENG Li
Abstract:Profundity, one of the three key factors in Chen Ting-zhuos book Baiyuzhai Cihua(On poetry), has always been employed to judge the value of poetry. Profundity is an aesthetic character embodied in the style of depressed which includes many implicit meanings such as depth, width, latency and weight in Chinese, and is used to describe the deep and remote implications of poems as well as poets feeling about the society and life in the innermost heart. The nature of profundity in poem requests that poets should have a gentle disposition, and the way to achieve profundity is to adopt analogy and metaphor in a depressed mood. Therefore the correct understanding of Profundity is a key to comprehend Baiyuzhai Cihuas thought on poem.
Keywords:Baiyuzhai Cihua  theory on Profundity  aesthetic character
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