| 唐末三家古文艺术论--从皮、陆、罗"小品"的"光彩和锋芒"说起 |
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| 引用本文： | 熊礼汇.唐末三家古文艺术论--从皮、陆、罗"小品"的"光彩和锋芒"说起[J].武汉大学学报(人文科学版),2005,58(5):558-566. |
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| 作者姓名： | 熊礼汇 |
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| 作者单位： | 武汉大学文学院 湖北武汉430072 |
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| 摘 要： | 小品兴盛是唐末散文创作的突出现象,但不是惟一现象。皮、陆、罗主要以古文创作见长,不能将其古文都视为小品。三家古文各具艺术特色,不能因为鲁迅说了“罗隐的《谗书》几乎全部都是抗争和愤激之谈”,就把罗隐称为晚唐小品文作家中最具“光彩和锋芒”的“第一位”。
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| 关 键 词： | 小品 古文 闲情别致 |
| 文章编号： | 1671-881X(2005)05-0558-09 |
| 修稿时间： | 2005年4月18日 |
Review on the Art of the Ancient Prose by the Three Writers by the End of Tang Dynasty |
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| XIONG Li-hui.Review on the Art of the Ancient Prose by the Three Writers by the End of Tang Dynasty[J].Wuhan University Journal (Humanity Sciences),2005,58(5):558-566. |
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| Authors: | XIONG Li-hui |
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| Abstract: | The prosperity of essays was a distinguished phenomenon in the field of ancient prose writing in the end of the Tang Dynasty,but not the unique phenomenon.PI,LU and LUO were mainly well versed in writing ancient prose,but we shouldn't look on all of their proses as essays.The ancient proses by the three writers had their own artistic characteristics.We shouldn't regard LUO Yin as "the first one" with "brilliance and spearhead" among the essay writers in the end of the Tang Dynasty in spite of LU Xun's statement that "the Book of False Accusation by LUO Yin almost all consisted of resistant and indignant words". |
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| Keywords: | essay ancient prose leisurely and carefree mood |
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