| “应目”审美观照 |
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| 引用本文： | 张金燕.“应目”审美观照[J].电子科技大学学报(社会科学版),2005,7(4):71-72,100. |
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| 作者姓名： | 张金燕 |
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| 作者单位： | 四川师范大学,成都,610068 |
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| 摘 要： | 宗炳<画山水序>中提出的"应目"这一命题,蕴涵着深厚的美学韵味,其思想涉及到了审美创作活动中的审美观照这一环节."应目"作为美学范畴受中国古典哲学观念的影响,形成了具有中国特色的审美观照方式.而作为审美观照的"应目"则是审美创作活动的根本所在,也是整个审美活动中必不可少的重要环节,此外也是中国传统审美创作观的体现.所以对其缘由、发展、形成及与之有关的概念都值得探讨.
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| 关 键 词： | 应目 审美观照 审美创作 审美活动 |
| 文章编号： | 1008-8105(2005)04-0071-02 |
| 修稿时间： | 2005年4月17日 |
"Observation"--Aesthetic Visualization |
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| ZHANG Jin-yan."Observation"--Aesthetic Visualization[J].Journal of University of Electronic Science and Technology of China(Social Sciences Edition),2005,7(4):71-72,100. |
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| Authors: | ZHANG Jin-yan |
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| Institution: | Sichuan Normal University Chengdu 610068 China |
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| Abstract: | The subject of "Observation" is put forward in "Landscape Painting Preamble "by Zhongbing,containing profound aesthetic tastes and covering the tache of aesthetic visualization in aesthetic creation activities."Observation" is affected by Chinese classical philosophy as aesthetic concept to form into aesthetic observation ways with Chinese characteristics.However,"Observation" as aesthetic visualization is not only the soul of aesthetic creation activities,but is the essential part in the whole aesthetic activity.In a addition,it represents China traditional aesthetic creation view.Therefore,the source,development,formation and the related concepts are worth discussing. |
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| Keywords: | observation aesthetic visualization aesthetic creation aesthetic activity |
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