| 飞天图像与丝路审美文化的再生产机制 |
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| 引用本文： | 王大桥,陈晓彤.飞天图像与丝路审美文化的再生产机制[J].西北民族大学学报,2019(4):80-88. |
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| 作者姓名： | 王大桥 陈晓彤 |
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| 作者单位： | 1.兰州大学文学院 |
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| 基金项目： | 国家社会科学基金重大项目“丝路审美文化中外互通问题研究”(项目编号:17ZDA272) |
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| 摘 要： | 飞天图像是丝路沿线人民在文化互通或交流过程中熔铸共生的审美符号,其图像文本的具体生成过程和类型特征在不同历史阶段有其差异性。传播媒介的快速发展催生了图像、影像、声像等诸种类型的飞天形象及其审美变形机制。文化创意时代,审美消费成为文化经济社会的重要驱动力,审美消费不同于物质消费的地方在于其主要指向情感和意义系统,"飞天"图像也逐渐成为构建审美共通感的典型文化符号。
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| 关 键 词： | 飞天图像 丝路审美文化 再生产机制 审美变形 审美交流 |
Flying Apsaras Image and the Reproduction Mechanism of the Silk Road Aesthetic Culture |
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| Wang Daqiao,Chen Xiaotong.Flying Apsaras Image and the Reproduction Mechanism of the Silk Road Aesthetic Culture[J].Journal of Northwest University for Nationalities,2019(4):80-88. |
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| Authors: | Wang Daqiao Chen Xiaotong |
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| Institution: | (School of Chinese Language and Literature, Lanzhou University, Lanzhou 730030,Gansu) |
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| Abstract: | Flying Apsaras is an aesthetic symbol produced by the people along the Silk Road in the cultural communication and exchange.The specific generation and typological characteristics of flying Apsaras have shown obvious differences in different historical stages.The rapid development of media has induced various types of photographic,audial and visual flying Apsaras and their aesthetic transformation mechanisms.In the age of cultural creativity,aesthetic consumption has become an important driving force of cultural economic society,and its difference from material consumption lies in the fact that it mainly targets at the system of emotion and meaning.The flying Apsaras,in this sense,has gradually become a typical cultural symbol to construct aesthetic common sense. |
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| Keywords: | image of Flying Apsaras aesthetic culture of the Silk Road reproduction mechanism aesthetic transformation aesthetic communication |
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