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理性与自由:美学批评思维的基点
引用本文:邓谦林.理性与自由:美学批评思维的基点[J].长沙理工大学学报(社会科学版),2004,19(1):94-96.
作者姓名:邓谦林
作者单位:兰州大学,中文系,甘肃,兰州,730000
摘    要:文学批评种类繁多,但大致可分为实效批评、技术批评和美学批评三种.美学批评是最切近文学批评本义,最有创造性的批评.以自由和理性为美学批评的思维基点,是由文学批评对象、文学批评主体和文学批评本身等因素决定的.充分重视理性与自由的作用,文学批评才能在批评理论上兼收并蓄,开创出一片崭新的天地.

关 键 词:美学批评  理性  自由  原因  意义
文章编号:1007-6271(2004)01-0094-03
修稿时间:2003年12月1日

Reason and Freedom:the Starting Point of Aesthetics CriticismDENG Qianlin
DENG Qian-lin.Reason and Freedom:the Starting Point of Aesthetics CriticismDENG Qianlin[J].Journal of Changsha University of Science & Technology,2004,19(1):94-96.
Authors:DENG Qian-lin
Abstract:In spite of its variety in style, literary criticism can be roughly divided into actual effect criticism, technical criticism and aesthetics criticism. Aesthetics criticism is the closest style to the original meaning of literary criticism, and it is the most creative one. Since it is determined by such factors as target, subject, and literary criticism itself, we regard reason and freedom as its basic starting point. Only with close attention to the function of reason and freedom can literary criticism incorporate theories of diverse nature and open up a new world.
Keywords:aesthetics criticism  reason  freedom  cause  meaning  
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