论毛泽东的意境观及其创作实践

毛泽东的意境观是对中国意境理论的继承和发展,也是对中国古典诗词创作经验和自己诗词创作经验的正确的理论概括。意境理论是对中国诗歌创作创新的理论概括。“兴”中意象的独立性及其创造性组合,形成意象的虚实关系,是意境诞生的前提条件,是诗形成言外之意,韵味无穷的奥秘所在。毛泽东强调意境要高尚,从动态营造意象,写出事物的性格,使之“有变化”,“见出诗之波澜”。毛泽东的诗词创作善于营造意象,构成意境,因而意蕴丰富,意味无穷,富有审美价值。

Mao Zedong's Theory of Meaningful Realm and his Creative Practice

Mao Zedong's theory of the meaningful realm is not only the inheritance and development of the Chinese concept,but also a summary of the creative experience of the Chinese classical poetry as well as a theoretical generalization of his own experience of poetic creations.The theory of meaningful realm itself is a theoretical summary of Chinese poetic creation and innovation.The independence and creative combination of the images in the poetic technique of free association called "xing",forming the relations between emptiness and solidity,is the prerequisite for the birth of the meaningful realm as well as the secret of how the poem contains infinite implications beyond denotations of diction.Mao Zedong emphasizes that the meaningful realm must be sublime,imagery must be built in dynamic state and things must be depicted as if with their own particular dispositions so as to render them "mutable" and with "visible signs of poetic waves." With an eye for creative imagery and meaningful realm, Mao Zedong's poetry is of special aesthetic value with rich connotations and unique flavor.