“召南”的命名和风雅颂的分类原理

“召南”不是国家，而是根据召公系诗，召公指历代召公的统称，不是一个人。召公有燕国和采地召封地，又曾和周公分陕而治，“召南”由燕风和贤臣身份的作品构成。西周以来，根据礼制，大夫也可以拥有礼乐。只是孔子删诗时没有保留，所以《诗经》中没有大夫这一种类诗。“周南”和此相类。十五国风不是曾猜测的根据区域决定，而是按照礼乐性质划分的，风雅颂也是如此。召公是周代著名的诗人，留下作品在十首左右。召公是燕赵文化的奠基人和缔造者之一。

The Naming of Shaonan and the Classification Principle of Feng Ya Song

Shaonan is not a country, but a name referring to the poems of Shao Gong. And Shao Gong is not a single person but a designation to all the Shaogongs of past dynasties. Shao Gong owned the land of enfeoffment which includes Yan state and Caidi, and shared Shaanxi province with Zhou Gong. Hence Shaonan is composed of the works of Yan Feng and Xianchen. Since the Western Zhou Dynasty, according to the ritual system, doctors can also have rites and music. However, Confucius did not keep it when he deleted poems, so there is no such kind of poems in the Book of Songs. Zhou Nan is similar to this. The style of the fifteen kingdoms was not based on the regional division as had been speculated, but by the nature of rites and music. So was Feng Ya Song. Shaogong was a famous poet in Zhou Dynasty, and left about ten pieces of works. Shaogong was one of the founders of Yanzhao culture