| 论顾恺之人物画论中形神关系的美学内涵 |
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| 引用本文： | 蔡英余.论顾恺之人物画论中形神关系的美学内涵[J].宁波大学学报(人文科学版),2006,19(4):135-139. |
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| 作者姓名： | 蔡英余 |
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| 作者单位： | 宁波城市职业技术学院,浙江,宁波,315000 |
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| 摘 要： | 从审美创作、审美鉴赏等角度,对顾恺之人物画论中形神关系的美学内涵进行分析,指出“重形轻神”论和“重神轻形”论都是和顾恺之人物画论中形神关系所蕴含的美学本意是不相符的,顾氏人物画论中的形与神的关系应该是相互并重的、辩证统一的:“神无形不存、形无神不灵”。
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| 关 键 词： | 顾恺之 形 神 传神 |
| 文章编号： | 1001-5124(2006)04-0135-05 |
| 修稿时间： | 2005年11月15 |
The Aesthetic Significance of Gu Kaizhi's Views on Form and Spirit in Chinese Figure Paintings |
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| CAI Ying-yu.The Aesthetic Significance of Gu Kaizhi''''s Views on Form and Spirit in Chinese Figure Paintings[J].Journal of Ningbo University(Liberal Arts Edition),2006,19(4):135-139. |
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| Authors: | CAI Ying-yu |
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| Abstract: | This paper analyzes the aesthetic significance of Gu Kaizhi's views on the relationship between form and spirit in Chinese figure painting from the perspectives of aesthetic creation and appreciation,pointing out that neither "form is prior to spirit" nor "spirit is prior to form" conforms to Gu's views,but the equal status and dialectical unification of form and spirit."Without form spirit will vanish,and without spirit form is lifeless". |
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| Keywords: | Gu Kaizhi form spirit vividness |
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