| 新时期的“郭沫若与庄子”文艺关系研究 |
| |
| 引用本文： | 佀同壮.新时期的“郭沫若与庄子”文艺关系研究[J].西华大学学报(哲学社会科学版),2010,29(1). |
| |
| 作者姓名： | 佀同壮 |
| |
| 作者单位： | 农业工程学院人文社科系,广东广州,510225 |
| |
| 摘 要： | 郭沫若的文艺思想及其创作不同程度地有承于庄子。新时期以来,郭沫若的研究者在"郭沫若与庄子"文艺关系这一领域亦有可贵探索,其探索涉及的重点主要集中在泛神论、文艺的非功利观及文艺的"自然流露"说诸方面,这些也正是郭沫若融贯中西文艺思想、促成中国古典文艺美学转向现代的重要表现。
|
| 关 键 词： | 郭沫若 庄子 泛神论 非功利 自然流露 |
On Literary Relationship between Guo Moruo and Chuang-tzu |
| |
| SI Tong-zhuang.On Literary Relationship between Guo Moruo and Chuang-tzu[J].Journal of Xihua University:Philosophy & Social Sciences,2010,29(1). |
| |
| Authors: | SI Tong-zhuang |
| |
| Institution: | SI Tong-zhuang(Department of Humanities , Social Science,Agricultural Engineer College,Guangzhou,Guangdong,510225,China) |
| |
| Abstract: | Guo Moruo's literary thoughts and his literary composition partly inherited from Chuang-tzu.In the new era,researchers have made new discoveries in their literary relationship from perspectives of pantheism,non-utilitarian view of literature and spontaneous overflow.These prove that Guo Moruo blended Chinese literary thoughts with western literary thoughts and helped to turn classic Chinese aesthetics into modern aesthetics. |
| |
| Keywords: | Guo Moruo Chuang-tzu pantheism non-utilitarian view spontaneous overflow |
| 本文献已被 CNKI 万方数据 等数据库收录！ |
|
