明清时期男旦“走红”现象的维度蠡测

明清两朝，男旦演员空前走红。对于如此一种意味深长的文化现象．我们在讨论滋生明清戏曲男旦“走红”背后的潜在因素时，往往带有简单化、绝对化的思维定式。明清时期男旦“走红”现象并非完全由官府针对女演员的禁令所致，也非官府的剡意提倡．而是戏剧表演本身的需要以及当时声色娱乐需求的产物。以辫证的态度从社会学、性别学和艺术学多层面、多角度进行分析。有助于我们更客观地评价这种艺术现象。

On the Popularity of Male Character in Chinese Operas in the Ming and Qing Dynasties

Male character(male acting as a female character on stage) was most popular in the Ming and Qing Dynasties.When discussing the possible causes of this special phenomenon,experts tend to be partial and absolute.The popularity of male character in Chinese operas in the Ming and Qing Dynasties is not entirely caused by the official injunction against actresses,nor the deliberate official support,but the need of opera performance and the result of opera art coordinating with social customs.In order to make an o...