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复调叙事在《呼兰河传》中的审美意蕴
引用本文:张冬云.复调叙事在《呼兰河传》中的审美意蕴[J].浙江海洋学院学报(人文科学版),2007,24(4):49-55.
作者姓名:张冬云
作者单位:浙江海洋学院,人文学院,浙江,舟山,316000
摘    要:《呼兰河传》有两类复调形态,一类是叙事视角的自由变化所造成的复调,另一类是靠双性同体的诗学意识造成的复调。两类复调叙事生成了独特而丰厚的审美意蕴,使得作品有着繁复的主题内涵和多姿多彩的艺术风格,而萧红本人对社会人生的感悟也投射在小说的复调叙事之中。

关 键 词:复调叙事  审美意蕴  《呼兰河传》  萧红
文章编号:1008-8318(2007)04-0049-07
修稿时间:2007年9月6日

The Aesthetic Meaning from Polyphony Narrative in The Biographical of Hulan River
ZHANG Dong-yun.The Aesthetic Meaning from Polyphony Narrative in The Biographical of Hulan River[J].Journal of Zhejiang Ocean University(Humane Science),2007,24(4):49-55.
Authors:ZHANG Dong-yun
Abstract:There are two categories of polyphony forms in The Biographical of Hulan River,One the narrative point of view changes in the freedom of polyphony,and the other bisexual with androgyny poetry sense of polyphony.Two polyphony narratives forms unique sense of the aesthetic and rich connotation,resulting in the complex theme content and variety of artistic styles.Meanwhile,Xiao Hong's insights about the social life have been reflected in the narrative polyphony of the novels.
Keywords:polyphony narrative  aesthetics  The Biographical of Hulan River  Xiao Hong
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