| 当代中国审美文化研究的三个学术维度 |
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| 引用本文： | 戴孝军.当代中国审美文化研究的三个学术维度[J].中国海洋大学学报(社会科学版),2013(6):112-116. |
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| 作者姓名： | 戴孝军 |
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| 作者单位： | 山东大学文艺美学研究中心,山东济南250100 |
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| 基金项目： | 教育部人文社会科学重点研究基地项目“中华审美文化传统与有中国特色的当代审美文化建设问题研究”阶段性成果（10JJD750004） |
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| 摘 要： | 上世纪90年代，当代审美文化以前所未有的特点和规模在中国大地上迅猛发展，一方面造成了传统美学的生存困境和严重危机，另一方面也促进了中国学界向审美文化研究的学术转型的渐趋自觉和蔚成热潮。这种审美文化研究大致表现为三个学术维度，一是对审美文化概念本身的学理性探讨维度；二是对当代审美文化实践的批评维度；三是对传统审美文化资源的研究维庋。
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| 关 键 词： | 当代中国 审美文化研究 学术维度 |
Three Academic Dimensions of Aesthetic Cultural Research in Contemporary China |
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| Dai Xiaojun.Three Academic Dimensions of Aesthetic Cultural Research in Contemporary China[J].Journal of Ocean University of China,2013(6):112-116. |
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| Authors: | Dai Xiaojun |
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| Institution: | Dai Xiaojun (Center for Aesthetic Studies, Shandong University, Ji＇nan 250100, China) |
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| Abstract: | In the 1990s, the contemporary aesthetic culture developed rapidly with unprecedented characteristics and scale in China, which, on the one hand, caused the living dilemma and serious crisis of traditional aesthetics, and on the other hand promoted the academic transformation of Chinese academic circles to aesthetic cultural research. This kind of aesthetic cultural research has three academic dimensions： one is academic discussion of the concept of aesthetic culture itself; the second is the criticism of contempo- rary aesthetic cultural practice; the third is the research on traditional aesthetic culture resources. |
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| Keywords: | contemporary China aesthetic cultural research academic dimension |
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