《庄子》与唐代意境理论的浑全之美追求

在情景交融和虚实结合的表层审美特征下,唐代意境理论的核心美质体现为对浑全之美的追求。浑然一体性正是庄子道论的核心特征,这一特征同时映射到了庄子对自然、人类、社会的认识中。唐代意境理论中的浑全之美追求体现的是对庄子道论中浑全自然真美思想的继承。唐代意境理论对浑全之美追求具体体现为＂境＂概念的引入,并在唐人构设意境理论时从意境构造过程、意境的核心美质和意境的审美鉴赏的全方位思考中表现出来。司空图的＂全美＂观是唐代意境理论浑全之美追求最高、最集中的表述。庄子道论与唐代意境理论浑全之美追求的融合,得益于唐代的崇道风气和诗评家对庄子的向慕之心。

The Integral Beauty : Zhuang Zi and the Artistic Conception Theory in Tang Dynasty

The core nature of the artistic conception theory in Tang Dynasty is the pursuit of the integral beauty under the surface aesthetic characteristics of the harmony between scenery and emotions and the combination of fiction and reality.The core characteristics of the Daoism by Zhuang Zi is integrity that is reflected in his understanding of nature,man and society,which was inherited by the artistic conception theory.The notion of the artistic conception was introduced and reflected in the process of conformation,beauty core and appreciation.The wholeness of beauty by Sikong Tu is the best statement among the theory corresponding to the Daoism by Zhuang Zi,which resulted from the Taoism atmosphere and the admiration o f Zhuang Zi by the critics in Tang Dynasty.