| 白夜·黑夜·红夜——中国现代文学夜意象之三色调 |
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| 引用本文： | 王侠.白夜·黑夜·红夜——中国现代文学夜意象之三色调[J].扬州大学学报(人文社会科学版),2014(6):78-83. |
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| 作者姓名： | 王侠 |
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| 作者单位： | 西南大学文学院,重庆400715 |
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| 基金项目： | 中央高校基本科研业务费专项资助项目（SWU1409250） |
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| 摘 要： | 在中国现代文学中,夜意象具有独特的审美特征,白、黑、红三种颜色是其主色调,有着丰富的文学寓意和复杂的审美体验。用夜来作为象征可以说是作家集体的自觉选择,体现了对现实世界的清醒指涉。他们笔下五彩斑斓的夜意象,丰富了现代文学的内容,提高了它的审美表现力及社会批判价值。
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| 关 键 词： | 中国现代文学 夜意象 寓意 |
On the Three Colors of Night in Chinese Modern Literature |
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| WANG Xia.On the Three Colors of Night in Chinese Modern Literature[J].Journal of Yangzhou University(Humanities and Social Sciences Edition),2014(6):78-83. |
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| Authors: | WANG Xia |
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| Institution: | WANG Xia (College of Chinese Language and Literature, Southwest University, Chongqing 400715, China) |
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| Abstract: | In Chinese modern literature, the image of night possesses its unique aesthetic characteristics, white, black and red being its main colors. It is out of the collective consciousness for writers to choose night as a symbol designating the real world. Multi-colored night images enrich Chinese modern literature and endow the image with aesthetic representations and some value in social criticism. |
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| Keywords: | Chinese modern literature night image symbolization |
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