| 青铜艺术的产生发展及变革 |
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| 引用本文： | 张志强.青铜艺术的产生发展及变革[J].海南大学学报(人文社会科学版),2000,18(3):26-29. |
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| 作者姓名： | 张志强 |
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| 作者单位： | 海南大学艺术学院,海南,海口,570228 |
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| 摘 要： | 中国奴隶社会等级制度的鼎是人和神相通的器物,即青铜艺术"礼器".它经历了滥觞期、盛期、转机期和晚期4个时期.青铜艺术的出现标志着中国奴隶社会的开始,其代表作品有"司母戍大方鼎"、"四羊方尊"等.
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| 关 键 词： | 青铜艺术 "礼器" "司母戍大方鼎" "四羊方尊" 美学特征 |
| 修稿时间： | 1999-08-12 |
Appearance, Development and Revolution of Bronze Art |
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| ZHANG Zhi-qiang.Appearance, Development and Revolution of Bronze Art[J].Humanities & Social Sciences Journal of Hainan University,2000,18(3):26-29. |
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| Authors: | ZHANG Zhi-qiang |
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| Institution: | ZHANG Zhi-qiang |
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| Abstract: | The tripod, a symbol of the rank system in the slave society of ancient China, is a vessel of bronze art connected God with man, which is used for some significant sacrifice in ancient China. It goes through four stages, they are early stage, prosperity stage, turning stage and late stage. The apperace of bronze art indicates the beginning of the slave society of China. The representative works are "Simushu Square Quadripod", "Four Goats Quadripod" and etc. |
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| Keywords: | bronze art vessel for sacrifice " Simushu Square Quadripod" " Four Goats Quadripod" esthetics feature |
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