| 苦难里的"白色花"和黑夜中的"三弦琴"--七月诗派和九叶诗派诗歌意象建构分析 |
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| 引用本文： | 张文刚.苦难里的"白色花"和黑夜中的"三弦琴"--七月诗派和九叶诗派诗歌意象建构分析[J].海南大学学报(人文社会科学版),2002,20(2):54-60. |
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| 作者姓名： | 张文刚 |
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| 作者单位： | 常德师范学院,中文系,湖南,常德,415000 |
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| 基金项目： | 湖南省教育厅资助科研项目“中国新诗意象论”(0 1C4 16 ) |
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| 摘 要： | 新诗史上两个重要的诗歌流派———七月诗派和九叶诗派 ,虽然同出现在 2 0世纪4 0年代的战争背景之下 ,但在意象的选择和运用上呈现出不同的建构视点和审美眼光 ,从而折射出了他们的人生姿态和诗学观念 ,也给中国新诗的意象艺术诸多启示。
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| 关 键 词： | 七月诗派 九叶诗派 意象 比较 新诗艺术 |
| 文章编号： | 1004-1710(2002)02-0054-07 |
| 修稿时间： | 2001年3月27日 |
"The White Flower" in the Suffering and "the Musical Instrument sanxian" in the Darkness--A Constructional Analysis of the Poetic Images of the Poetic Schools of July and Nine Leaves |
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| ZHANG Wen_gang."The White Flower" in the Suffering and "the Musical Instrument sanxian" in the Darkness--A Constructional Analysis of the Poetic Images of the Poetic Schools of July and Nine Leaves[J].Humanities & Social Sciences Journal of Hainan University,2002,20(2):54-60. |
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| Authors: | ZHANG Wen_gang |
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| Abstract: | The poetics school of July and Nine Leaves are two important schools in the history of Chinese free verse. Although they both formed under the condition of war in the 1940s, they have different perspectives and aesthetic standards in choosing and employing images , which reflect their different attitudes towards life and different ideas about poetry and gives enlightenment to the image art of Chinese free verse. |
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| Keywords: | the poetic school of July the poetic school of Nine Leaves Images comparison the art of Chinese free verse |
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