| 广昌孟戏民歌时调的美学书写方式与原生态特质 |
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| 引用本文： | 陈利利.广昌孟戏民歌时调的美学书写方式与原生态特质[J].南昌航空大学学报,2009,11(4):99-105. |
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| 作者姓名： | 陈利利 |
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| 作者单位： | 东华理工大学,江西,抚州,344000 |
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| 基金项目： | 东华理工大学研究生创新基金"江西广昌孟戏民歌时调的原生态特质" |
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| 摘 要： | 本文在田野调查的基础上，运用戏曲传播学、史料对比及美学等理论探讨广昌孟戏中民歌时凋的遗存与特质，着重分析了明清戏曲中遗存的民歌时凋元素问题，重点对明万历以后流行的《驻云飞》、《山坡羊》、《锁南枝》、《傍妆台》、《寄生草》等时调，以及清与近代的小曲《夫妻观灯》等六支民歌时调的曲牌音乐体系进行了考辨分析，以冀解读明清地方戏曲民歌时调的遗存与特质。
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| 关 键 词： | 广昌孟戏 民歌时调 书写方式 原生态特质 |
The Aesthetic Handwriting and the Primitive Trait of Guangchang Meng Drama's Folk Songs and Popular Tunes |
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| CHEN Li-li.The Aesthetic Handwriting and the Primitive Trait of Guangchang Meng Drama's Folk Songs and Popular Tunes[J].Journal of Nanchang Institute of Aeronautical Technology(Social Science),2009,11(4):99-105. |
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| Authors: | CHEN Li-li |
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| Institution: | CHEN Li-li (East China Institute of Teehnology, Fuzhou , Jiangxi 344000, China) |
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| Abstract: | This article, based on fieldwork, citing the theory of opera communication studies, historical data comparison, aesthetics and so on ,discusses the remaining and the primitive trait of Guangchang Meng opera＇s folk songs and popular tunes, focuses on analysis of elements of the folk songs and popular tunes which remained mainly in the dramas of the Ming and Qing Dynasties, makes a textual analysis of the popular tunes such as Zhu Yun Fei, Shan Po Yaug, Suo Nan Zhi, Bang Zhuang Tai, Ji Sheng Cao, which were popular after the Wanli Year of the Ming dynasty, and the folk song Fu Qi Guan Deng popularizing in the Qing dynasty and modern time. Comparative analysis of the tunes and music system in the six folk songs and popular tunes causes readers to realize the primitive trait and connotation of folk songs and popular tunes remaining in the Ming and Qing Dynasties. |
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| Keywords: | Guangchang Meng drama folk songs and popular tunes aesthetics handwriting primitive trait |
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