神圣与世俗:房山石经唐刻《大般若经》中的宗教社会空间

房山石经唐刻《大般若经》刊镌过程中幽州社会各阶层皆有参与,构建了有别于实体宗教神圣空间的"社会空间"。此社会空间以宗教的神圣性为依托,在内部群体构成、活动辐射范围以及群众聚集形式等方面都表现出明显的世俗性特征。在此宗教社会空间中,各个信仰群体以家庭、地域、社邑等方式结合,通过各异的参佛理念,或表达个人祈愿,或隐含政治诉求,或流露血缘特征。将刊镌佛经这一佛教活动融入多元化的具有世俗特征的信仰理念,展露了宗教空间中神圣与世俗的矛盾与依存。

Sanctity and Secularity:The Religious Social Space in the Mahaprajnaparamita Sutra of Fangshan Stone Sutra in the Tang Dynasty

All social strata in Youzhou were involved in the engraving process of Mahaprajnaparamita Sutra of Fangshan Stone Sutra in the Tang Dynasty,which constructed a “social space” that differed from the sacred space of entity religion.This social space relies on the sanctity of religion,and shows obvious secular characteristics in terms of the composition of internal groups,the range of activities,and the form of gathering.In this religious social space,various belief groups combine in the form of family,region,community,or express personal wishes,implicit political demands,or reveal blood ties through different philosophies of participating in Buddhism.Integrating the Buddhist activity of printing and engraving Buddhist Scriptures into diversified belief concepts with secular characteristics reveals the contradiction and dependence between sanctity and secularity in religious space.