诗歌中的“面具”美学--以宇文所安对晚唐诗人李商隐的解读为例

诗歌主要是表达诗人思想、抱负、志趣的文体，侧重于表述内在心声。但文学中呈现出的“声音”却是非常复杂的，未必是作者本人的真实声音，有时是寄托的声音，美国汉学家孙康宜把这种仿若戴着“面具”不以真实面貌示人的文学现象称为“面具”美学。晚唐诗人李商隐受党派之争牵连，政治上徘徊彷徨表现，在诗歌中欲言又止、隐喻深婉，内在心声隐藏在“面具”之下，反而成就了诗歌含蓄蕴藉之旨、神秘朦胧之韵。

“Mask” Aesthetics of Poetry---A Interp.retation about Late Tang Poet Li Shangyin of Step.hen Owen

Poetry mainly exp.resses the poet’ s thought, aspiration, inclination, focusing on the representation inner voice. But literature showing a “voice” is very comp.licated and may not be the true voice of the author, and sometimes it is the sound of sustenance.American sinologist Kang-I Sun Chang put this are like wearing a “mask” not to show his true face literary p.henome-non known as the“mask” aesthetics.The Late Tang p.oet Li Shangyin was implicated by partisanship., political hovering hesitantly anxious exp.ression in poetry, metap.horical and eup.hemistic.The inner voice is hidden under the “mask”, but the achieve-ment of poetry p.urp.ose of imp.licit and mysterious rhyme haze.