| 从期待视野的角度透视《所罗门之歌》 |
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| 引用本文： | 李异辉.从期待视野的角度透视《所罗门之歌》[J].云梦学刊,2009,30(6):108-110. |
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| 作者姓名： | 李异辉 |
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| 作者单位： | 湖南理工学院公共外语教学部,湖南岳阳414006 |
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| 基金项目： | 湖南理工学院科研项目 |
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| 摘 要： | 托尼·莫里森在对小说《所罗门之歌》的创作中突破了美国主流文学传统的创作手法，融入了大量的黑人民间文学传统，比如黑人神话、传说、魔幻、意象和歌谣等，形成了鲜明的黑人民族文学特点。这些突破和特点不断地打破、重建和扩大着读者的期待视野。
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| 关 键 词： | 《所罗门之歌》 期待视野 文体期待 形象期待 意蕴期待 |
ANALYSiS OF SONG OF SOLOMON FROM THE ANGLE OF HORIZON OF EXPECTATIONS |
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| LI Yi-hui.ANALYSiS OF SONG OF SOLOMON FROM THE ANGLE OF HORIZON OF EXPECTATIONS[J].Journal of Yunmeng,2009,30(6):108-110. |
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| Authors: | LI Yi-hui |
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| Institution: | LI Yi-hui (Department of Public English Teaching, Hunan Institute of Science and Technology, Yueyang 414006, china) |
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| Abstract: | In the novel Song of Solomon, Toni Morrison breaks the traditions of the American main stream literature and melts into it a lot of black culture traditions, such as black myths, folklores, customs, images and songs, which endow the novel with noticeable black culture features. It is these breakthroughs and features that constantly break the reader＇s horizon of expectations and help reestablish and enlarge it. |
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| Keywords: | Song of Solomon horizon of expectations literary type characters implication |
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