| 论成东方的“审美复合”理论 |
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| 引用本文： | 乔世华.论成东方的“审美复合”理论[J].云梦学刊,2004,25(2):23-26. |
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| 作者姓名： | 乔世华 |
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| 作者单位： | 辽宁师范大学,文学院,辽宁大连,116029 |
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| 摘 要： | 成东方由于对摄影文学的建构而发现了审美复合美神,并对之做了较为深入细致的探讨,使得审美复合理论成为现代美学研究中一个值得重视的范畴。审美复合理论既是我们认识摄影文学独特美学特征的路径,也是我们观察了解世界的重要桥梁,它为全球化注入了生动灵魂。
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| 关 键 词： | 审美复合 摄影文学 复合艺术 时代精神 |
| 文章编号： | 1006-6365(2004)02-0023-04 |
| 修稿时间： | 2004年1月7日 |
A DISCUSSION ON CHENG DONG FANG'S THINKING OF 'COMPOUND AESTHETICS' |
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| QIAO Shi-hua.A DISCUSSION ON CHENG DONG FANG''''S THINKING OF ''''COMPOUND AESTHETICS''''[J].Journal of Yunmeng,2004,25(2):23-26. |
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| Authors: | QIAO Shi-hua |
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| Abstract: | Cheng Dong fang discovers the beauty of compound aesthetics as he sets up the art of photo-literature.Furthermore,he has a thorough and meticulous study on compound aesthetics,which leads it to be a valuable category in the field of modern aesthetics.Cheng Dong fang's thinking of compound aesthetics,infusing the fresh spirit into Globalization, is not only a good way to understand the distinctive beauty of photo-literature, but also an important bridge to know the world for the people. |
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| Keywords: | compound aesthetics photo-literature compound art the spirit of the age |
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