| 后殖民主义语境下的中国民族电影 |
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| 引用本文： | 于劼,郭培筠.后殖民主义语境下的中国民族电影[J].阴山学刊,2013(6):42-45. |
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| 作者姓名： | 于劼 郭培筠 |
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| 作者单位： | 内蒙古师范大学文学院,内蒙古呼和浩特010022 |
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| 摘 要： | 随着文化全球化的兴起,后殖民主义理论不断涌现,首当其冲的要属赛义德的＂东方主义＂。该理论较为详尽的讨论东方＂自我东方化＂的现象,无情的批判了西方文化的霸权主义和强权政治,主要研究一切社会文本和文化文本,为全球化提供一种多元的而非一元的格局。
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| 关 键 词： | 后殖民主义 “东方主义” “自我东方化” 中国民族电影 |
A Research into Chinese National Cinema in the Postcolonial Contest |
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| YU Jie;GUO Pei-yun.A Research into Chinese National Cinema in the Postcolonial Contest[J].Yin Shan Academic Journal,2013(6):42-45. |
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| Authors: | YU Jie;GUO Pei-yun |
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| Institution: | YU Jie;GUO Pei-yun;College of Liberal Arts,Inner Mongolia Normal University; |
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| Abstract: | With the development of the cultural globalization,postcolonial theories emerged continuously,and Said ＂Orientalism＂should be the first. The theory discussed the＂East self-orientalization＂phenomenon in detail, criticized the western culture hegemonism and power politics mercilessly,researched into all social and cultural text and provided a multiple but not a unary pattern. |
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| Keywords: | Post-colonialism ＂Orientalism＂ ＂Self-orientalization＂ Chinese national cinema |
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