| 形式美的实践主体性和相对独立性的矛盾统一--兼谈对康德美的形式的看法 |
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| 引用本文： | 许海.形式美的实践主体性和相对独立性的矛盾统一--兼谈对康德美的形式的看法[J].阴山学刊,2004,17(1):16-18. |
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| 作者姓名： | 许海 |
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| 作者单位： | 许海（北京大学,哲学系,北京,100871） |
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| 摘 要： | 形式美在表现上的相对独立性和在根源上的实践主体性是形式美中的深层次矛盾.形式美的独立性是相对的,在这种相对独立的表现中包含着善,包含着物质实践和主体发展的丰富历史内容.康德的形式美观点的缺陷正是在于重视了形式美的表现,忽略了形式美的实践和主体根源.
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| 关 键 词： | 形式美 独立性 实践 主体 |
| 文章编号： | 1004-1869(2004)01-0016-03 |
| 修稿时间： | 2003年5月29日 |
Contradictory Unity of Practical Subjectivity and Relative Independence in Form Aesthetics:Correspondent Analysis of Kant's View on the Form Aesthetics |
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| XUHai c.Contradictory Unity of Practical Subjectivity and Relative Independence in Form Aesthetics:Correspondent Analysis of Kant''''s View on the Form Aesthetics[J].Yin Shan Academic Journal,2004,17(1):16-18. |
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| Authors: | XUHai c |
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| Institution: | XUHai cDepartment of Philosophy,Beijing University, Beijing 100871 |
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| Abstract: | The superficial relative independence and essential practical subjectivity constitute the pair of deep-seat-ed contradictions in form aesthetics. Its independence is relative and kindness, a lot of historical contents such as materi-al practice and subject development are concealed behind the appearance. The deficiency in Kant' s opinion on form aes-thetics is that he emphasized the independence but ignored the practice and subjective origin. |
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| Keywords: | form aesthetics independence practice subject |
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