中国现代文学史观的变迁

传统的文学史写作到20世纪80年代中期遭到了学术界的广泛质疑。钱理群、陈思和、谢冕等人先后提出贯穿20世纪的整体文学史观，试图从时间维度上来推动重写贯穿百年的文学史。金克木和刘登翰则提出将文艺研究作“立体研究”，试图从空间上对文学史进行理论整合。在此基础上，朱德发提出“现代中国文学史”的学科理念与设想，它不仅从时间维度上将传统的中国近代、现代和当代文学贯穿成一个整体，而且在空间上将原先被排除在外的一些文学纳入文学史范畴．真正实现文学史写作从时间到空间的立体型整合，完成了中国现当代文学史从史观到研究的结构性突破。

The Change on the Concept of Chinese Modern Literature History

The writing of traditional literature history was faced an extensive academic questioning in the medium of 1980’s.Qian Liqun,Chen Si and,Xie Mian et al proposed the overall view of literary history through the 21th Century.They attempted to push the rewriting literary history of hundred years from the dimension of time.Jin Kemu and Liu Denghan put forward the study as " stereo " and try to integrate the theory from the space of literature history.On the basis of this,Zhu Defa put forward the subject concept and idea of " modern Chinese literature",it not only connects the modern literature and the contemporary literature into a whole,but also involves the literature previously excluded into literary category in space,then realizes the type integration writing of literary history from the time to the space,completes the Chinese contemporary literature history from the history concept to the structural break of study.