| “女才”与“女色”的极端——论《镜花缘》中“黑齿国”反映出的才貌问题 |
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| 引用本文： | 张佩.“女才”与“女色”的极端——论《镜花缘》中“黑齿国”反映出的才貌问题[J].理论界,2014(6):126-129. |
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| 作者姓名： | 张佩 |
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| 作者单位： | 北京印刷学院新闻出版学院,北京102600 |
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| 基金项目： | 本文系传播学硕士点产学研联合培养基地建设项目（2013）（项目编号：21090113012）. |
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| 摘 要： | 李汝珍《镜花缘》中"黑齿国"反映出的才貌观,恰是作者在"女才"与"女色"两个极端中寻出了三昧。从艺术生产论的角度来讲,女才走向"炫才逞强"、"实学不足",乃是现实中苦乏更有效、更宏大施展渠道的表现。
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| 关 键 词： | 女才 女色 《镜花缘》 黑齿国 炫才 女性特质 |
The Extreme of Female Talent and Beauty that Reflected From Black-tooth Country of Flowers in the Mirror By Li Ruzhen |
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| Zhang Pei.The Extreme of Female Talent and Beauty that Reflected From Black-tooth Country of Flowers in the Mirror By Li Ruzhen[J].Theory Horizon,2014(6):126-129. |
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| Authors: | Zhang Pei |
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| Institution: | Zhang Pei (School of Journalism and Publication, Beijing Institute of Graphic Communication, Beijing 102600, China) |
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| Abstract: | The Black -tooth Country of Flowers in the Mirror reflects the prefer view, is the author in the“female” and “talent” two extremes in the find out of Samadhi. From the perspective of art production theory, the female just to “cool just try to be brave”, “insufficient practical learning”, but in reality is spent with more effective and grander display channel performance. |
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| Keywords: | female talent beauty Black-tooth Country to dazzle femininity |
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