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论大黑天信仰与中日戏神之渊源
引用本文:邱雅芬.论大黑天信仰与中日戏神之渊源[J].学术研究,2010(1).
作者姓名:邱雅芬
作者单位:广州中山大学,广东,广州,510275
摘    要:在佛教东渐的大文化背景下,经过中国式改造的佛教著名护法神大黑天神信仰亦由中国传至日本。大黑天神信仰在中日戏剧之间搭起一座文化桥梁,它使中日傀儡戏的文化底蕴呈现出惊人的一致性。本文揭示了中国戏神与日本傀儡戏神百太夫之间的共通性,这是进一步认识中日傀儡戏文化底蕴及中日戏剧交流问题的重要契机。

关 键 词:中日戏神  傀儡戏  大黑天神  百太夫  

On the Daikokuten Worship and the Origins of Sino-Japanese Opera Gods
Qiu Yafen.On the Daikokuten Worship and the Origins of Sino-Japanese Opera Gods[J].Academic Research,2010(1).
Authors:Qiu Yafen
Abstract:Under the great cultural context of the eastward expansion of Buddhism,Chinese transformed Daikokuten,a household guardian deity in Buddhism,was spread to Japan from China. Daikokuten worship built up a bridge between Chinese opera and Japanese opera. It has made the cultural heritage of Sino-Japanese puppet opera present astonishing consistency. This article is one initial achievement of a research on Sino-Japanese opera god origins,revealing the commonality between the Chinese opera god and the Japanese g...
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