| 箫审美文化多义性之源流初探 |
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| 引用本文： | 戴燕.箫审美文化多义性之源流初探[J].浙江社会科学,2011(7). |
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| 作者姓名： | 戴燕 |
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| 作者单位： | 中国美术学院公共课教学部,杭州,310004 |
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| 基金项目： | 2009年度浙江省教育厅科研计划项目《中国传统文人“箫心”之审美文化指向与源流考辨》成果(Y200908973) |
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| 摘 要： | 在中国传统文化中,箫具有独特之审美属性。随着历史的变迁,中国文人对它内涵的理解亦在不断丰富。从早期的与礼乐文化的关联到与文人内在品性的融合以致箫心的产生,产生这种变化的原因基本有这样几个方面:一是历史上对箫意义的各种解释;二是箫在各方面给予文人的心理影响;三是箫运用场合的多样性;四是箫与文人活动的紧密联系。
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| 关 键 词： | 箫 审美文化内涵 多义性 |
On the Origin and Development of the Xiao's Aesthetic and Cultural Polysemy |
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| Dai Yan.On the Origin and Development of the Xiao's Aesthetic and Cultural Polysemy[J].Zhejiang Social Sciences,2011(7). |
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| Authors: | Dai Yan |
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| Institution: | Dai Yan(China Academy of Art,Hangzhou 310004) |
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| Abstract: | In Chinese traditional culture,the Xiao(flute) has unique aesthetic and cultural attributes.Historical changes also enrich the appreciations of it among Chinese men of letters.In the ancient times,it was a part of the etiquette culture,and then it was united with the spirit of men of letters,which we always call the Xiao Xin.There are four reasons that account for this phenomenon: firstly,it has various definitions by people in history;secondly,it influences the spirit of men of letters;thirdly,it is played... |
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| Keywords: | The Xiao Aesthetic and Cultural Connotation Polysemy |
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