| 上海都市民俗的文学书写 |
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| 引用本文： | 毛海莹,娄佳施. 上海都市民俗的文学书写[J]. 宁波大学学报(人文科学版), 2020, 33(6): 83-89 |
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| 作者姓名： | 毛海莹 娄佳施 |
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| 作者单位： | (宁波大学 人文与传媒学院,浙江 宁波 315211) |
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| 基金项目： | 教育部人文社会科学研究项目;宁波大学中国语言文学学科建设经费资助项目 |
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| 摘 要： | 都市民俗是在都市环境中蕴育形成的物质民俗、社会民俗、精神民俗及语言民俗等。在20世纪华洋杂处的上海，都市民俗形成了其特有的兼容并蓄的特点。对上海都市民俗的文学书写经历了20世纪30年代新感觉派的“异质民俗”书写、40年代新市民作家的“日常民俗”书写，以及80、90年代当代作家的“民俗寻根”书写等阶段，从而建构起了一条跨越时空的都市民俗文学书写的独特的风景线。都市民俗的文学创作承传也积淀着作家个人的文化情结与国家民族的文化记忆，具有文学史的意义与价值。
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| 关 键 词： | 都市民俗 上海 文学书写 女性作家 |
Literary Writings of Urban Folklore of Shanghai |
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| MAO Hai-ying,LOU Jia-shi. Literary Writings of Urban Folklore of Shanghai[J]. Journal of Ningbo University(Liberal Arts Edition), 2020, 33(6): 83-89 |
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| Authors: | MAO Hai-ying LOU Jia-shi |
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| Affiliation: | (Faculty of Humanities and Media, Ningbo University, Ningbo 315211, China) |
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| Abstract: | Urban folklore is a general term for the material folklore, social folklore, spiritual folklore and language folklore. In the 20th century, where Shanghai’s customs are mixed, the Urban folklore has formed its unique inclusive characteristics. The literary writing of the Urban folklore of Shanghai has experienced the “heterogeneous folklore” writing of the neo-sensationalism in the 1930s, the “daily folklore” writing of the new citizen writers in the 1940s, and the “folklore culture” writing of contemporary writers in the 1980s and 1990s, thus forming a unique landscape written by the Urban folk literature across time and space. This inheritance of literary creations of the folk customs also accumulates the writer’s personal cultural complex and the national cultural memory, and has the significance and value of literary history. |
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| Keywords: | urban folklore Shanghai literary writing female writers |
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