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The Aesthetic Construction of Shakespeare's Sonnet 18:A Fuzzy Linguistics Perspective
LI Jin-shu. The Aesthetic Construction of Shakespeare's Sonnet 18:A Fuzzy Linguistics Perspective[J]. Journal of Xihua University (Philosophy & Social Sciences) , 2015, 34(5): 38-41.
Authors:LI Jin-shu
Affiliation:1.Graduate School of Sichuan International Studies University, Chongqing, 400031, China
Abstract:Fuzziness is the nature of natural language. The fuzzy beauty of poetry leaves endless room for the readers to interpret. This paper delves into the research of the fuzzy beauty in Shakespeare's Sonnet 18 from three aspects: semantic fuzziness, image fuzziness and theme fuzziness. The choice of such fuzzy words as "lovely, temperate, short, hot, I, thee and this" makes it semantically fuzzy; its image fuzziness is well displayed by the author's wise combination of such individual image as summer, bud of may, eye of heaven and death, and the uncertainty and multiplicity resulting from its semantic and image fuzziness lead to its theme fuzziness.  
Keywords:Sonnet 18  aesthetic construction  semantic fuzziness  image fuzziness  theme fuzziness
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