| 20世纪90年代以来历史散文帝王形象书写 |
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| 引用本文： | 马小敏. 20世纪90年代以来历史散文帝王形象书写[J]. 宁波大学学报(人文科学版), 2017, 0(6): 35-39 |
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| 作者姓名： | 马小敏 |
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| 作者单位： | (浙江经济职业技术学院 文化艺术学院,浙江 杭州 310018) |
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| 摘 要： | 帝王形象在20世纪90年代的历史散文中得到了别样的书写，散文文体的碎片化与抒情性决定了其对帝王书写选择的是与自我感受最为对接的性格侧面，最大限度地张扬自我情感及价值判断，因而帝王形象的特殊性主要表现在单向度的情感抒发、善恶观的重新思考和对其权力异化的反思，这构成了当时历史文学书写的新维度。
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| 关 键 词： | 历史散文 帝王形象 碎片化 抒情性 权力异化 |
On the Images of Emperors in the Historical Prose Writings Since 1990s MA Xiao-min |
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| MA Xiao-min. On the Images of Emperors in the Historical Prose Writings Since 1990s MA Xiao-min[J]. Journal of Ningbo University(Liberal Arts Edition), 2017, 0(6): 35-39 |
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| Authors: | MA Xiao-min |
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| Affiliation: | (College of Culture and Arts, Zhejiang Technical Institute of Economics, Hangzhou 310018, China) |
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| Abstract: | The image of the emperor in the history of the 1990s got another profile in the prose, its fragmentation and lyricism making it to choose the self-felt personality profile in his writing, and to maximize the publicity of self-emotion and value judgments . Therefore, the particularity of the imperial image is mainly reflected in the emotional expression of the single dimension, the rethinking of the concept of good and evil, and the reflection on the alienation of its rights, which constitutes the new dimension of the writing of historical literature at that time. |
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| Keywords: | historical prose emperor images fragmentation lyricism powers alienation |
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