| 母女关系视角下的玛莎·诺曼作品研究 |
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| 引用本文： | 贺安芳. 母女关系视角下的玛莎·诺曼作品研究[J]. 宁波大学学报(人文科学版), 2013, 0(3): 32-36 |
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| 作者姓名： | 贺安芳 |
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| 作者单位： | (宁波大学 科技学院,浙江 宁波 315211) |
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| 摘 要： | 母女关系是当代美国女剧作家玛莎·诺曼关注的重要命题。剧作家以隔阂、冲突为点，渴望、认同为线，在作品《出狱》《洗衣店》和《晚安，母亲》中刻画了母女关系从他者之间到主体间性的发展衍进，揭示了母亲主体性、母女对话于形成母女真爱的重要性。剧作家对母女关系动态、多维的呈现丰富了母女关系图景，续写了母女关系谱系，为女性构建主体自我提供了重要的文化途径，是对母女关系社会伦理建构的有益探索。
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| 关 键 词： | 玛莎·诺曼 母女关系 母亲主体性 主体自我 |
Martha Normans Plays from the Perspective of Mother-Daughter Relationship |
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| HE An-fang. Martha Normans Plays from the Perspective of Mother-Daughter Relationship[J]. Journal of Ningbo University(Liberal Arts Edition), 2013, 0(3): 32-36 |
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| Authors: | HE An-fang |
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| Affiliation: | (College of Science and Technology, Ningbo University, Ningbo 315211, China) |
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| Abstract: | Mother-daughter relationship is a basic thematic concern throughout Martha Norman’s plays of Getting Out, The Laundromat and ’night Mother, in which mother-daughter relationship progresses from an alienated one to the one emphasizing intersubjectivity. The dynamic and multi-dimensional presentation of mother-daughter relationship has enriched mother- daughter narrative, provided an important cultural access to women’s self as subject and contributed to the exploration of mother-daughter ethics. |
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| Keywords: | Martha Norman mother-daughter relationship maternal subjectivity self as subject |
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