| 戏曲·信仰·认同——奉化礼俗仪式中的吹打乐研究 |
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| 引用本文： | 廖松清. 戏曲·信仰·认同——奉化礼俗仪式中的吹打乐研究[J]. 宁波大学学报(人文科学版), 2013, 0(3): 125-129 |
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| 作者姓名： | 廖松清 |
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| 作者单位： | (宁波大学 艺术学院,浙江 宁波 315211) |
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| 摘 要： | 特殊的自然生态环境和历史上大规模的人口迁徙，使得奉化的居民形成了“俗信鬼神，好淫祀”的文化特点，给这个地区民间信仰的存在和发展产生了重大影响，应运而生的各种礼俗仪式围绕着当地人的日常生活。而吹打乐则贯穿于各种仪式之中，吹打乐的乐曲则以戏曲音乐得以呈现。通过对当地祭祖、丧葬仪式中所使用的吹打乐进行形态的分析，结合信仰文化和认同观念，阐释当地的礼俗仪式中大量使用与戏曲音乐相关的吹打乐的原因。
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| 关 键 词： | 戏曲 祖先 礼俗仪式 奉化 吹打乐 |
On Fenghua Wind and Percussion Music in Ritual Ceremonies |
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| LIAO Song-qing. On Fenghua Wind and Percussion Music in Ritual Ceremonies[J]. Journal of Ningbo University(Liberal Arts Edition), 2013, 0(3): 125-129 |
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| Authors: | LIAO Song-qing |
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| Affiliation: | (School of Arts, Ningbo University, Ningbo 315211, China) |
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| Abstract: | Thanks to the unique geographic conditions and population migration in history, Fenghua was known for its traditional culture of superstition and preference of rites among the local people and this led to the emergence of various ritual ceremonies. The wind and percussion music is an indispensible part of all the ceremonies. This article analyzes the various forms of wind and percussion music played in ancestral worship rites and funerals in Fenghua and explores the reasons of the use of the dramatic music pieces in the performance of the wind and percussion instrumental music |
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| Keywords: | dramatic music ancestor ritual ceremony Fenghua wind and percussion music |
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