| “美学大讨论”略论 |
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| 引用本文： | 薛富兴. “美学大讨论”略论[J]. 吉首大学学报(社会科学版), 2003, 24(1): 19-26 |
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| 作者姓名： | 薛富兴 |
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| 作者单位： | （南开大学 哲学系，天津 300071） |
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| 摘 要： | 发生于20世纪50、60年代的“美学大讨论”对于20世纪后期中国美学，在审美观念和学术形态两方面，均有铸型作用。就文化背景言，它是建国初期思想改造运动与毛泽东“双百方针”双向作用之结果；就学术渊源言，它又是前苏联美学论争之移植。哲学美学是它对当代20世纪美学最大的学术规定，强烈的政治意识形态色彩是其最深刻的学术教训。
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| 关 键 词： | 发生于20世纪50、60年代的“美学大讨论”对于20世纪后期中国美学，在审美观念和学术形态两方面，均有铸型作用。就文化背景言，它是建国初期思想改造运动与毛泽东“双百方针”双向作用之结果；就学术渊源言，它又是前苏联美学论争之移植。哲学美学是它对当代20世纪美学最大的学术规定，强烈的政治意识形态色彩是其最深刻的学术教训。 |
| 文章编号： | 1007-4074(2003)01-0019-08 |
| 修稿时间： | 2002-07-16 |
On the Significance and Limitations of the "Grand Aesthetic Discussion" |
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| XUE Fu-Xing. On the Significance and Limitations of the "Grand Aesthetic Discussion"[J]. Journal of Jishou University(Social Science), 2003, 24(1): 19-26 |
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| Authors: | XUE Fu-Xing |
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| Affiliation: | (Philosophy Department of Nankai University,Tianjin 300071,China) |
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| Abstract: | The “Grand Aethetic Discussion” which took place in the fifties and sixties of 20th century exercised a moulding function to the late 20th century Chinese aethetics in the aspects of aethetic ideas and academic patterns.As far as its cultural background was concerned,it was the result of the interaction between the ideological reform movement in early period of People's Republic and Mao Zedong's literary principle of “Let a hundred flower blossom and a hundred schools of thought contend”;as to its academic origin,it was the transplantation of the former Soviet Union's aethetic contention.Philosophical aethetics was its greatest academic stipulation to the 20th century aethetics,and the strong political ideology was its deepest academic lesson. |
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| Keywords: | Grand Aesthetic Discussion ideological reform movement double hundred principle philosophical aesthetics political ideology |
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