| 视觉再现的理论与文本 |
| |
| 引用本文： | 段炼. 视觉再现的理论与文本[J]. 重庆文理学院学报, 2012, 31(4): 16-22 |
| |
| 作者姓名： | 段炼 |
| |
| 作者单位： | 康科迪亚大学 中文部, 加拿大 蒙特利尔市 |
| |
| 摘 要： | 对视觉再现符号的理论与实践进行了开拓性的探索,在对再现理论的源流的梳理中,提出从符号学角度将再现观念与西方当代哲学和美学理论中的“凝视”相联系,从文本与语境角度分析其理论意义与价值。符号机制则是切入的特有角度,从电影符号与绘画角度来看,这一机制的形成具有意义阐释的特性。文章结合以伦勃朗绘画为题材的电影符号表达分析了符号机制的形态,展示了文本特性。
|
| 关 键 词： | 视觉再现 符号学 电影符号 |
The Theory and the Text of Visual Representation |
| |
| DUAN Lian. The Theory and the Text of Visual Representation[J]. Journal of Chongqing University of Arts and Sciences, 2012, 31(4): 16-22 |
| |
| Authors: | DUAN Lian |
| |
| Affiliation: | Chinese Department, Concordia University, Montreal City, Canada |
| |
| Abstract: | This article makes exploration of visual representation symbol''s theory and its practice. In the carding of visual representation, it points out that from the perspective of semiotics, the visual representation and the "gaze" of western contemporary philosophy is closely related, and then analyzes its meaning and value from the view of text and the context. The symbol mechanism is the unique view of pitching-in, from the view of film symbol and painting, the mechanism has unique meaning. This article analyzes the form of semiotics mechanism and presents some text characteristics. |
| |
| Keywords: | visual representation semiotics film symbol |
|
| 点击此处可从《重庆文理学院学报》浏览原始摘要信息 |
|
点击此处可从《重庆文理学院学报》下载免费的PDF全文 |
|
