"More Basque than You!": Class,Youth, and Identity in an Industrial Basque Town

In this article, I argue that those of us who study nationalism need to "think class as we think the nation," and I suggest a framework for exploring the relationship between class and national identities and projects. I present the case of Basque nationalism and examine how different visions of the nation either include or exclude non-Basque, working-class immigrants. I show how during the economic crisis of the 1980s to early 1990s, young people created a novel Basque identity in the bars associated with the radical-Basque-nationalist movement. This identity combines leftist and nationalist politics with the styles of punk rock, a genre that flourished in the declining centers of industrial capitalism throughout Europe and the United States. Unlike competing versions of Basqueness, radical Basque identity is not ethnically exclusive. Thus it invites youths who are not ethnically Basque to become Basque by drawing on their oppositional politics and working-class backgrounds as alternative sources of "authenticity."     

Narratives of "Home" and "Homeland": The Symbolic Construction and Appropriation of the Sudeten German Heimat

Sport is an important arena for the construction, maintenance, and challenging of identities. This article aims to explore, using a figurational sociological perspective, the complex inter-relationship between sport, culture, and national identity with particular reference to rugby union in Ireland. The theoretical framework for the analysis of national identity put forward here seeks to make sense of national identity by considering a series of key "processual" social dynamics to shed light and raise questions on the dynamic double-bind between sport and national identity. A case study of rugby union in Ireland since 1945 is employed here to demonstrate how various sources of evidence can be "triangulated" to help unravel the relationship between rugby union and a specific "nation." Rugby union (as a global team sport now with a recognised and established World Cup) is arguably the most significant sporting arena whereby the imagined community of Ireland can become "real." This temporary union of two politically distinct nations through sport provides an interesting context for the researcher of national identity. This context will be explored by considering "official" historical accounts of Irish rugby, British media portraits of Irish rugby union, and the views of contemporary international Irish rugby players.     

Influence of musical genres with Andean contents on the components of Peruvian national identity / Influencia de géneros musicales con contenidos andinos en los componentes de la identidad nacional peruana

The purpose of this study is to analyse the influence of different musical genres with Andean influences (Huayno, Chicha and Rock/Fusion) on the components of Peruvian national identity. To this end, we enlisted the participation of 92 upper-middle-class people (M = 19.91, SD = 1.95). The participants were randomly assigned each music genre in three experimental groups: Huayno (n = 30), Chicha (n = 31) and Rock/Fusion (n = 31). The results show that Rock/Fusion is the most highly rated musical genre with the most positive influence on some stereotypical components of national identity, attitude towards music and positive emotions. In contrast, the more ‘Andeanized’ genres, especially Chicha music, are perceived more negatively and have fewer positive effects on the stereotypical components of national identity, attitude towards music and positive emotions. The discussion suggests that the influence of the musical expressions evaluated depends on the ascribed status of the social group where these expressions were originally conceived and are currently consumed.     

Some realities of African agriculture: A reply to professor Tomlinson and professor Bisschop

This paper on the use of performances of oral literary genres in South African political organisations such as Inkatha, in Zulu Royal institutions, and in trade union movements (FOSATU, MAWU, SAWU, and others), is concerned with the use of the past in contemporary political activity, and with the question of whether oral literature will survive as a viable genre. The pressure exerted on oral literature by written genres seems to threated their continued existence, yet oral genres continue to have significant power in contemporary culture and politics. Several examples are presented to show the adaptation of the oral izibongo genre, and other forms of orally‐performed poetry, to contemporary contexts.     

Myths and Moral Authority in Maluku: The Case of Ambon

Since January 1999, the island of Ambon, located in the province of Maluku (Moluccas) in Eastern Indonesia, has been the scene of a virtual war between Christians and Muslims. Amid its religious underpinnings, two competing nationalistic ideologies have developed, one based on allegiance to an ethnic Moluccan nation and the other to a civic nation of common residence. Attempts to rationalise the underlying sentiment of the masses in these movements have purported rational explanations of the pursuit of common material interests, while others have focused on innate emotions of individual loyalty to their community. The other explanation suggests that identity is constructed as an ideological myth that convinces the individual of the simplicity of otherwise complex situations. In this respect, this paper has focused on the psychological and political appeal of myths of kinship as strengthening ideas of national consciousness and individual loyalty. It is asserted that the construction of new 'us' and 'them' visions of imagined community occur in the context of social, economic and political processes. These disruptive forces place individuals in stress situations and make them susceptible to these ideologies which offer simplistic diagnoses of complex social and political changes.     

Media use,social cohesion,and cultural citizenship: an analysis of a Chinese metropolis

The emergence of new social strata and plural identities are two of the most profound changes in China's social transition toward integration into the global economic system. Differentiating three dimensions of cultural citizenship identity (i.e., cosmopolitan, national, and local), this study seeks to depict the paths of influence in the formation of such identities that involve reality construction by the media and evolving patterns of social stratification. Analysing data from a 2009 Shanghai survey, we found a strong relationship between individuals' consumption of local media contents and their local identity. Further, their perceptions of media's centripetal and centrifugal forces have significant effects on their identities, and the Internet has different effects from the traditional media, although such influences vary across different social strata.     

DRAMATURGY, POLITICS AND THE AXIAL MEDIA EVENT

Current theorizing on the role of media in politics and interpersonal relations in contemporary American society not only echoes questions about connections between modernity and viable democratic politics (Ortega y Gasset 1932; Jay 1973; Kornhauser 1959), but also tends to see the media as an insidious and even erosive cultural force (Debord 1983; 1990; Edelman 1967; 1988; Poster 1990; McKibben 1992). Politics is shaped by the mass media and by the dramatic engaging visual spectacles it presents. In this way, a dramaturgical social theory both reflects society and is a means to analyze it. Clearly, drama suffuses modern life figuratively and literally, in part because media genres compete with personal experience as ways of ordering problematic situations. Drama, in various forms, along with war and sport, is the dominant metaphor of our time. A dramaturgical framework emphasizing audience, performance, and theatrical aspects of everyday life, is therefore appropriate for examining changes in the relationships among media, politics, and interpersonal relations.     

Aesthetic Identity,Race, and American Folk Music

This article uses the concept of aesthetic identity to interrogate the relationship among musical genres, social movements and racial identity. American folk music has at some times subverted and other times reinforced the categorical boundaries between blacks and whites in twentieth-century United States. Aesthetic identity is the cultural alignment of artistic genres to social groups by which groups come to feel that genres represent our or their art, music, and literature. Genre boundaries then become social boundaries. Folk music inverts the usual relationship of genre and social boundaries. Folk music is always the culture of some other, either racial, regional, class, or national. Before it was called folk music, American vernacular music was much more racially integrated than the society around it, creolized across a spectrum from predominantly European to predominantly African- influenced, but with most exhibiting both. Before the era of commercial recording, black and white musicians sang the same music, learned techniques and songs from each other, and shared a social world of performance. The concept of folk music was created by academic elites, but remained unfamiliar to most people until the organized left took it on as a cultural project in the late 1930s and 1940s. Both academic elites and political activists constructed the genre as an alternative to the racialized genres that the commercial recording industry had dubbed race records and hillbilly music. American communists and their allies were especially self-conscious about using folk music as an instrument of racial solidarity in a particularly racially polarized era. Submerged by McCarthyism until the 1960s, folk music was revived as a racially unified genre, but quickly became whitened. My explanation for why the folk revival was so white revolves around three factors: the continuing legacy of commercial racial categories, the failure of the New Left to control music through a cultural infrastructure as effectively as had the old left, and the cultural momentum of an understanding of folk music as the music of the other at a time when blacks were trying to enter a system that white middle-class youth were rejecting.     

Contesting Miss South Sudan

As South Sudan prepares for a referendum on independence in 2011, heightened nationalist expression within popular and political discourse reveals a messier and more openly disputed conception of the ideal Southern Sudanese woman. In this article I examine one site for debate in the diaspora, the US based Miss South Sudan beauty pageant. Highlighting the perseverance and power of the Woman-as-Nation discourse, I read the contest as a politically significant expression of a ‘South Sudanese’ national identity, with elements of the advertising, organization and the performance itself promoting a particularly faith, race and class based role model. This ideal is deeply politicized, linked both to the long history of conflict in Sudan and contemporary political and social shifts around gender. Miss South Sudan straddles traditional and modern notions of womanhood and women's patriotism revealing productive contestations around femininity and empowerment in the post-conflict period. This analysis highlights the troubling of gender at work in the diaspora and the conflicting visions for women in the new nation.     

Limiting relationships through sousveillance video based digital advocacy: multi-modal analysis of The Nervous CPS Worker

ABSTRACT

Digital media technology and Internet-based/social media sharing are shifting the contexts and processes of social work, including the relationships emerging in practice. The Nervous CPS Worker, a digital video shared via YouTube, provides a concrete practice-based example of the use of social media self-advocacy by professional foster parents. This case-study demonstrates the fragmented and shifting power-relations brought to bear within contemporary social work. Multi-modal analysis facilitates the development of a layered qualitative understanding of this video, shaped by the researcher’s inter-textual relationship with the material. Supplemental online texts are applied to the Nervous CPS Worker and relevant scholarship, including discipline specific knowledge, reveals the layered and convergent meaning making processes present in this video through the use of auditory communication, visual representations and genre. Analysis demonstrates how contemporary social work contexts, such as neoliberalism, and standardisation are implicated in practice and how identity and context compete for recognition and space within the home visit depicted in this video.     

Barbie Zelizer,Ed., Visual Culture and the Holocaust/Matthew Baigell and Milly Heyd,Eds., Complex Identities: Jewish Consciousness and Modern Art

Mass media and the culture it carries have been identified as a key site of conflict in the so-called culture wars, pitting evangelical Christians against mainstream American society. Paradoxically, Evangelicals historically have appropriated the spectrum of forms of popular culture in America and secular commercial practices for evangelizing vehicles and, at the same time, contributed an evangelical voice to that culture. The author argues that Evangelicals' use of media has moved into a new level of sophistication enabling effective entry into the national discourse, partly through dramatic growth of contemporary Christian music. Given this phenomenon, the author examines issues of identity and social forces driving the subculture; he also explores potential influences or effects on the broader secular culture. Using a range of cultural theory, the author argues that the movement toward religious messages in the form of popular music enables the subculture of evangelical Christians to resist against a dominant secular society by taking possession of a cultural form and redefining it as their own, empowering them to effect an influential voice in the cultural discourse of American society.     

Scale and periodicities of recorded music consumption: reconciling Bourdieu's theory of taste with facts

Recent data show that middle class consumers have an omnivorous pattern of consumption or tastes, contrary to Bourdieu's predictions of a snob pattern of consumption. To explore the implications of Bourdieu's framework for omnivorousness further, we make use of the anthropological view of consumption to analyse Spaniards' musical tastes and consumption. Results showed a variety of omnivorous patterns of musical consumption associated with upscale consumers: a higher position on the social ladder was linked to more omnivorous tastes and greater use of technologies that free the consumer from fixed periodicities in music consumption. We found that different types (economic, social and cultural) and levels of capital do configure subjects' structural constraints and hence, their tastes in musical genres and the technological media used to consume them. Consequently, the combination of all three types of capital helps to explain the omnivorous consumption (elitist but inclusive as well) of upscale consumers.     

当代中国青年的文化认同问题

当代中国青年的文化认同问题,可以从历史的、社会的、心理的等多维视野和知识学架构来把握。青年事实性文化认同中的差异和矛盾以及建构性认同中的关系性特征是当前青年文化的重要议题,当代中国的青年文化认同是多层次、多维度的,并不存在各种青年群体共有的、贯穿诸领域的实质性认同。     

ALIEN-NATION: IMMIGRATION,NATIONAL IDENTITY AND TRANSNATIONALISM

This article examines recent anti-immigration initiatives, like California's Proposition 187, in light of the contemporary processes of economic and political reorganization that seem to have undermined the viability of the nation state (i.e. the globalization of the market economy and the end of the cold war). It argues that anti-immigration discourse works on a symbolic level to recuperate a coherent sense of national identity in response to the social and psychic ‘alien-nation’ caused by the global penetration of capitalism. The study compares two similar yet distinctly different moments of mass immigration- Chinese immigration in the late nineteenth century and ‘illegal’ immigration in the late twentieth- to determine (1) why these mass migrations have elicited legal regulation when others have not, and (2) what might be done to disrupt the re-emergence of a paradigm of legislated exclusion in the current case. It concludes by examining the conditions of possibility for collective political action within a mass-mediated public sphere. Specifically, I ask how resistance to the historical paradigm of legislated exclusion might best be mobilized from within a public sphere dominated by visual media that not only personalize the political, but also exacerbate the inequalities of access to public life endemic to liberal democratic political theory.     

Global schemas and local discourses in Cosmopolitan

This paper investigates the representation of female identity and practice in the U.K., Dutch, German, Spanish, Greek, Finnish, Indian and Taiwanese versions of Cosmopolitan magazine . It shows how a 'problem–solution' discourse schema underlies a range of articles that do not all use a problem–solution genre. While this schema is clearly global and occurs in all the versions of the magazine, it allows for local variation in terms of the kinds of problems and solutions it can accommodate. The schema is described as an interpretive framework which constructs social life as an individual struggle for survival in a world of risky and unstable relationships. The community of readers of the magazine is described as a globally dispersed and linguistically heterogeneous speech community which nevertheless shares an involvement with the same modalities and genres of language and the same linguistic constructions of reality and which can signify its allegiance to the values of the magazine through dress, grooming and other behaviours.     

Nationalism and patriotism as determinants of European identity and attitudes towards the euro

The present study investigates national identity and European identity as determinants of attitudes towards the single European currency, the euro. It is assumed that support of the euro depends on a positive European identity which may be affected by patriotism and nationalism as different types of national identity. Sentimental and instrumental attachment to one’s own nation, and optimistic expectations about Austrian future are included as determinants of patriotism and nationalism. A sample of 318 participants completed a questionnaire. Results give evidence for impacts of national and European identity on the attitudes towards the euro.     

Citizen Alevi in Turkey: Beyond Confirmation and Denial

Abstract Critics of the current national citizenship models argue that, although it rests on claims to be inclusionary and universal, it can never eliminate exclusionary and particularistic practices when challenged by those identities excluded from the historical trajectory of "nation building." Turkish citizenship has been a form of anomalous amalgamation since its conception. On the one hand, the state insisted on the pre-emptive exclusion of religion and various communal cultural identities from politics, while, on other hand, it promoted a particular religious identity primarily as a means of promoting cultural and social solidarity among its citizens. Contemporary Alevi movements, representing the interests of a large minority in Turkey, provide a new source of energy for the revision of concepts of citizenship. Alevis have suffered from prejudice, and their culture has been arrested and excluded from the nation building process. They were not able to integrate into the form of national identity based on the "secular" principles that the republican state has provided as a means of promoting solidarity among citizens. What Alevis seek is a revised citizenship model in terms of a system of rights assuring the condition of neutrality among culturally diverse individuals.     

Photography,cinema and medium as social practice

One of the more interesting aspects of the dialogue between the mediums of the still and moving image that has taken place over recent years has been a concern within fine-art photography for the cinematic. Photographers have turned to the style and iconography of the established genres of cinema as a means of reinventing the pictorial form of the tableau and thereby to explore the possibilities of narrativity within the static image. However, beyond any aesthetic interest the contemporary genre of the ‘cinematic photograph’ may hold, it is argued here that it may be indicative of an important shift in the social, economic and technological bases of fine-art photography. This essay suggests that the significance of the ‘cinematic photograph’ lies in its complex forms of technical production, the mobilisation of skilled labour and professional expertise, and the deployment of substantial economic resources, which are to be found in the film industry. Through an analysis of the work of the American photographer Gregory Crewdson, the authors demonstrate how the formal and iconographic properties of his images are inseparable from his adoption of the cinema's specific modes of production and that the latter is central to a reading of Crewdson's photographs. The consequences this holds for our understanding of the medium of photography are developed with reference to Raymond Williams's concept of ‘medium as social practice’. The authors conclude that the ‘cinematic photograph’ might be regarded as symptomatic of a trend within contemporary art practices to model themselves on cinema as the emblematic form of cultural production of ‘late capitalism’, a trend that has significant implications for the dominant conceptions concerning the nature of the work of art and the role of the artist.     

National and Local Attachments in a Changing World System: Evidence from an International Survey Revised version of a paper prepared for presentation in the Session on ‘Belongingness,Values and Territoriality’, Biennial Congress of the International Institute of Sociology,Cracow, Poland,July 2001.

Attachment to community is a central component of identities in the modern world, and community attachment can be expressed at different levels within national states. Most classical perspectives on modern societies have taken for granted that national states have long been the most important locus of citizen attachment and loyalty in the contemporary world system. More recently, many influential perspectives on globalization have suggested that national states are becoming less important, because of the rise of subnational units on the one hand, and supranational entities on the other. What is the relative importance of national, subnational, local, and supranational attachments in the contemporary world system? Is the structure of attitudes similar across national settings? What is the relative strength of attachment to the nation versus attachment to other levels of community? How willing are people to move to a different community to improve their economic condition? This exploratory paper will investigate these questions by examining the 1995 International Social Survey Programme (ISSP) data on national identities in 24 countries.     

自反性青年亚文化——青年文化的空间属性与情感转向

“青年文化”具有“亚文化”属性,不仅仅指“青春叛逆”这一特质,在新媒体时代更涉及到“网络媒介”对“青年文化”的形塑。通过当代大学生阅读调查、网络使用习惯调查以及实际社交状况的深描,探讨青年群体在虚拟空间与现实空间中不同的身份表达,可以发现当下“赛博空间”中的青年自我表征与现实身份认同的关系具有“自反性”,一方面“次元壁”的区隔显示出青年身份认同的焦虑,另一方面从“网络—现实”空间的二元对立中又生产出身份认同的路径,即通过“自我对抗”最终生产出青年的主体性。