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在二次大战后,雀巢的速溶咖啡应时兴起,独霸了咖啡市场半个多世纪,人们也习惯了喝速溶咖啡,因为它省去了烧咖啡的麻烦。可是,今天它却遇到了严重的挑战,星巴克咖啡王国的兴起把人们又引回了煮咖啡时代。星巴克于1971年在美国西雅图创立时,只是一家小小的咖啡豆零售店。1981年的一天,一位名叫舒尔茨的家用器皿制造商接到星巴克的滴淋 相似文献
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2007年央视英语主播芮成钢在其博客上发表《请星巴克从故宫里出去》,阅读人次达50多万,最后迫使星巴克入驻故宫计划流产,甚至差点演化为星巴克的品牌危机。从星巴克“故宫门”到万科“捐款门”再到惠普“换芯门”,博客掀起了一场网络上对品牌讨伐的“血雨腥风”,在网络强大的传播力下,星巴克、万科均以品牌向大众屈服落下帷幕。 相似文献
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《青春岁月:学术版》2017,(9)
我国的咖啡产业正在不断发展中,由于起步时间晚,水平较落后,在生产、销售等环节中出现了许多问题。我国咖啡产业面临着国外品牌如星巴克等强大行业内竞争者。对此,我们在对未来咖啡市场抱有乐观积极态度的同时要针对现有问题采取一定的对策,以促进我国咖啡产业长远的发展。 相似文献
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星巴克(starbucks),一家1971年诞生于美国西雅图的咖啡公司,专门购买并烘焙高质量的纯咖啡豆,并在其遍布全球的零售店中出售,此外,还销售即磨咖啡、浓咖啡式饮品、茶,以及与咖啡有关的什物和用品。1986年霍华德·舒尔茨购买并改造星巴克,在短短近二十年时间里,以其“童话”般的奇迹让全球 相似文献
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《Comparative American Studies》2013,11(1):68-84
AbstractThis paper examines Starbucks product placement in American movies. The portrait of Starbucks images in movies not only serves a promotional purpose, but also as a way of communicating coffee culture through the big screen. Content analysis and semiotic approaches are employed to examine the coffee culture that is communicated through American movies. Seven American movies from 1998 to 2008 which include Starbucks product placement are included in the content analysis while semiotic theories are applied to the 1998 movie You've Got Mail. The findings suggest that, through the movies, Starbucks attempts to establish the image of an upscale cosmopolitan coffee chain and a coffee culture that represents a vigorous American middle-class lifestyle. 相似文献
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Maria Damon 《Cultural Studies》2013,27(1):14-29
This essay uses the contemporary urban consumption practice of speciality coffee as a means to explore the complex ways in which global brands seek to enhance the promotional currency of their products through the mobilizing of local ‘commodity biographies’. It begins by outlining the place-specific strategies of promotion employed by speciality coffee retailers such as Starbucks and the Seattle Coffee Company, examining the range of ways in which Seattle as centre of US ‘coffee culture’ was deployed as the locus of ‘origin’ in order to create lucrative distinctions between speciality coffee and homogenized, mass-market coffee products. It then places this symbolic geography of coffee within the long history of coffee as a global commodity, tracing the recent emergence of speciality coffee as a ‘niche’ product, and situating it in the context of restructuring urban economies geared towards service-sector, consumption-oriented activities. The essay then moves on to consider the difficulties encountered by Starbucks, the market leader in speciality coffee, in monitoring and manipulating the symbolic geographies of its coffee commodities as they migrated from the coffee shop and into other realms of representation. In particular it explores the issue of Starbucks’ product placement in the a number of motion pictures in the 1990s, arguing that such placements were embraced by the company as an opportunity to defuse criticism of the company's activities that amplified as the decade evolved. Finally, the essay looks at the high profile targeting of Starbucks coffee shops by protestors at the anti-globalization protests that accompanied the hosting of the 1999 WTO Ministerial Conference Meeting in Seattle, arguing that this moment can be seen to capture much of the complexity of mobilizing circumscribed place-specific ‘commodity biographies’ for a global product in an era characterized by increased scrutiny of the international division of labour. 相似文献
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Carl Rhodes 《Culture and Organization》2013,19(4):293-306
In this paper, I examine the representation of organizations in the television cartoon series South Park . In particular the South Park episode 'Gnomes' is reviewed - this episode contains a direct parody of the role and conduct of organizations in society as its story revolves around a 'fictitious' coffee chain, Harbucks', attempt at a hostile takeover of a small town coffee shop. Drawing on the episode's roman a clef (or perhaps cartoon a clef ) depiction of the global coffee retailing organization Starbucks, it is argued that this popular culture representation offers opportunities to critique and debate organizational behaviour in a way not available to modes of representation common to Organization Studies. Following Bakhtin's model of the carnival, South Park is read as exemplary of a subversive culture of folk humour that mocks, satirises and undermines official institutions - a culture rich in understandings of contemporary organizations and their relationship with society. 相似文献
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上海城镇居民家庭消费支出水平显著提升,但支出水平差异较大,支出结构有所微调。实际收入水平、投资意愿、消费观念、保障性支出预期等因素制约居民消费支出的进一步扩大。未来网络消费、汽车消费、教育文化娱乐消费等形式将成为消费趋势或热点。当前应进一步改善居民收入、完善保障制度、实施扶持政策等,以促进和提高居民消费水平。 相似文献
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后亚文化背景下青年的数字游戏消费出现了娱乐要求与游戏成瘾间的矛盾。新媒介的传播和文化产业的繁荣为当代青年对数字游戏的消费提供了载体和空间。国内数字游戏被"标签"为"毒害",消费数字游戏的青年被归为"反叛"的亚文化群体。多数研究者漠视数字游戏在满足青年娱乐要求方面的正价值,把各种负面效应特别是成瘾性看成是青年消费数字游戏的主要结果。其实,娱乐作为青年文化的时代标志才是青年对数字游戏消费的主流指向。 相似文献
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发展时尚创意产业 打造国际时尚都心 总被引:1,自引:0,他引:1
静安区是上海国际购物天堂的重要标志性地区和最具时尚品位的中心城区之一,以"梅、泰、恒"商圈和静安寺地区为代表的一批高品位、大容量的商业商务楼宇,集聚了众多国际知名消费品企业运营中心和高端国际品牌。但由于产业链只有单一的销售环节,静安只能称之为国际品牌的集散地和国际时尚潮流的跟随者。为适应转变发展方式和培育区域经济新增长点的需要,静安区亟需突破资源瓶颈,聚焦和整合时尚产业链要素,着力推进时尚产业与创意产业的融合发展,进一步优化商业商务运营环境,全力打造国际时尚都心,努力实现从"跟随潮流"向"引领潮流"转变,走出一条具有静安特色的发展新路。 相似文献
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我国的传统节日在工业化、信息化、全球化的发展中逐步被"边缘化",改革开放之后"洋节"以全新的庆祝方式满足了现代青年人对休闲、娱乐、聚会、消费的要求。随着我国文化教育水平的提高,青年人注重自我价值,自我意识凸显,个性独立张扬。在"洋节"的退烧中创立专属自身群体的独特节日,并赋予节日以文化内涵。从社会文化的多维度视角透视青年自创节日文化的原因,审视其活动内容,引导青年人树立正确的价值观是很有必要的。 相似文献
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1992年以来,在我国经济快速发展,消费主义思潮引导及大众传媒示范等的综合效应之下,青少年消费心理和消费行为出现新的特征和趋势:消费结构从生存型走向发展型和享受型,消费心理从使用价值走向符号价值,网络消费成为消费的重要方式,不同群体青少年的消费观趋同。为了引导青少年的理性消费行为和习惯,需要在家庭、学校和社会中提升消费教育意识,创新消费教育形式,促进消费教育系统化、规范化和常态化。 相似文献
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《Comparative American Studies》2013,11(4):319-337
AbstractThis essay pulls together two threads of literature on globalization and buying to explore how consumers constantly re-signify the global and national origins of products and deploy these global products to create local, even family and dinner table conversations about identity and self. Based on interviews, surveys, and ethnographic research, I look at the drinking of Starbucks coffee in Singapore by ex-pats and middle-class citizens, but especially by young Malays. What does it mean for these teens from the most economically and socially marginal community in this multicultural country to publicly consume oversized American products? What are they saying about themselves and their relationship to their tradition-bound community? What can we learn about globalization and how it works and how it is represented on the ground in local conversations by charting the consumption of this American product by a somewhat outsider community in this transnational place? I focus on this group of buyers, again, to explore in detail the very localized meanings of this very resonant and globalized product. 相似文献
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消费升级是个多维度的过程,主要包括内容升级和品质升级。在“需求-供给”的研究框架下对消费升级进行理论分析,并对改革开放以来我国消费升级的特征及其影响因素进行应用分析。当前,我国居民收入增长不足以支撑新一轮消费升级,收入阶层分布导致了消费升级的“小马拉大车”,供给能力和结构均对消费结构升级的支撑力度不足。未来要围绕消费者分层、收入分配政策、市场化改革等解除需求和供给侧的制约因素,切实推动消费升级。 相似文献