Review Essay:Analyzing Slavery and the Slave Narrative

Many Thousands Gone: The First Two Centuries of Slavery in North America, by Ira Berlin. Remembering Slavery: African Americans Talk About Their Personal Experiences of Slavery and Emancipation, edited by Ira Berlin, Marc Favreau, and Steven F. Miller.     

Negotiating Abolition: Cape Town and the Trans-Atlantic Slave Trade

The city of Cape Town owes its origins to its role as a refreshment station for Dutch East India Company (VOC) vessels. Yet ‘the fairest Cape’ was also a half-way station for slave ships making their way from the south-western Indian Ocean to the Americas. This article examines the role of the Cape in the slave trade from Mozambique to the Americas during the 17 years following the Act of Abolition. While the Act effectively ended the importation of slaves to the Cape, it initially had little or no impact on the movement of slave ships through Table Bay. Despite Britain's opposition to the slave trade, the frequency with which slave vessels stopped at the Cape in the first few years after the implementation of the Act almost equalled the frequency with which they had called at the port in the last years of VOC rule. It was only when Britain tightened restrictions on the trade that the number of slavers visiting Table Bay declined and then finally halted in 1824. The conflicting interests of different branches of the British state limited the suppression of the trade, particularly in wartime. But the implementation of abolition was also retarded by negotiations over the parameters of international law and by the equivocations of a slave colony and its administration. This article aims both to bring the Cape into the history of the ‘Trans-Atlantic’ slave trade and to contribute to the broader history of the legal provisions behind abolition.     

Case history discourse: a rhetoric of troublesome youngsters and faceless treatment

In numerous social control settings, staff routinely write case histories on clients to assist colleagues and authorities in treatment decisions. In this article, we examine how such institutional writing constructs ‘working versions’ of youngsters, portraying their objects of care as personally troublesome. Simultaneously, the institution is portrayed as facelessly, uniformly and collectively remedying their behaviour. Using material from a centre for juvenile delinquents in Sweden, we analyse three discursive techniques that accomplish this documentary reality: (1) trouble zooming, (2) mood notes and (3) deflecting staff agency. We also reflect on the social conditions for the recurrent rhetoric.     

Slave Crucibles: Interstate Migrants and Social Assimilation in the Antebellum South

Between 1800 and 1860 almost a million American slaves were forcibly removed from the Upper South and sent to the Lower South. An outpouring of historical research has greatly contributed to our understanding of the political, economic, demographic and business aspects of interregional slave migration in the antebellum period. As yet, however, relatively few studies have examined the assimilation process of interstate slave migrants. Cast into new slave communities, newcomers were often treated – and felt – like outsiders by their fellow bondspeople, and were forced to utilise various strategies to effect their integration. How did migrants experience the transition to new slave communities? How did they forge new relationships, and what were the bases of these relationships? What institutions and strategies aided in their integration process? And to what extent do their experiences reveal a broad ‘slave identity’ in the antebellum period? This study explores these questions for interstate newcomers in the antebellum South.     

Peter's War: A New England Slave Boy and the American Revolution

The emergence of the British abolitionist movement has often been conceived as a direct response to the trauma of the American Revolutionary War. There is little evidence that the British public embraced abolitionism as a response to such a loss – either politically, culturally or psychologically. On the contrary, British anti-slavery mobilisation against the slave trade emerged and flourished in moments of national optimism and confidence. It is therefore as important to understand the contextual pressures that operated in accounting for the emergence of this powerful political movement as it is to understand the motives and methods of its entrepreneurs.     

Hercules Subdued: The Visual Rhetoric of the Kneeling Slave

The image of the kneeling slave, designed for the seal of the Society for Effecting the Abolition of the Slave Trade, then widely distributed as a cameo manufactured and distributed by Josiah Wedgwood became a powerful abolitionist icon. The image has been seen as both one of victimization and one that acknowledges the agency of the slave. While the former interpretation is understandable given the re-configurations of the image within the polemics of the Abolitionist campaign of the nineteenth century, the original image needs to be examined within the context of its construction. For this, it is necessary to explore the classical nature of the figure, particularly the representations and mythic significance of Hercules. These associations are combined with references to supplication as depicted in earlier token books, religious iconography, contemporary treatises on acting, eighteenth century treatises on gesture and rhetoric, and eighteenth century treatises on phrenology, physiognomy and ethnology. It is the complexity derived from such blending that became simplified and limited in later re-presentations where the image is used in conjunction with sentimental appeals to the benevolence of the viewer. As the classical resonances gave way to sentimental imperatives, the changing array of discourses changed not only the context which gave the image meaning, but reshaped the very image of the kneeling slave in subtle, but significant ways. The result provides us with a complex study of the dynamics of visual rhetoric.     

Slave Suicide,Abolition and the Problem of Resistance

Shifting calculations about the political palatability of representing slave suicide in American abolitionist print culture reveal the extent to which debates about agency, power and consent – and thus about self-destruction – lay at the heart of that new nation's struggle over the future of slavery. Was a slave's suicide an act of principled resistance to tyranny that challenged the hypocrisy of the revolutionary settlement? Or was it a measure of abject victimhood that begged for humanitarian intervention? That representations of black suicide oscillated so dramatically between these opposing interpretive frameworks testifies to deep divides between moderates and militants, and between whites and blacks, as to who had the power to bring slavery to its knees.