Sarah was a Butch: Sexual Identity,Gender Practices,and Sarah's Place as Mother in the Jewish National Pantheon

Three fields of discourse regarding a masculine-like woman connect at a point that the queer field calls intersex, medical practice calls a sexual disorder, and rabbinic literature terms aylonit. The queer discursive field focuses on the freedom to choose an identity, but not the freedom from choosing one. The medical field focuses on sexual practice as the source of determining “normal” sexuality. In the discursive field of Jewish law there are no demands, because the Halakhic authority determines gender identity on behalf of the individual, maintaining ambiguity.     

Educating the “Variant,” Educating the Public: Gender and the Rhetoric of Legitimation in The Ladder Magazine for Lesbians

This article explores the rhetorical strategies used within The Ladder magazine to legitimate its producers, and by extension all lesbians, as participants in the public dialogue regarding the problem of homosexuality. The Ladder was the first lesbian-produced, nationally distributed magazine in the United States, publishing continuously from 1956 through 1972. Unlike early publications by male homophile groups, the producers of The Ladder had two delegitimating statuses to overcome in order to establish legitimacy–their stigmatized sexuality and their delegitimated gender. This article examines the ways that gender expectations experienced by women during the magazine's early years of publication shaped and constrained the discursive practices within The Ladder in its quest for legitimation. Three rhetorical strategies are analyzed: normalization (constructing the lesbian as heterosexual woman), status elevation (the lesbian as man), and emphatic individualism (the lesbian as idealized citizen).     

Ideology in Action: Symbolic Localization of Kurdistan Workers' Party in Turkey

Revolutionary ideologies such as Marxism and Islamism often aim to transform dominant local structures, leading their proponents to find themselves torn between global ideologies and local politics. A critical question arises: What does happen when a revolutionary movement's ideology drastically contradicts with the movement's local pragmatic purposes? Analyzing Kurdistan Workers' Party (PKK) in Turkey, this article explores the complex process of ideological transformation under the forces of local competition. Drawing on Mikhail Bakhtin's dialogic approach, I introduce the concept of symbolic localization to understand how revolutionary ideologies evolve through pragmatic concerns. Symbolic localization refers to a discursive process of collective reputation work in which social movement activists blend local cultural repertoires and their “we” identity in order to build recognition, legitimacy, and prestige in the eyes of local population. Three major mechanisms of the symbolic localization process are identified: moral authority building, public symbolism, and memory work. Symbolic localization suggests analyzing movement ideology as a discursive process and illuminates how political activists are shaped by relational local engagements.     

Embedded expertise: a conceptual framework for reconstructing knowledge orders,their transformation and local specificities

The role of science in modern democracies has long been a topic of heated debate. Recent scholarship has increasingly focused on the social construction of the science–policy–politics nexus. For understanding both the local specificity of concrete configurations and general trends much is to be gained from an analytical framework. In a first introductory section we describe already existing categorizations and typologies, identifying a research gap: a framework for reconstructing the discursive forces shaping the science–policy–politics interface based on both mutually exclusive and exhaustive categories. Our answer is the concept of knowledge orders. Building on already existing scholarship in this field, we define knowledge orders as discursive orders structuring the production of expertise. We distinguish between three levels of knowledge orders: the generation and communication of science-based expertise, the regulation of these processes, and reflexive discourses in which the epistemic authority and the political relevance of science-based expertise are (de)legitimized and renegotiated and the regulation of the science–policy–politics nexus debated. Each level can be analyzed in terms of the criteria based on which competence is attributed (social dimension) and at when political or scientific criteria of relevance and validity are to be applied (procedural dimension). The framework is illustrated by referring to both well-known examples in science studies and our own research on science–policy–politics arrangements in the field of food safety and employment policy.     

Children’s Autonomy and Responsibility: An Analysis of Childrearing Advice

Employing qualitative content analysis of 300 childrearing advice articles from Parents magazine, this paper maps historical changes in the depiction of parental authority and children’s autonomy. This popular text reveals increased autonomy for children in their private self-expression, especially in regard to activities of daily living, personal appearance, and defiance of parents. However, the magazine also portrays children’s diminished public autonomy as revealed through increasingly restricted freedom of movement and substantially delayed acceptance of meaningful responsibilities. An appreciation of popular childrearing advice as a measure of individualistic cultural values thus requires an understanding of larger social changes that shift attention from public participation toward private self-expression.     

Digital media and cultural institutions in Russia: online magazines as aggregates of cultural services

ABSTRACT

Focusing on online magazines, this article sheds light on Russian cultural institutions from the perspective of digital media. My analysis concentrates on urban lifestyle magazines, a sub-category of consumer magazines and a media genre, which emerged in Russia in the glossy magazine format and is now experiencing a powerful ‘second rising’ on the internet. My article asks how the adaptation to the digital communication environment by lifestyle publications re-defines the very concept of a magazine and reorganizes the institutional ties between media and cultural industries. This focus enables me to analyse lifestyle magazines as a dynamic field of interaction in which cultural meanings are produced and negotiated. Based on new media studies, I see the cultural transcoding (Manovich 2002) of the networked and automatized information transmission into the magazines’ content as being a significant factor in the development of contemporary culture and media. Ultimately, my article introduces an attempt to analyse new media titles combining qualitative media analysis with the developing theory of ‘algorithmic culture’ (Striphas 2015). My argumentation is based on two case publications: Afisha, established in 1999 as a weekly glossy magazine introducing all cultural events in Moscow, and Inde, a digital-born regional lifestyle magazine focusing on urban culture in the Republic of Tatarstan. Urban lifestyle magazines are important for the institutional organization of Russian culture, as they direct their readers’ attention to a broad selection of arts, products and events; strengthen the link between consumers and cultural entrepreneurs and build on a long tradition of print journalism, thereby transmitting the values of reading and literacy to a popular public. Moreover, my analysis shows that, through their multi-platform publication strategy, online magazines (re)organize as aggregates of digital resources helping to manage cultural decision-making in a consumerist setting.     

Maid-in-Singapore: representing and consuming foreign domestic workers in Singapore cinema

The Maid, a Singapore-made horror film featuring a foreign domestic worker as its protagonist, was released in 2005 to very favourable reviews in the local press. The critical audience generally used the film to praise the development of the local film industry while ignoring the social commentary of the foreign domestic worker experience in Singapore. This paper aims to address this lack of commentary on the issues and circumstances surrounding foreign domestic service in The Maid. Doing so reveals a multilayered representation of order in Singapore based firmly on ethnicity and class, where the images of foreign maids are dramatised, reconstructed and consumed in various discursive forms by various social agents.     

Museums and the visually impaired: the spatial politics of access

Based on a study of 36 museums in London and the South East of England, the paper offers a deconstructive reading of ‘access’ and its spatial practices by analysing their responses to the visually impaired visitor. Within any discursive space we find aporial, non‐discursive moments that introduce ambivalence into an otherwise seemingly ordered and known arrangement. Such forms of presence have been described, amongst other things, under the heading of the figural (Lyotard). In the discursive space of the museum, a space of seeing and conservation, the visually impaired visitor figure tacks its way into the museum as such a figure that we can call (after Mark C. Taylor) an underdetermined not. Through such a figure we can consider the (dis)ordering effects that this ambivalent form of presence can have. The study reveals how such a figure not only introduces a problem of access but is also mobilised by the museum so that access can be addressed as a museum issue. Museums have changed from previously being indifferent to dis/ability needs to now existing in a state of being in‐difference with them. This idea reveals the way in which museums shift the (often haptic) challenge that such a figure makes to the (scopic) signifiers of the museum by responding to them through the less troublesome regimes of what is signified. Access in this case is neither granted nor denied but endlessly deferred.     

Mastering authority: J.M. Coetzee’s Diary of a Bad Year

J.M. Coetzee’s fiction has, from its inception, parodied language which claims to speak as the public use of reason. Diary of a Bad Year departs from this position to some degree by offering a series of public reflections on the times; however, these reflections are embedded within a narrative structure which disallows us from taking them at face value. Such narrative framing raises the question of authority: not only the authority of the reflections themselves, but the authority of the voice and the voice in the text. The relationship between fiction and the public sphere is such that fiction foregrounds the problem of authority in public discourse and seeks to capture the position of authority through heightened forms of mimesis and self‐consciousness.     

Under the Kitchen Surface: Domestic Products and Conflicting Constructions of Home

This paper examines how the product world around domestic cleanliness plays with the dual construction of the home as safe and dangerous. By participating in this construction, cleaning products engage with a salient concern in domestic life—how to achieve and maintain a safe domestic environment. We have investigated the discursive commentary on domestic cleanliness and safety in one domestic advice manual: Good Housekeeping magazine, over the period 1951–2001. This investigation has also provided insights into the discursive character of cleaning products. We have been interested in how product discourse moves the home discursively from exhibiting dangerous tendencies towards the attainment of safety through the utilization of products. However, reading product narratives over the late modern period makes it apparent that competition and the need for product innovation in an otherwise difficult market has created complexities that confront the domestic sphere with more dangers. We draw out the consequences of our findings and reflect on how this informs the assertion made by Ger and Yenicioglu (2004) about the connections between contemporary consumer culture, cleanliness and the domestic safe haven.     

Violence in the name of god? A framing processes approach to the Islamic State in Iraq and Syria

Since summer 2014, the insurgent group ‘Islamic State in Iraq and Syria’ (ISIS) has become a major concern for international politics and global security due to its rapid territorial gains, violent operations and the propagation of Salafi-jihadist ideology. This study aims to enhance the academic understanding of ISIS by demystifying the ideological reasoning behind its use of violence. It therefore investigates the link between structural factors that served ISIS’s evolution, its ideological outlook and the significance of this ideology to legitimize violent action. As its theoretical basis, the study employs framing processes within the study of social movements. Methodologically, discursive frame analysis serves to explore the relation of ISIS’s ideology to structural events and experiences to better understand how the group justifies violence. Therefore, the study draws on audio speeches and issues of the magazines Dabiq and Dar al-Islam published by ISIS, which are examined on the rhetoric of othering, collective identity and justifying violence. It is argued that ISIS constructs a collective action frame which creates a social reality that bestows the group with a rationale for action. ISIS’s ideology, based on Islamic symbolism, presents an interpretative lens which assigns meaning to the structural environment of ISIS’s emergence. In this context, violence is justified as a necessity to defend Islam and as an obligation for the true Muslim believer. The discussion concludes that ISIS’s ideology legitimizes the very existence of the group and conceals its mundane struggle for power, territory and wealth through reference to divine authority.     

DISCURSIVE FORMATION, LIFE STORIES, AND THE EMERGENCE OF CO-DEPENDENCY:

Following Foucault, this article argues that current research on life stories can be enriched by treating them as "discursive formations." The analysis undertakes a streamlined "archaeology" and "genealogy" to examine the emergence of co-dependency as one such formation. Various co-dependency "theorists" illustrate the ways that rules for true statements in co-dependency discourse contradict those of its psychological and addictive predecessors. These rules produce a unique discursive formation and different life stories. Moreover, Foucault's approach stresses the role of "power/knowledge" in the construction of the co-dependency canon, deepening understanding of life stories as forms of both empowerment and subjection to alternative forms of authority.     

Fight Club,or the Cultural Contradictions of Late Capitalism

Most critical engagement with the film Fight Club tends to emphasize its relevance for the study of contemporary representations of gender and masculinity. These readings tend to primarily highlight the “reactionary” aspects of the film, which are seen as a response to structural sources of feminization experienced by men as they are embedded in the consumerist machine of the service‐oriented economy. In this paper I argue that these takes on Fight Club, while enlightening and indeed capturing a key aspect, miss what I think is its most essential contribution: its attempt to craft a transcendental “counter‐myth” capable with dealing with the cultural and societal contradictions of post‐industrial capitalism in the context of the transition to a service oriented economy. I draw on the work of Daniel Bell in order to offer a neo‐Weberian reading of Fight Club which makes sense of various aspects of the film which are rendered meaningless by the gender‐focused reading. I argue that Fight Club can be seen as an attempt to deal with the evacuation and exhaustion of the original form of value‐rationality from the realm of production in service work — grounded in the older ethic of ascetic Protestantism — as well as the failure of ideological interpellation in the consumer society — grounded in a domesticated version of the experience‐based counter‐Bourgeois ethic associated with aesthetic modernism — to provide an adequate substitute for it. I conclude that Fight Club can therefore be interpreted as an inchoate attempt to produce some version of a class consciousness and cognitive mapping in the late‐capitalist situation.     

The new genetics: professionals' discursive boundaries

In this paper we examine new genetics professionals’ accounts of the social context of their work. We analyse accounts given in interview by an ‘elite’ group of scientists and clinicians. Drawing on the work of Gilbert and Mulkay (1984), we consider interviewees’ discourse about knowledge, exploring the way in which they separate science from society through the use of what we have called the ‘micro/macro split’. We then go on to consider the reasons for such a discursive boundary, exploring the interviewees’ wider discourse about expertise and responsibility for the social implications of the new genetics. We argue that interviewees’ discursive boundaries allow them to appeal variously to their objectivity, to dismiss bad science and to characterize the public as ignorant. However, these discursive boundaries are permeable and flexible, and are employed to support the new genetics professionals’ role in guiding education and government policy, whilst at the same time deflecting ultimate responsibility for the use of knowledge on to an abstract and amorphous society. Responsibility is flexibly embraced and abrogated. These flexible discursive boundaries thus promote rather than challenge the cognitive authority of new genetics professionals as they engage in debates about the social implications of their work. We end by challenging the replication of these discursive boundaries, noting some of the implications of such a critique for evaluation of the new genetics.     

‘Class’, ‘Race’ and Language: imagining China and the discourse on the category ‘Han’ in the writing of Marxist revolutionary Qu Qiubai (1899–1935)

This study investigates the discursive peregrinations of the ‘Han’ category in the writings of the Chinese revolutionary, theoretician and activist Qu Qiubai. In the papers he wrote at the beginning of the 1930s dealing with the questions of language and writing, the author made singular use of the concept ‘Han’ to talk about the language/writing of the ‘Han’ (Hanzi, Hanyu) as a racial or ethnic group (Hanzu). Qu elaborated a discourse which articulated and mobilized, sometimes in a contradictory manner, the ‘Han’ category both as a ‘race’ and as a social class. Going beyond the race/class dialectic, I will try to show that these texts question the territorial, cultural and ethnic boundaries of ‘China’ and its homogeneity. Following this argument, this paper demonstrates how Qu's attempt to define ‘Chinese language(s)’ helps us to elucidate the complex articulation between China as a discursive and spatial category, the ‘Han’ category, and the other nationalities in the Chinese space. By questioning the homogeneity of the linguistic identity of China, using the word zhongguohua, Qu Qiubai unveiled an unstable and fragile imaginary relative to China and its so-called majority ethnic group, the Han.     

Foundations of the open society: discourse ethics and the logic of inquiry

A jury is called upon to debate the guilt or innocence of a woman accused of murder. The jury can deliberate or ask for more information about the case. They want to achieve a maximally truth-like verdict: they want to be as close as possible in their estimation of the woman’s degree of responsibility for the murder to her actual degree of responsibility at the time of the murder. What principles should guide their verbal interaction? What rules of discourse and dialogue should they follow if they want to achieve maximal truth likeness in their verdict? How do current deliberation procedures and practices depart from the ideal of an open or authentic debate? This paper contributes to both the normative and the positive dimensions of the debate concerning the discursive forms of the open society, in two ways. First, it addresses the link between the rules for ethical discourse proposed by Karl Otto Apel and Robert Alexy some twenty years ago and the logic of inquiry proposed by Karl Popper as a normative approach to scientific process some fifty years ago. It is found that if a group’s members abide by the rules of ethical discourse, then the process of discovery that their process as a whole instantiates will abide by the Popperian logic of scientific inquiry. Second, it provides an analysis of the ways in which forms of social organization that we are familiar with (markets, representative democracies) depart from the discursive ideals of the open society. I will end the paper by arguing that going from current ‘crippled’ forms of discourse that bound correspondingly ‘closed’ societies cannot be accomplished merely by asserting and guaranteeing the exercise of a right to ‘freedom of expression; a more comprehensive ‘discourse ethics’ is needed in order to bring about the development of the open society.     

Problems of Taxonomy,Issues of Class,Citizenship, Consumption,and Avdot’ia Smirnova’s KoKoKo (2012)

Sundry discussions of Russian society by scholars, journalists, and politicians suffer from imprecise taxonomy, wielding labels such as middle class, civil society, and creative class in an automatic transfer of discursive categories long defining Western societies to one at increasing odds with numerous Western values. As various surveys by Russian sociologists have indicated, a ‘middle class’ and ‘civil society’ in the traditional sense do not exist in Russia. Moreover, even ‘the intelligentsia’, as historically defined, seems to have diminished, evaporated, or emigrated. Indeed, the incisive portrayal of contemporary Russian class distinctions in Avdot’ia Smirnova’s film KoKoKo (2012) exposes the impotence of the self-serving intelligentsia, contrasted to the vitality and drive of ‘the people’, who may be the only hope for Russia’s future – neither the radiant future fantasized by the Soviet Union nor the democratic future that seemed possible after perestroika, but one that meaningful resistance to the authoritarianism of Putin’s regime will need to elaborate step by painstaking step.     

The permaculture movement in India: a social movement with Southern characteristics

ABSTRACT

Permaculture is an attempt to design and develop sustainable communities in harmony with natural ecosystems. It embraces solution-oriented approaches to contemporary social and environmental problems. Originating in Australia, permaculture was initially considered a design system but it has become a global social movement and it is practiced in different countries in various forms and at multiple scales. It is manifested in numerous networks of local practitioners, teachers, promoters, demonstration sites, organisations and magazines where various ideas and practices converge. Despite its popularization scant attention has been given to analysis of permaculture as a social movement. Moreover, the few academic writings which analyse permaculture as a social movement do not systematically engage with its manifestation and adaptation in the global South. The latter is the main contribution of this article. Based on original research this paper narrates the origins of the permaculture movement in India, and it pays close attention to its contextual adaptation by a diverse group of practitioners. It demonstrates that these diverse actors and their strategies have clear linkages to the independence movement; they are influenced by the incomplete project of Indian liberal democracy; they operate on the sphere of civil and political society; and they engage middle and lower classes in a formal and informal political nexus.