Pleasurable critiques: feminist viewership and criticism in Feminist Frequency,Jezebel, and Rosie Recaps

In an introduction to her webseries Tropes vs Women in Video Games, critic Anita Sarkeesian makes a disclaimer: “This series will include critical analysis of many beloved games and characters,” she says “but remember that it’s both possible, and even necessary, to simultaneously enjoy media while also being critical of its more problematic or pernicious aspects.” Sarkeesian’s statement pre-empts a common complaint made of feminist criticism: namely, that it inhibits the consumer’s pleasure in her or his favourite texts. In this paper, I argue that feminist criticism is in fact intrinsic to many viewers’ enjoyment in popular culture. Surveying texts such as Feminist Frequency, Jezebel, and the television recap series Rosie Recaps, I develop the concept of pleasurable criticism as a way of describing the increasingly visible modes of feminist enjoyment discernible in the broader culture. By identifying pleasurable criticism as a viewing practice, this paper demonstrates how feminist criticism can be constitutive of rather than extrinsic to pleasure.     

Times for birth: chronic and kairotic mediated temporalities in TLC’s A Baby Story

Despite repeated acclaim within the television industry, feminist media scholars have argued that TLC’s long-running program, A Baby Story, disciplines women into selecting obstetrical intervention by offering a standard episodic structure for understanding a complex birth experience. This article thickens this line of inquiry by arguing that TLC uses a narrow, but decipherable, range of temporalities to leverage biomedicine’s claim to childbirth. Drawing on the rhetorical concepts of chronos as narrative duration-time and kairos as interruptive moments of possibility, I argue that episodes are structured by a chronic articulation of “family completion” and “hospital biomedical duration” that conditions women to expect a kairotic interruption of selected birth plans. I conclude with implications for studying birth temporalities and rhetorically crafting women-centered birth narratives.     

Reporting The Women's Movement

This article examines and compares how four British and American newspapers reported the second-wave feminist movement during its most active political period, 1968–1982. Through the use of both content analysis and critical discourse analysis, this study reveals that despite socio-political differences, both US (The New York Times, the Chicago Tribune) and UK (The Times, Daily Mirror) newspapers used a similar range of discourses when addressing the women's movement and its members. While coverage overall can best be described as fragmented and contradictory, I argue that on the surface, there was significantly more “positive” or supportive articles on the women's movement than previous scholars have noted. However, these news stories rarely addressed the ways in which capitalism and patriarchy oppress women as a group, and often created a demarcation between “legitimate” and “de-legitimate” feminists, the latter being anyone who deviates from traditional feminine norms. Such constructions therefore were not only politically incapable of challenging women's oppression, but helped construct feminism as a dirty word, a connotation which still exists today. This paper will also address the emergence and eventual dominance of oppositional discourses, examining the patriarchal and capitalist ideologies used in both countries to rebuff the movement, its members and their goals.     

Monstrous schoolteachers: women educators in popular cultural texts

From the drooling Mrs Green in the children’s picture book, The Teacher from the Black Lagoon to the best scarer of all time, Dean Hardscrabble from Monsters University, monstrous female teachers leap out from around the corners and under the desks of popular imaginings of school. In this paper, I focus on the figure of the female monster teacher in popular cultural texts and media produced for and/or consumed by North American youth, including picture books, television, film, and other cultural texts. Although these monster teacher narratives are produced for children and youth, they also work as a form of popular pedagogy for adults. The stakes of these representations are many, including the misogynistic representation of women in power as monstrous, the devaluing of teaching as “women’s work” or “child care,” and, the figuring of boys as “in crisis” in relationship to a predominately female workforce. I argue that, the female monster educator in popular cultural texts offers a corporeal curriculum that seeks to discipline the body of the teacher and to obfuscate the radical potential of teachers as professional women.     

Comic revisions? Motherhood and women’s comedy in contemporary Germany

Maternal stereotypes and the realities of mothering are prominent themes in Anke Engelke’s Ladykracher and Martina Hill’s Knallerfrauen, two of the most popular sketch shows in twenty-first-century Germany. This article relates their success to social anxieties about motherhood, which Engelke and Hill illuminate through the theme of their sketches as well as through their very use of comedy to do so. I begin by using close-readings of Ladykracher and Knallerfrauen to illuminate the political potential of the sketch form to challenge maternal myths and articulate taboo feelings such as maternal ambivalence. I then consider the innovation of these maternal sketches in view of traditional theories of comedy, which paradoxically draw their imagery from the realm of the maternal even though they discount real women and mothers as comic agents. I argue that the maternal sketches of Engelke and Hill are thus doubly subversive, challenging maternal taboos as well as the discursive and generic norms they sustain.     

Media Representation of Tongxinglian in China: A Case Study of the People’s Daily

Over the past few decades, the worldwide lesbian and gay movements have diversified and increased their rights claims. The achievement of gay rights claims in society is the result of an interplay among various social factors and forces. Media is one of most influential players in building homosexual images and promoting mutual understanding. Chinese homosexuals were not treated as criminals or mental illness patients anymore in 1997 and 2001, respectively, after decriminalization and depathologization. Thus this article aims to explore how homosexuals were portrayed in the official media of China, particularly the People’s Daily, to illustrate the changing perception of homosexuals in China’s political and social spheres. It argues that representation of homosexuals in the People’s Daily changed gradually from a negative perception to a more positive one with less discrimination and prejudice as shown by the article’s quantitative and qualitative results.     

Discriminating taste: maintaining gendered social hierarchy in a cross-demographic fandom

To explore the role of hierarchical taste culture discourses in cross-gender media fandoms, this article considers “Bronies,” the adult, largely male fandom of girls’ animated series My Little Pony: Friendship Is Magic. This fandom’s presence has often been identified as a significant gender taste norm violation with positive feminist implications. The authors’ open-ended qualitative survey of 2915 Bronies reveals this fandom extensively uses discourses of “quality” and hierarchical value to legitimate their interest in the series, and that in articulating its value, the fan culture reinscribes taste and gender hierarchies. Our findings show that by deploying masculinized taste norms, Bronies maintain traditional taste hierarchies within their gender-atypical fandom and marginalize the very audience and viewing culture from which My Little Pony: Friendship Is Magic originated. Rather than indicating an open-minded, stereotype-defying attitude toward girls’ media culture more broadly, fans often articulate the series’ value by denigrating other girls’ media texts. While unexpected fandoms may support cross-demographic viewing, we argue that these fandoms can nonetheless maintain gendered taste hierarchies that have marginalized women and are not as feminist as they appear at first glance.     

I want my Snooki: MTV’s failed subjects and post-feminist ambivalence in and around the Jersey Shore

As a sexually promiscuous and outrageously flamboyant young woman, Nicole “Snooki” Polizzi of MTV’s Jersey Shore (2009–2012) Jersey Shore. 2009–2012. Television Series. Seasons 1–6. USA: MTV. [Google Scholar] could be said to be the ultimate example of Angela McRobbie’s post-feminist subject. However, as pervasive as post-feminist narratives have become in popular culture, the figure of Snooki problematizes its ideal forms of femininity and meritocratic success. In this paper I argue that Snooki’s potential challenges to post-feminist ideology were contained by news reporting on her at the height of her fame. This analysis posits a noteworthy divide in that those most inclined to watch/consume Snooki-as-text (the MTV audience) likely remained beyond the reach of the news media’s attempt to re-inscribe hegemonic ideologies onto her star image/text. I examine the relation between Snooki-as-text (the Snooki presented on Jersey Shore) and the extra-textual attempts to undermine her popularity and legitimacy. I frame this discussion along three axes of transgression and containment: the sexual empowerment/threat paradigm; the physical markings of class and ethnic subjectivity; and the textual boundaries of meritocratic success. Despite efforts to contain her, Snooki’s short-lived success hints at an ambivalence toward post-feminism today that could help chart a revitalized form of feminist politics within youth-driven popular culture.     

Good Gay Buddies for Lifetime: Homosexually Themed Discourse and the Construction of Heteromasculinity Among Chinese Urban Youth

Starting as an Internet meme, the homosexually themed gao-ji discourse recently became popular among Chinese urban youth in describing intimate relationships among heterosexual men. Positioned within a body of scholarship on the interplay between language, homophobia, and the construction of heteromasculinity, this article suggests that the gao-ji discourse manifests a form of male homosociality, through which new boundaries of Chinese heteromasculinity may be renegotiated. Based on qualitative interviews with college students, the article first tracks the genealogy of the gao-ji discourse in the wake of China’s booming Internet culture. The main body focuses on unpacking the daily use of the gao-ji discourse, with an attention to the two latent functions it serves (i.e., expanding heteromasculine behaviors and reiterating heteromasculine identities). In conclusion, I argue that the prevalence of the gao-ji discourse mainly resolves straight men’s anxieties against the background of growing public awareness of homosexuality; therefore, it cannot necessarily translate into social acceptance of homosexuality.     

Enacting Music Scenes: Mobility,Locality and Cultural Production

Abstract

Cluster theories assume ‘locality’ to be a bounded and fixed spatiality characterized by shared worlds-of-life, strong ties and co-presence. This paper contests the immobility of such a definition. Drawing on the case of Santiago’s experimental music scene, in Chile, I argue for a mobile, transient and fluid approach to localized (cultural) economies. The empirical evidence indicates that Santiago’s experimental music scene – an innovative and productive de facto cluster – performs (and unrolls) a decentered, episodic and itinerant geography enacted by porous, technologically mediated and contingent projects. These results call for new perspectives when thinking about economic innovation in general and cultural clusters within transitional cities in particular.     

On not really being there: trans* presence/absence in Dallas Buyers Club

Recently more trans characters, even as main protagonists, star in film and media representations, perhaps in tandem with an increased recognition of trans rights globally. In this article we argue that the visual and aural grammars of cinema perform a double movement of inclusion and elision, making for a fascinating if utterly frustrating uptake of trans presence that is at once, perforce, also an absence. Our case study of the Rayon character in Dallas Buyers Club is an example of a recent sexualized representation of trans femininity. Our textual analysis will deconstruct this character’s presence and absence on the level of the film’s aesthetical and technical aspects demonstrating how cinematic grammar implicates cisgenderism.     

Televisual pregnancy beauty

Theorizing the contours of televisual pregnancy beauty, this essay demonstrates how televisual stylistics construct and communicate a political ideology of pregnancy. When the crime dramas Bones and In Plain Sight incorporated their star actors’ pregnancies, they produced different televisually styled portrayals of pregnancy; these medium-specific portrayals play an important role in how pregnancy itself is culturally conceptualized. Although pregnancy beauty, the commodification and sexual objectification of the pregnant and postpartum body, has been analyzed in ways that link it to post-industrial, neoliberal, capitalist, and patriarchal forces, this analysis demonstrates how televisual style sets the scene for this broader discourse. Specifically, I contend that the costuming, blocking and staging, cinematography, and editing determine how the pregnant body appears, and this then communicates a clear ideology to viewing audiences. Through these two case studies, I analyze contrasting televisual styles and argue that while Bones’ style disciplines the pregnant body and In Plain Sight’s style welcomes the pregnant body, both styles enact a televisual pregnancy beauty that commodifies pregnancy.     

What can television do? Cultural representations of border violence in FX’s The Bridge

FX’s The Bridge uses the two decades of violence against women in Juárez, Mexico, as a backdrop for a crime procedural drama about a serial killer. While there is a long history of cultural activism about the murders, The Bridge is the first mainstream television show to address the violence. I argue that while the show repeatedly centers police and journalists rather than community organizers, and thus limits the possibility of representing the social geography of the US–Mexico border, its moments of contradiction open up more complicated ways to understand the violence.     

A double-take on reality television: Laverne Cox’s political and pedagogical gestural humor

Although Laverne Cox has become best known as a serious actress, advocate, and activist, her career was propelled forward by an appearance on reality television. While her participation in the reality television show I Want to Work for Diddy is usually only addressed within the context of representational politics, this article contends that her performance on the show demands additional attention, specifically her use of politically charged gestural humor. Through close-analysis of Cox’s double-take, I argue that Cox uses gestural humor to resist reality television’s demand for emotional authenticity and stereotyped performances, particularly the stereotype of the angry black woman. Moreover, I demonstrate that Cox uses the double-take to position herself as an audience surrogate, using humor pedagogically to teach the audience how to respond to transphobia critically.     

Rethinking network capital: hospitality work and parallel trading among Chinese students in Melbourne

Drawing on an ethnographic study of Chinese female tertiary students’ work practices in Melbourne, Australia, this article engages critically with John Urry’s concept of network capital. I show how these students’ work practices link them both into relatively fixed, localized, diasporic employment networks in Melbourne’s Chinese restaurant sector; and into relatively mobile, transnational, digitally mediated trading networks in the micro-entrepreneurial activity of daigou or parallel trading: buying local goods on behalf of customers in China. Based on this case study, I develop three main inter-related claims. First, I argue that geographic and social mooring in place, as well as mobility, can generate benefit for individuals and groups, just as both fixity and mobility may generate disadvantage or risk. Second and relatedly, I propose that social capital cannot operate entirely independently of geography, as Urry’s proposal of network capital as a replacement for the concept of social capital implies. Third, through my development of the concept of ‘feminine network capital’, I show how network capital may take ‘weak’ and tactical, as well as ‘strong’ and strategic forms.     

“She invited other people to that space”: audience habitus,place, and social justice in Beyoncé’s Lemonade

We argue that place offers an effective framework for connecting popular culture with social justice narratives by exploring audience interpretations of Lemonade in 2016’s tumultuous racial climate. Working from interviews with 35 of Lemonade’s listeners/viewers regarding their understanding of the album, we argue that audience members used Lemonade to plot spaces of racial pride, community, and equality. Supporting previous audience studies’ findings, Beyoncé’s audiences engaged actively with the text and explored the complex symbolism through interpretive communities, but the audiences we spoke with also transcended these spaces. Using Lemonade as a tool to understand and reimagine historical social movements, audiences deployed the album to cultivate an anti-racist habitus in attempts to make their worlds more just.     

Impact of Gender Binarism on Hijras’ Life Course and Their Access to Fundamental Human Rights in Pakistan

This study adds to the growing body of knowledge on gender nonconformity aspects of heteronormativity by examining its impact on the life course of hijras and their access to fundamental human rights in Pakistan. Drawing on 50 semistructured interviews conducted in two sites, the findings suggest that the participants’ lived experiences associated with gender nonconformity significantly influenced the direction of their life course and their ability to have access to human rights. These experiences spanned from childhood to elderhood across a wide range of settings, such as family, school, guru dera (residence headed by a hijra guru), workplace, and interactions with authorities. The participants’ human rights were not recognized, resulting in abuse, social stigma, discrimination against them, and their exclusion from mainstream society. Finally, implications are drawn for public policy and future research on third gender concerns in Pakistan and elsewhere.     

Beyond Bluebeard: feminist nostalgia and Top of the Lake (2013)

Jane Campion’s films have repeatedly used the Bluebeard story as a myth underpinning their narrative structures. This article examines the way in which her 2012 TV series, Top of the Lake, both uses and moves beyond this myth, arguing that its central focus on mothers and daughters draws instead on another, related myth, that of Demeter and Proserpine. This story, Mary Jacobus has suggested, is the Greek myth that Freud does not select, indeed represses, in his search for a founding myth that would ground the psychoanalytic story of childhood development. It is also a myth which, in a gesture of “feminist nostalgia,” feminists have repeatedly appropriated in their desire to recover a “lost,” unalienated mother-daughter relationship. Top of the Lake, I argue, is both an exercise in and investigation of such feminist nostalgia. Campion’s evocation of the myth of Proserpine/Demeter to underpin its complex mix of female Gothic and detective story counters the dominant cultural narrative of Oedipus. But like Jacobus it remains suspicious of utopian fantasies and the unalienated body.     

Return Visits as a Marker of Differentiation in the Social Field

Abstract

This article sets out to examine how differences within a migrant community are expressed through return visits, and particularly through visitors’ narratives about their country of origin. Drawing on semi-structured interviews with Burundians living in Norway and the UK, I argue that the Burundian social field is characterized by two opposing positions regarding the possibility of return, and that the political field in the country of settlement plays an influential role in how those two positions are defined. Two narratives called ‘instability and alienation’ and ‘progress and opportunities’ from return visits are used to express support for one or the other of these two positions. I also argue that Bourdieu’s conceptualization of social practice is highly relevant for migration research because it allows for analysing differences within a migration community, and that the advantages of combining habitus, capital and field should be further explored, both theoretically and comparatively.     

Producing Thailand as a transit country: borders,advocacy, and destitution

ABSTRACT

The space of the ‘transit country’ is increasingly depicted in policy and NGO rhetoric as a taken-for-granted space where migrants pass through on their way to seek protection in the Global North. Yet I argue that the ‘transit country’ is a contested space, a space where ‘temporariness’ may be produced purposefully in order to limit opportunities for protection. In this paper, I argue that Thailand produces itself as a transit country in order to manage and control refugee and asylum seeker populations. Through several discursive and material tactics, including security spectacles, legal maneuvering, and migrant destitution, Thailand maintains and exploits the status of a ‘transit country.’ The purposeful construction of a place where ‘no one will stay’ challenges depictions of migration as linear movements defined by sources and destinations, where transit spaces become only more distance to traverse. While the production of transit countries has always been political, the case of Thailand suggests that the politics involved need not center the migration deterrence efforts of traditional destination countries of the Global North, but have implications within states and regions of the Global South as well.