Television and Postfeminist Housekeeping: No Time for Mother

This feminist, qualitative study sheds light on how young Arab women used cyberactivism to participate in the wave of political and social transformations widely known as the Arab Spring. It argues that these activists leveraged social media to enact new forms of leadership, agency, and empowerment, since these online platforms enabled them to express themselves freely and their voices to be heard by the rest of the world, particularly the global media. This resulted in a multidimensional personal, social, political, and communicative revolution. This study is based on in-depth, personal interviews with more than twenty young Arab women citizen journalists, bloggers, and activists from Arab countries that witnessed political upheaval.     

Compositional Strategies of Conflict Management in Personal Mommy Blogs

Personal mommy bloggers create deliberately small-scale, emotionally reciprocal intimate publics through their authoring and commenting practices. This paper employs literary close reading of two individual personal mommy blogging posts, and the comments generated in response to these posts, to demonstrate the compositional strategies by which both bloggers and commenters mitigate the potential conflict arising from the articulation of controversial or taboo ideas and feelings. Members of these publics employ deliberate social strategies to achieve a balance between perfectly honest self-expression and the need for compromise and moderation of views required for fruitful social interaction and the maintenance or extension of relationships. Using phatic statements of general well-wishing, diversion or deflection, humour, and reciprocal emotional disclosure, the bloggers and commenters examined here put into practice the ideals of community, self-expression, and support earlier research has demonstrated they have expressed as core values.     

Duvet woman versus action man: the gendered aetiology of Chronic Fatigue Syndrome according to English newspapers

Media portrayals of conditions such as Chronic Fatigue Syndrome/Myalgic Encephalomyelitis (CFS/ME) demand exploration as the media is a potent source of information and meaning, and as such has the potential to inform public and professional understandings. To date, there is little systematic exploration of print media representations of CFS/ME. In this study, we address that gap by exploring the voices of CFS/ME sufferers in the English print media (1998–2015) from a constructionist feminist perspective. We found that portrayals of CFS/ME differ meaningfully, depending on gender. The psychological and emotional tended to be foregrounded where women were concerned and the scepticism surrounding CFS/ME as a “non disease” was much more evident. On some occasions this was dealt with directly, whilst on others it was “leaked in” or hinted at. This serves to delegitimise the illness in women. In contrast, the physical was usually foregrounded in the case of men suffering from the condition and their experiences were accredited greater legitimacy. We problematise these representations and discuss the potential impact upon public and professional sympathy, treatment options and long-standing, gendered constructions of illness.     

Guest Editors' Introduction

This discourse analysis explores traditional and feminist articulations of rape in online mediated discourse regarding the sexual attack on CBS journalist Lara Logan in Egypt in February 2011. Examination of 175 stories and links in the top ten news blogs in the United States showed that the blogosphere contested traditional rape narratives that blamed Logan for the attack and conceptualized rape through a more varied means. In doing so, bloggers engaged in a struggle for meaning, and mainstreamed feminist understandings of sexual violence within the online public space.     

Under the watchful eyes of men: theorising the implications of male surveillance practices for feminist activism on social media

Abstract

While early internet research often explored social media’s potential for increasing political participation, scholars are now problematising the manifestations of state and corporate control over political activism in these spaces. Yet despite an increased academic focus on the shape and implications of online power relations, there is a noticeable lack of critical theory that considers how strategies of male dominance on social media platforms influence feminist activism. This article conceptualises individual men as monitorial actors invested in surveilling feminist speech online, and brings together literature from within feminist, social movement, and critical internet studies to address this research gap. Situating contemporary feminist activist tactics in relation to second-wave priorities, this article extends current conceptualisations of the dangers of social media surveillance practices for political action. It draws on recent examples of online feminist organising to elucidate the ways in which social media platforms provide men with increased opportunities to surveil feminist activity. The article calls for further research into the ways in which male surveillance practices on social media platforms are shaping women’s ability to organise for social change.     

Performing identity: Dawn French and the funny fat female body

This paper offers a discussion of the relationship between the discursive tropes consumption and contagion as they inform feminist and popular media interpretations of anorexia. It suggests that although consumption has proved a useful, if not limited source of meaning within feminist readings of anorexia, popular discourses utilize the more sensationalist notion of contagion to describe the relationship between female consumers and images of the slender female body. Through analyses of various examples from Australian popular women's media it argues that contagion displaces feminist arguments which locate the “cause” of anorexia in patriarchy and instead constructs women as a danger to each other and to themselves. By comparing some of the theoretical dimensions of the male and female gaze, the paper suggests that the idea of contagion constructs a problematic model of female vision through a sexual, rather than social register. It concludes that contagion operates in pop discourse as a counter-productive force which sustains a range of anxieties about contemporary femininity and enables the commodification of anorexia as a subject of public scrutiny.     

Guerrillera Editorship enacts the decolonial imaginary of Chicana editors

This project examines the editorial practices of former Chicana editors of a bilingual, alternative, activist Chicana/Chicano college student newspaper, mapping out the ways Chicana feminist epistemologies shaped their editorial praxis. Grounded in the decolonial imaginary of seven Chicanas, we identify a praxis we call Guerrillera Editorship in which Chicana editors integrate their leadership, advocacy, and written work within a muxerista orientation in order to work communally to honor the testimonio of contributors, strive towards social justice, and draw attention to Chicana issues. This work enhances an existing scholarly record that analyzes the rhetoric of Chicana feminists, but lacks an analysis of Chicana-led media production. By contextualizing the efforts of these contemporary Chicana cultural workers within the history of Chicana feminist print media, and drawing on Chicana feminist theories to guide the methodology and analysis of this project, we offer a Chicana-centered editorial activism whose decolonial underpinnings counter masculinist leadership styles and offset mainstream editorial practices.     

“Wealthy Gay Couples Buying Babies Produced in India by Poor Womb-Women: Audience Interpretations of Transnational Surrogacy in TV News

ABSTRACT

Surrogacy is beginning to generate public debate, and the way the media approach it may have negative effects on social attitudes toward gay parenting. The news media play a key role in informing society, especially about topics such as surrogacy, of which most audiences have no direct experience. The aim of our research is to explore opinion formation of surrogacy and gay parenting by analyzing the audience interpretation of a TV news story in Spain. To do this we conducted four focus groups that were analyzed using a qualitative content analysis based on the discourse produced by the participants. The results show that the framing strategies used in the news story contribute to advocating an attitude of repudiation toward surrogacy, with an adverse sentiment also extending to homosexual couples who wish to become parents. This leads us to discuss the role of media in shaping public opinion and the resulting potential consequences in the case of surrogacy and gay parenting.     

The communicative construction of FEMEN: naked protest in self-mediation and German media discourse

Abstract

In this article, we investigate how FEMEN employs female nudity to raise public attention in their mediatized strategies and how this form of naked protest is represented and interpreted in German media discourse. We will show that the significant media presence of FEMEN’s naked protest actions and its self-portrayal as the new feminism of our days have become increasingly ambivalent over time. As this is of great importance with regards to public perceptions of feminism, feminist activists, and feminist agency in general, our analysis provides a detailed investigation of the processes of appreciation and devaluation of FEMEN as an expression of contemporary feminists and feminism. Employing a qualitative discourse analysis, the article highlights the interwoven processes of contextualization and decontextualization in FEMEN’s self-mediation and news coverage in Germany. It is shown that FEMEN’s protests from 2008 to 2013 materialize in “local” actions, but are increasingly constructed and interpreted on a transcultural level. In this analysis, we identify the core interpretative scheme of decontextualization that becomes apparent in three forms of detachments. As we show, these forms of detachment are a core issue in the media’s devaluation and depolitization of FEMEN and feminism in general.     

The Postfeminist User

This paper is part of a preliminary investigation toward a postfeminist analysis of “the user.” It critically examines the pervasive liberatory rhetoric of interactivity through situating it within a widespread cultural context also rife with liberatory rhetoric: postfeminism. Two media properties, heavily marketed for interactivity, are examined: the first three films of the Final Destination film series and the reality television program Big Brother (US). I situate each as postfeminist texts, and then analyze their interactivity through this lens, demonstrating the utility of applying postfeminism to technology study. Following the feminist method of analyzing popular texts as modes of understanding feminine ideals, thereby articulating contours of a feminine subject position, I argue that analyses of postfeminist culture are productive broadly applied to cultural products, such as interactive media, augmenting feminist media theory. To understand ideals of technological usership, one must understand the culture in which they are embedded. Therefore, articulating the contours of the user as a subject position benefits from understanding postfeminist cultural sensibilities. Through this analysis, I describe the user, contrary to much new media theorizing, as exhibiting an illusory rhetoric of agency, hyperembodiment suffused with temporality and mobility, and an interactivity better understood as ongoing assessment and adjustment.     

Discriminating taste: maintaining gendered social hierarchy in a cross-demographic fandom

To explore the role of hierarchical taste culture discourses in cross-gender media fandoms, this article considers “Bronies,” the adult, largely male fandom of girls’ animated series My Little Pony: Friendship Is Magic. This fandom’s presence has often been identified as a significant gender taste norm violation with positive feminist implications. The authors’ open-ended qualitative survey of 2915 Bronies reveals this fandom extensively uses discourses of “quality” and hierarchical value to legitimate their interest in the series, and that in articulating its value, the fan culture reinscribes taste and gender hierarchies. Our findings show that by deploying masculinized taste norms, Bronies maintain traditional taste hierarchies within their gender-atypical fandom and marginalize the very audience and viewing culture from which My Little Pony: Friendship Is Magic originated. Rather than indicating an open-minded, stereotype-defying attitude toward girls’ media culture more broadly, fans often articulate the series’ value by denigrating other girls’ media texts. While unexpected fandoms may support cross-demographic viewing, we argue that these fandoms can nonetheless maintain gendered taste hierarchies that have marginalized women and are not as feminist as they appear at first glance.     

Germaine Greer's Adaptable Celebrity

There is little doubt that Germaine Greer is the West's, and especially Britain's, most well-known feminist. This article, looking at her more recent public appearances, argues that Germaine Greer has proven adept at adapting her feminist celebrity, especially through various (and often comedic) performances on quiz and lifestyle programmes on British television. In particular, she exemplifies what has been called an “unruly woman”; that is, she is a transgressive figure who uses the space provided by these new entertainment formats not simply to reinforce her celebrity but to circulate (and perform) a particular feminism. Her celebrity, and her relationship to the mainstream media in Britain especially, has shifted and evolved over time and therefore provides an important case study into the complicated operations of celebrity as well as the feminism–media nexus itself. As an instance of gendered celebrity—and that of a feminist especially—that comes to at once trouble and buttress certain celebrity logics, Greer illuminates the political importance of this ground for feminism and helps to underscore that feminist celebrity is a distinct, and developing, mode of public subjectivity which celebrity studies and feminist media studies have thus far failed to significantly address.     

“We wouldn’t say it to their faces”: online harassment,women sports journalists,and feminism

In April 2016, a US-based independent sport media organization Just Not Sports launched #MoreThanMean, a digital media campaign to raise awareness about online harassment of women in sports journalism. The video quickly reached 3.7 million views and generated widespread coverage in mainstream news media, sports media, and online-only outlets. Using the #MoreThanMean campaign as a case study, this study assesses how discourses circulate in the sports media environment and, in particular, how feminist messages travel as the content moves from social media to mass media. This study engages with post-feminism in order to examine how various producers of media content position online harassment and sexism in sport and society. While the campaign positioned online harassment as gendered workplace discrimination, the mainstream and sports media coverage typically centralized men in the discussion. Feminist perspectives were constrained to platforms with a progressive, women-centered, and/or explicitly feminist take. Implications for digital feminist activism in the context of sport are discussed.     

Editors' Introduction

For the professional middle class in information industries, “working from home” is an increasingly common feature of the employment landscape, resulting from the affordability and portability of information and communication technologies (ICTs). The phrase invokes a sense of freedom from the banality of the traditional office, offering flexibility in both working hours and location when other commitments prevail. In recent debates in Australian politics, working from home is also offered as an empowered choice for women who seek to combine paid work and childcare duties, thereby consecrating a preferable version of (post)feminist subjectivity suited to neoliberal economics and ideologies. This paper shows how these subjectivities have been represented in recent ICT advertising for two purposes: firstly, to highlight the role of mainstream media in normalising preferred uses of new media technology for work purposes; and secondly, to note how this process contributes to wider discourses limiting the aspirations of middle-class feminist politics to an individual level. In doing so, the paper seeks to question the ethical horizon of new media advertising as well as the feminist and labour politics upon which its appeal relies.     

Representing sex workers in video games: feminisms,fantasies of exceptionalism,and the value of erotic labor

This article critiques the representation of sex workers in “AAA” video games, with a focus on the devaluing of erotic labor. Existing feminist commentary has interpreted these representations as examples of the objectification of female game characters, perpetuating harmful misconceptions of sex work as fundamentally exploitative. By contrast, taking cues from feminist media studies, porn studies, and sex workers rights activism, I argue that what makes these representations of sex workers problematic is not their engagement in erotic labor but the ways that the games in which they appear devalue that labor, through both dialogue and interactive elements. Across their many appearances in AAA games, it is strikingly common for sex workers to offer their services to player-characters for free or at a discount, or for games to allow players to take their money back after erotic labor has been performed. This contributes to a gendered fantasy of exceptionalism in which a player-character’s masculinity is tied to being too attractive or too powerful to pay for sex. Critiquing these representations demonstrates how AAA video games prompt players to reenact widespread cultural biases against sex work. It also points toward the need for a diversity of feminisms within game studies.     

“Taking Mama Steps” Toward Authority,Alternatives, and Advocacy

Ten years ago, the task of blending work and motherhood was arduous, lonely, and painstaking. Most settled for face-to-face interactions or phone calls to friends and family for support. Sadly, frustrated conversations are still happening due to a lack of cultural acceptance, policies, and laws focused on blending work and family life. However, some women are turning to online spaces for social support. In 1991, Donna Haraway posited that online, affinity-based groups contain the potential for activism. Buoyed by digital social media possibilities for social support, we assessed feminist activism within a motherhood support group populated by women from various countries around the world. We found that consciousness-raising can further feminist activism within an online motherhood Facebook group by helping others learn to negotiate their choices, but economic stratification and educational divides still constrain social support; this suggests that digital connections influence affinity-based identities and feminist activism.     

Rape,storytelling and social media: how Twitter interrupted the news media’s ability to construct collective memory

Abstract

This study, using the Mary Kay LeTourneau interview on ABC’s 20/20 television program, investigates how social media coupled with citizens’ voices interact with mainstream media in the telling of a story and the construction of collective memory. Grounded in discourse analysis, this research examines the 20/20 story and accompanying Twitter conversations to understand how dominant and feminist ideologies about gender, rape, sexual violence, sexuality, and love are presented and (re)articulated in these texts. In doing so, this study considers how a newly opened public sphere via social media may have the capabilities to influence our collective memories and remove some of this long-held power away from traditional mainstream media.     

Researching to transgress: the need for critical feminism in gerontology

This article defines "empowering research" and argues the need for a critical gerontology informed by feminist and postmodern theories which focus on the connections between language, self, and social action. The author calls for feminist gerontology which evokes critical consciousness on the part of the researcher and participants. Feminist gerontologists are encouraged to engage in self-reflection and self-critique in regards to their own attitudes toward aging and to include personal criticism in their scholarly writings. Examples of feminist research on aging which illustrate these characteristics are provided.     

Media Capital or Media Deficit?

This paper will focus primarily on how women in leadership roles are represented in the media using a feminist critical discourse approach (FCDA). There is a tendency amongst some feminist media analysts to homogenise all media as sexist, but contradictory tendencies are evident, especially with the rise of new media platforms. On the one hand, the news value of “unexpectedness” affords women in prominent leadership roles relatively high media capital. On the other hand, even ostensibly positive coverage can help to reinforce the limited and limiting perceptions of women that circulate in the mediatised public sphere. For instance, the hybridised gendered interactional and rhetorical styles favoured by many women in public sphere roles have led to them being evaluated as inauthentic by mainstream media institutions. This paper will investigate these contradictory tendencies through a focus on case study evidence of dominant media constructions of British, Irish, and US female political leaders. The paper will conclude by considering briefly the use of Twitter, blogs, and other new media platforms by high profile women in politics in order to bypass the persistent interpretative control exercised by some mainstream media institutions.     

Hearts of Steel

This article looks at the way Arab male and female journalists in pan-Arab media negotiate their journalistic ethics with the aim of boosting their professional image while adding credibility to their news. Drawing on several examples of these male and female journalists, I seek to show how women adopt an un-emotional style when reporting news of pain and suffering, while male journalists emotionally engage with this type of news. The analysis draws on extensive interviews with male and female Arab journalists in pan-Arab media which are scattered inside and outside the Arab region. The discussion is informed by the current debate around detachment versus attachment in news reporting as well as the feminist media debate about the distinction between feminine and masculine values in mediating suffering.