“J.”, or: the Black Holes of Hillis le mal

This essay examines Hillis Miller's recent critical use of terms from physics (black holes) and mathematics (the zero) as a theoretical strategy that recasts our understanding of his performative aims. It proposes an other Miller to the familiar explicator and pedagogic disseminator of literary deconstruction he is often taken for, putting his work in contact not only with Benjaminian practices but coming horizons in global esthetic politics.