Researching youth culture and popular music: a methodological critique

In this article I argue the need for critical evaluation of qualitative research methodology in sociological studies of the relationship between youth culture and popular music. As the article illustrates, there is currently an absence of critical debate concerning methodological issues in this field of sociological research. In the first part of the article I begin to account for this absence by illustrating how early research on youth and music rejected the need for empirical research, relying instead on theories and concepts drawn from cultural Marxism. The second part of the article illustrates how the legacy of this early body of work in youth and music research manifests itself in current research which, although empirically grounded, is characterized by an almost total lack of engagement with methodological issues such as negotiating access to the field, management of field relations and ethical codes. Similarly problematic is the uncritical acceptance on the part of some researchers of their insider knowledge of particular youth musics and scenes as a means of gathering empirical data. In the final part of the article I focus on the issue of insider knowledge and the need for critical evaluation of its use as a methodological tool in field-based youth and music research.     

Preferences for popular music in and outside school among Chinese secondary school students

During the last two decades, China has experienced the emergence of vibrant popular music, resulting from globalisation and commercialisation. This empirical study investigates Chinese secondary students' popular music preferences in daily life, and to what extent and in what ways they prefer learning about popular music in school in the city of Changsha. Based on the findings from the survey questionnaires completed by 1816 secondary school students and interviews with 45 students from 8 secondary schools, this study revealed that Chinese teenagers preferred popular music styles in their daily lives and in school, particularly popular songs from Mainland China, the USA and the UK. There was a strong relationship found between school music teachers and the students' preferences for learning popular songs. Many of the students surveyed had their own popular music idols, but they mostly maintained that they liked their music idols because of their songs' melodies and lyrics. The findings also showed that there was a gap between the students' preferences for popular music and the popular music styles taught in school music lessons. Despite the division of classical and popular music learning among Chinese youths, most students conceded that these two musical styles should be taught in school music education. This study's findings challenge the notion of how popular music education in a culturally diverse community can be improved, as well as stimulate further examination of young students' music preferences in and outside the school environment.     

Sociology's misfortune: disciplines, interdisciplinarity and the impact of audit culture

This paper is about tendencies to the subversion of sociology as a discipline. It connects external factors of the wider socio-political environment of higher education in the UK, especially those associated with the audit culture and new systems of governance, with the internal organization of the discipline. While the environment is similar for all social science subjects, the paper argues that there are specific consequences for sociology because of characteristics peculiar to the discipline. The paper discusses these consequences in terms of the changing relationship between sociology and the growing interdisciplinary area of applied social studies as a form of 'mode 2 knowledge'. It argues that while sociology 'exports' concepts, methodologies and personnel it lacks the internal disciplinary integrity of other 'exporter' disciplines, such as economics, political science and anthropology. The consequence is an increasingly blurred distinction between sociology as a discipline and the interdisciplinary area of applied social studies with a potential loss of disciplinary identity. The paper concludes with a discussion of how this loss of identity is associated with a reduced ability to reproduce a critical sensibility within sociology and absorption to the constraints of audit culture with its preferred form of mode 2 knowledge.     

The idea of philosophical sociology

This article introduces the idea of philosophical sociology as an enquiry into the relationships between implicit notions of human nature and explicit conceptualizations of social life within sociology. Philosophical sociology is also an invitation to reflect on the role of the normative in social life by looking at it sociologically and philosophically at the same: normative self‐reflection is a fundamental aspect of sociology's scientific tasks because key sociological questions are, in the last instance, also philosophical ones. For the normative to emerge, we need to move away from the reductionism of hedonistic, essentialist or cynical conceptions of human nature and be able to grasp the conceptions of the good life, justice, democracy or freedom whose normative contents depend on more or less articulated conceptions of our shared humanity. The idea of philosophical sociology is then sustained on three main pillars and I use them to structure this article: (1) a revalorization of the relationships between sociology and philosophy; (2) a universalistic principle of humanity that works as a major regulative idea of sociological research, and; (3) an argument on the social (immanent) and pre‐social (transcendental) sources of the normative in social life. As invitations to embrace posthuman cyborgs, non‐human actants and material cultures proliferate, philosophical sociology offers the reminder that we still have to understand more fully who are the human beings that populate the social world.     

At the birth of second century sociology: times of reflexivity, spaces of identity, and nodes of knowledge

The sociology of the next century is likely to differ from that of the twentieth century. The current situation and the future prospects of sociology are assessed by spelling out the trajectory over the past century of sociology's predominant assumptions about the character and direction of the social world and of its own task of cognition. Sociology is located in three spaces of identity: a space of disciplines, a stage of everyday practice, and a space of imagination and investigation. From the cosmological, epistemological, and spatial trajectories some indications of a new, very different future of sociology are given. Finally, a way of preserving and developing the legacy of first century sociology is presented, in the form of nodes of knowledge, central to a 'typical' sociological approach to the social.     

Sociology and political arithmetic: some principles of a new policy science

This paper advances the position that sociology needs to develop an approach to research which focuses on fundamental social problems. In doing so it shares many of the intellectual values and goals of political arithmetic while seeking to move methodologically beyond it. Since such problems are complex they will require, typically, interdisciplinary input and a concomitant approach to the development and appraisal of theories. We are not, therefore, advocating the primacy of sociology but arguing that it has a distinctive part to play in addressing the fundamental problems of the twenty-first century. However, a policy-oriented sociology has also to take up the task, so clearly defined by the tradition of political arithmetic, which is to hold governments to account. Consequently a central principle of a new policy science is that it should contribute to democratic debate about policy.     

The declining place of music education in schools in England

This article addresses the provision of music education in schools in England, arguing that access to music education is the right of every child and therefore that a high‐quality and sustained curriculum offer must be provided in all state‐funded schools. Music education in England is widely recognised as being marginalised in state schools, despite it being a statutory requirement as part of the National Curriculum. This policy review examines several threats to music education, such as accountability measures, funding cuts, curriculum narrowing and erosion of the teaching workforce, identifying some of the key evidence in each case.     

The Twitter games: media education,popular culture and multiscreen viewing in virtual concourses

Interactive media and virtual environments give rise to transmedia and multiscreen viewing in a new popular and participatory culture. This in turn requires a new type of critical, reflective media education. This article reviews expert opinions on the educational potential of The Hunger Games (THG) and the use of Twitter during the viewing of films by young audiences. The study has the twofold goal of analysing whether the tweets include the topics of ideology and values mentioned in the selected articles and whether the conversations help build knowledge of the subjects that, according to the experts, are discussed in the literary trilogy. The method, based on discourse analysis, is twofold as well, comprising, on one hand, the discussion of 61 selected academic papers on THG and, on the other, 6000 tweets posted by youngsters while watching the films in the trilogy shown on TV. The tweets were analysed using the ‘coding and counting’ technique in computer-mediated discourse analysis. The results show a great chasm between academic or educational perspectives and what youngsters see in the films. Twitter interactions show that the virtual environments where these interactions take place are mere virtual concourses rather than affinity or learning spaces. This draws attention to the need for a new type of media education which not only includes the popular culture in formal education environments, but also uses the virtual concourses where youngsters gather around media products to transform mere coexistence into convergence of interests based on the meaning of these products.     

Reluctant entrepreneurs: musicians and entrepreneurship in the ‘new’ music industry

Changing labour conditions in the creative industries – with celebrations of autonomy and entrepreneurialism intertwined with increasing job insecurity, portfolio careers and short‐term, project‐based contracts – are often interpreted as heralding changes to employment relations more broadly. The position of musicians’ labour in relation to these changes is unclear, however, given that these kinds of conditions have defined musicians’ working practices over much longer periods of time (though they may have intensified due to well‐documented changes to the music industry brought about by digitization and disintermediation). Musicians may thus be something of a barometer of current trends, as implied in the way that the musically derived label ‘gig economy’ is being used to describe the spread of precarious working conditions to broader sections of the population. This article, drawing on original qualitative research that investigated the working practices of musicians, explores one specific aspect of these conditions: whether musicians are self‐consciously entrepreneurial towards their work and audience. We found that, while the musicians in our study are routinely involved in activities that could be construed as entrepreneurial, generally they were reluctant to label themselves as entrepreneurs. In part this reflected understandings of entrepreneurialism as driven by profit‐seeking but it also reflected awareness that being a popular musician has always involved business and commercial dimensions. Drawing on theoretical conceptions of entrepreneurship developed by Joseph Schumpeter we highlight how the figure of the entrepreneur and the artist/musician share much in common and reflect various aspects of romantic individualism. Despite this, there are also some notable differences and we conclude that framing musicians’ labour as entrepreneurial misrepresents their activities through an overemphasis on the economic dimensions of their work at the expense of the cultural.     

Constructing autonomy: the significance of architecture in creating and manifesting autonomy in protest camps

ABSTRACT

This study examines how autonomy in protest camps is enabled by and manifested through architecture. Although the importance of space for the struggles for autonomy in protest camps has been recognized in recent research, their architecture has not been widely examined in this respect. This study uses empirical data collected from four different protest camps during 2015–2017 to examine the role of architecture for the struggles for autonomy. The study found that architecture is essential in creating protest camps’ autonomy from the status quo. Furthermore, the results suggest that protesters engage especially with Do-It-Yourself -architecture to organize their lifeworlds in a way that allows, enforces, and reflects their alternative societal structures and practices, thus also enforcing their autonomy as a prefigurative praxis. Overall, the findings of this research suggest that architecture plays a significant role in both creating and manifesting autonomy in protest camps, thus adding architecture as a significant element to be analyzed in protest camps and expanding the existing field of research.     

Interdisciplinarity and the social sciences: capital, institutions and autonomy

Recent discussions about disciplinarity and interdisciplinarity in the social sciences have tended to map and critique methods, theories and approaches to knowledge production, but spend less time exploring the ways in which institutional constraints and personal trajectories produce different kinds of disciplinarity and interdisciplinarity. In this paper we present findings on interdisciplinarity from UK research undertaken as part of an EC project on knowledge, gender and institutions. The research involved a small survey (n = 14), in-depth interviews (n = 5), two focus groups (n = 7) and observation of social scientists in one university department between June 2006 and April 2007. We reflect on the unwillingness of social scientists to confront the conditions of our academic labour in an account of our difficulties with gaining access and respondents in this study, before moving on to consider some of the different ways in which interdisciplinarity and disciplinary commitments were related to particular forms of scientific and symbolic capital. We go on to discuss this in relation to the autonomy of academic teaching-and-research staff compared to contract researchers, and consider the implications of our findings for the future of interdisciplinarity and the social sciences.     

Workplace occupation and the possibilities of popular power in Chile and Argentina, 1972–6

ABSTRACT

The recent wave of occupations has had a transformative effect on radical politics, but, to date, many have been restricted in their social and spatial expansion. Reflecting on these challenges, this article examines workplace occupation in the coordinadoras interfabriles in Argentina (1975–6) and the cordones industriales in Chile (1972–3) to understand how they overcame barriers to such expansion. Starting from debates in critical geography and social movement studies on space and occupations, I unpack the possibilities for popular power that emerged in this period by using approaches from critical labour studies and autonomist Marxism. First, I outline the generative role of the workplace in producing these possibilities in a context of wider social change. Second, I demonstrate how the capacity for expansion lay in the simultaneous capacity to disrupt and reconstruct social relations derived from solidarities that exceeded the existing physical space of occupation.     

Of pain,passing and longing for music

Despite musicology’s historic veneration of ‘tragic’ (mostly physically or mentally impaired) artists, disability studies is still a new and controversial field in music scholarship. This essay addresses the recent emergence of disability studies in music scholarship from the perspective of a non‐visibly disabled musician and researcher. It examines the internal dissonance of passing as pain‐free and non‐disabled, the limitations of focusing on visible difference in musical performance and the complexities of performance where impairment, damage or pain is aurally evident, connecting the listener to the performer’s body. It calls for the study of musical bodies in all their manifestations, using pain and disability as analytic constructs.     

Academic freedom,institutional autonomy and the corporatised university in contemporary South Africa 1

This article examines threats from the state, institutional bureaucrats and academics themselves to academic freedom and to the institutional autonomy of universities in South Africa, and argues that the situation is more complex than is often perceived. The generally disappointing post‐independence history of academic freedom and autonomy in Sub‐Saharan Africa is drawn upon to illustrate the perils that may accompany too eager an embrace of the state by intellectuals in South Africa in confronting persisting racial inequities in institutions of higher learning. The article suggests that a ‘republican’ approach linked to social accountability may provide a way forward. To be securely founded, the advancement of academic freedom and institutional autonomy must be embedded in the prevailing power realities: it must grow from the contestation of empowered stakeholders. Finally, the article makes a number of specific recommendations calculated to strengthen the quest for such freedom and autonomy.     

An international politics of Czech architecture; or,reviving the international in international political sociology

ABSTRACT

Politics was long overlooked in analyses of architecture. International politics still is. Yet one of the sub-fields of International Relations seemingly best equipped to address this oversight, ‘International Political Sociology’ (IPS), is at a crossroads with leading scholars bemoaning the dominance of Sociology over the political and the international. They concur on the need revive the political, but some advocate abandoning the international. Instead, I argue that IPS scholars should embrace the international and suggest a particular way to do so via Rosenberg’s concept of Multiplicity. This transforms the international from the object of analysis into an analytical and heuristic lens through which to examine the constitutive effects on, (e.g.) architecture, of (international) societal co-existence, interaction, combination, difference, and dialectical change. Using examples from the late Habsburg period to the present, I sketch an international politics of ‘Czech’ architecture and show the value of ‘the international’ in and beyond IPS.     

The sampling continuum: musical aesthetics and ethics in the age of digital production

This article argues for a view of popular music production that better accounts for sampling than has historically been the case by viewing it as a continuum of activity. Weighing evidence from interviews with musical practitioners against the legal and industry frameworks, we illustrate, first, how sampling has been legally differentiated from other types of musical copying. Secondly we show that, despite this, comparable ethical codes exist within and across musical methods wherein sampling is part of the spectrum of activities. Thirdly, we discuss the ubiquity of digital technology within popular music production and the resultant closer relationship between sampling and other musical techniques moving onto, fourthly, how the sampling aesthetic has become integrated into musical practice in a manner insufficiently accounted for by its legal and industrial contexts. This ‘post-sampling’ reality places sampling and other musical techniques along a spectrum, in practical and ethical terms, and musicians would be better served by sampling being treated as part of the overall musical palette, allowing both scholars and the law to concentrate on ideologies of practice across the tools that musicians use rather than between different specific techniques.     

Cultural studies and sociology at,and after,the closure of the Birmingham school1

This article analyses and comments on the sudden closure of the Department of Cultural Studies and Sociology (CSS) at the University of Birmingham in July 2002. The origins of cultural studies are delineated and its reception within and outside Birmingham University is tracked. The relation to sociology and its own ‘cultural turn’ is observed. Explanations for the closure of CSS — amidst the enormous popularity and influence of cultural studies – are sought in the ongoing stresses and strains influencing universities in the current era.     

People,land and the struggle for rangatiratanga/autonomy in New Zealand

This article interrogates indigeneity in the context of two New Zealand indigenous discourses, one of them land orientated and the other people orientated. It argues that the former has generally been emphasized over and above the latter, which it examines principally in terms of the struggle for the rangatiratanga (loosely translatable as autonomy) promised to Maori by the British Crown in the Treaty of Waitangi of 1840. People-based discourse is seen as key to the resilience of Maoridom and its powerful assertions of agency in recent decades. But to argue in this way is not to discount the land discourse, which in the holistic Maori worldview is conflated with the people discourse and rangatiratanga     

What the digitalisation of music tells us about capitalism,culture and the power of the information technology sector

This article examines a striking but under-analysed feature of culture under capitalism, using the example of music: that the main ways in which people gain access to cultural experiences are subject to frequent, radical and disorienting shifts. It has two main aims. The first is to provide a macro-historical, multi-causal explanation of changes in technologies of musical consumption, emphasising the mutual imbrication of the economic interests of corporations with sociocultural transformations. We identify a shift over the last twenty years from consumer electronics (CE) to information technology (IT) as the most powerful sectoral force shaping how music and culture are mediated and experienced, and argue that this shift from CE to IT drew upon, and in turn quickened, a shift from domestic consumption to personalised, mobile and connected consumption, and from dynamics of what Raymond Williams called ‘mobile privatisation’ to what we call ‘networked mobile personalisation’. The second aim is to assess change and continuity in the main means by which recorded music is consumed, in long-term perspective. We argue that disruptions caused by recent ‘digitalisation’ of music are consistent with longer term processes, whereby music has been something of a testing ground for the introduction of new cultural technologies. But we also recognise particularly high levels of disruption in recent times and relate these to the new dominance of the IT industries, and the particular dynamism or instability of that sector. We close by discussing the degree to which constant changes in how people access musical experiences might be read as instances of capitalism’s tendency to prioritise limiting notions of consumer preference over meaningful needs.