Three novels of terrorism: explorations in the politics of literature

ABSTRACT

This article explores the political role of literature through the medium of three novels of terrorism: Francesca Marciano’s Casa Rossa, Nicholas Shakespeare’s The Dancer Upstairs and Ann Patchett’s Bel Canto. The literary features of these novels, set in the Italy of the Red Brigades and the Peru of Shining Path and Tupac Amaru, foster a political perspective that is a de facto endorsement of the status quo in each society. They hinder a comprehensive understanding of the underpinnings of terrorism that is essential to the formation of counterterrorism strategies.     

How are George Orwell’s writings a precursor to studies of popular culture?

George Orwell is known as an acclaimed novelist, essayist, documentary writer, and journalist. But Orwell also wrote widely on a number of themes in and around popular culture. However, even though Orwell's writings might be considered as a precursor to some well-known themes in studies of popular culture his contribution to this area still remains relatively unacknowledged by others in the discipline. The aim of this article is simply, therefore, to provide a basis to begin to rethink Orwell’s contribution to contemporary studies of popular culture. It does so by demonstrating some comparable insights into culture and society between those made by Orwell and those found in the work of Bakhtin, Bourdieu, and Deleuze. These insights are also related to four main areas of discussion: debates in contemporary cultural studies about the contested pleasures of popular culture and experiences; the relationship between language and culture; how social class needs to be defined not just economically but also culturally; and how one might escape cultural relativism when writing about popular culture. The article concludes by suggesting that Orwell is a precursor to contemporary studies of popular culture insofar that some of the cultural themes he explores have become established parts of the discipline’s canon.     

The terrorist,the artist and the citizen: Oscar Wilde and Vera

This article links Oscar Wilde’s prose writings with his earliest drama Vera, or The Nihilists (1880, rev., 1883) and suggests how the idea of terrorism and political violence was a spectacle and threat that Wilde acknowledged and encompassed in his writing and thought. I discuss Wilde’s adoption of a Hegelian view of the development of civilisation and suggest that during his 1895 trials he cast himself self-consciously as at once agitator and scapegoat, finding that his own life had come to imitate his art though not in the ways with which we are commonly familiar. Modern terrorism from its roots in 1870s Russian political unrest is recognised as both a new force and a familiar fantasy which shapes literature.     

The Human Habitat: a Systemization and Critique of Park’s Theory from a Radical Interactionist Perspective

When Park died, he left his theory of the human habitat not only incomplete, but in considerable disarray. Although few present-day scholars have demonstrated much interest in building on this critical body of Park’s work, which he based on dominance, it probably represents his most important contribution to American sociology. I argue that the key to systemizing his highly discursive account of the human habitat is to view it from an emergent social evolutionary perspective, which makes it possible to differentiate his notion of “community” from “society,” as well as explain how the two concepts can logically be viewed as both separate and unified entities. A community is not only a necessary stage in the social evolutionary process of producing a society, but it also provides the habitat needed for a society’s later emergence. Among other things, Park’s theory of the human habitat is also criticized for its failure to (1) distinguish dominance from domination, (2) identify the reciprocal relationship existing between power and domination, (3) accurately characterize the nature of the economic order operating in communities, and (4) demarcate a pre-lingual, lingual and literate communal stages that precedes in the social evolutionary process the possible development of a society. In passing, I also point out critical, but often overlooked aspects of Park’s theory of the human habitat that contradict popular characterizations of his work as being purblind to the operation of dominance and power, social Darwinist, conservative, sexist, and racist. Finally, I deduce the implications of his theory for the future emergence of a “world society.”     

Who do you think they were? How family historians make sense of social position and inequality in the past

How do social comparisons over time shape perceptions of inequality? In thinking about subjective inequality, it is important to ask which social comparisons matter in establishing people's sense of relative social position and wider inequalities. These issues are discussed by drawing on a qualitative study of popular genealogy, which examines how people make sense of social position in the past, and explores how social change affects people's sense of social hierarchies. The gaze of family history promotes certain sorts of social comparisons, between ‘then and now’, and between immediate kin, which can flatten the sense of social hierarchies. However, the ability to determine social position also depends on the quality of information available, and how different practical engagements facilitate ‘sideways’ comparisons between contemporaries, affording different fields of vision on relative inequalities. On this evidence, when exploring subjective inequality it is necessary to examine when and how people engage in social comparison as part of everyday practical activities.     

‘You’ve got autism because you like order and you do not look into my eyes’: some reflections on understanding the label of ‘autism spectrum disorder’ from a dishuman perspective

The psychiatrists and health professionals who ‘updated’ the fifth edition of the Diagnostic and Statistical Manual of Mental Disorders in 2013 changed how ‘autism’ is meant to be interpreted. For example, Asperger’s disorder merged into an overall collective of ‘autism spectrum disorders’, rendering Asperger’s non-existent as a separate disorder. Yet the terms ‘Asperger’s’, ‘autistic’ and ‘autism’, in general, are used on a daily basis by people who have been diagnosed/labelled in this way over the course of their lives, or indeed are used by people to label others in stereotypical and prejudicial ways that leads to their marginalisation. With this thought in mind, the author briefly reflects on his own experiences of being labelled with ‘Asperger’s’ or as being ‘autistic’ (a label he rejects), whilst thinking from a ‘dis/human’ perspective, a viewpoint that seeks to unpack and challenge the dominant concepts of what it means to be human in the twenty-first century. While it is difficult to avoid being labelled in ways that lead to discrimination and rejection, a dishuman perspective offers a viewpoint against the narrow versions of what it means to be human, relating to how disability can trouble the notion of what it means to be human and indeed inform the very meaning of what it means to be human.     

Writing ‘Conflict’: Whispers as a ‘Restorative’ Narrative

Abstract

This paper examines contemporary Kenyan popular fiction as a site of cultural production, where the contradictions of African modernity are played out. The paper focuses on one of Kenya's oldest popular fiction columns, Whispers, published in local newspapers since 1983. Constructed around a Kenyan family, which is deployed as an allegorical trope to read modern Kenya, the paper explores how the column introduces us to the anxieties that define life in contemporary Kenya. Although the narrative comprises many thematic concerns, reference is particularly made to the restive masculinity threatened by social change. The paper also provides a discussion of the constant ‘backward glance’, an attempt to look for stability in the past, part of the society's relentless search for models that could help Kenyans make sense of an uncertain present, and an even more doubtful future. The paper also engages with the narrative mode of this fiction, examining how humour, satire and parody deceptively make light of what are important issues affecting society.     

Market/society: mapping conceptions of power,ideology and subjectivity in Polanyi,Hayek, Foucault,Lukács

ABSTRACT

In light of discussions around the common anniversary of the publication of Karl Polanyi’s The Great Transformation and F.A. Hayek’s The Road to Serfdom, this article puts these texts – iconic representations of social democratic and neoliberal political theory – into conversation with Michel Foucault’s subsequent, influential critique of neoliberalism, The Birth of Biopolitics. There are interesting points of contact in the way each text constructs its argument, even as they arrive at distinct positions vis-à-vis the material and subjective nature of market society, while nevertheless sharing an opposition to Marxian approaches. Yet the work of Polanyi and Hayek’s Marxian contemporary, Lukács’ History and Class Consciousness, offers precisely a critical framework for understanding the relationship between markets, liberty and society in which the material and the subjective need not be read as antagonistic. It is thus also examined here, in an effort to shed light on how discussions of contemporary neoliberalism are framed.     

What was Bitcoin,what will it be? The techno-economic imaginaries of a new money technology

In its first decade, Bitcoin has not proven to be a practical money form for most circumstances, but it has become a staging ground for debate around the cultural role of money in society. This debate is poised between two related but ultimately incompatible techno-economic imaginaries: infrastructural mutualism and digital metallism. Each offers a theory not just of money, but also of relations, identities, and the larger imaginaries we call ‘society’ and ‘the economy’. In particular, they offer distinct visions of what it means to be a ‘peer’ in a peer-to-peer money system, and perhaps, a peer-to-peer society. This article traces the pre-history of Bitcoin, as well as more recent developments, to inquire about its future, as well as the future of money more broadly.     

The representation of street art on Flickr. Studying reception with visual content analysis

Street art is public art; it’s accessible; it’s of the people; it’s an urban voice; it’s on public view; it’s on-the-street. Nonetheless, the World Wide Web has been party responsible for street art becoming both recognised and popular. As a result, this study is investigating how street art is represented on the open photo-sharing platform, Flickr. It is a social network site offering a large portfolio of photographs showing a wide range of images, which have been categorised and classified using ‘tags’. By using a visual content analysis based on theoretically determined categories to examine the uploaded photographs, this investigation will shed light on what a selection of Flickr users recognise as street art and how they record and index it.     

READING THE FUTURE

This essay asks how cultural studies practitioners can begin to found a critical practice that responds to the events of September 11 and their aftermath. Using Theodor Adorno' concept of ‘semi-erudition’, as developed in his analysis of horoscope readers in ‘The Stars Down to Earth’, together with Homi Bhabha' arguments about the links between racial stereotyping and fetishism, it is argued that those working in the discipline of cultural studies must respond to the multi-layered address of the official discourse regarding the ‘war on terrorism’ without becoming complacent about our own position vis-à-vis this discourse. The author connects this argument with a reading of Herman Melville' novella Benito Cereno to discuss the problem of American ‘innocence’ in this context. The concluding question is how, in the face of the current crisis, to begin to practice a truly responsive ‘criticism’, in the full sense of the term, one able to provide a different reading of the present and in turn affect the future.     

The wageless life of the subaltern

ABSTRACT

One of the most striking legacies of the Subaltern Studies project has been the innovative methodologies and archives that it has mobilized to articulate the singular position of the subaltern outside the hegemonic terms of representation. Yet in its sweeping classification of non-hegemonic social groups and classes, Subaltern Studies has often tended to elide the precise economic determinants that define the subaltern as a class, and thereby foreclose the forms of agency that are available to people who occupy such singular positions of radical alterity that cannot be identified in hegemonic terms. Spivak’s deconstructive rethinking of the labour theory of value enables us to consider how the body of the gendered subaltern performs an important economic function in the contemporary global economy. But to what extent can such a theory account for the economic conditions of people dwelling in the slums and shantytowns of postcolonial cities, or what Michael Denning has aptly called the wageless life of the global poor? And how might we begin to address the gendered dynamics of wageless life? Through a reading of Abderrahmane Sissako’s film Bamako (2006), this essay considers how the film’s juxtaposition of a fictional courtroom narrative in which the World Bank is put on trial and the everyday lives of characters who populate the courtyard in which the courtroom is situated raise questions about the limitations of the law and civil society to alter the socio-economic conditions of wageless life. With reference to Gayatri Spivak’s reflections on the relationship between the subaltern and the economic policies of global financial institutions the essay suggests that the narrative structure and mise-en-scène of Bamako offer a means of addressing the global economic conditions as well as the power relations that circumscribe the agency and voice of the subaltern.     

A place for mobility in metaphors of youth transitions

ABSTRACT

Metaphors are central in the study of youth; in fact, it has been argued that ‘youth’ itself could be considered a metaphor. In a recent assessment of transition-related metaphors, Cuervo and Wyn [2014. “Reflections on the Use of Spatial and Relational Metaphors in Youth Studies.” Journal of Youth Studies 17 (7): 901–915.] have noted that such metaphors as ‘niches’, ‘pathways’, ‘trajectories’ and ‘navigations’, often contain an element of movement. However, it is still under-debated how we can systemically incorporate mobility into the study of young people to capture the precarity characterising their lives (a), but also heuristically link to metaphors used to describe the changing shape of careers of young people (b). Indeed, scholarship on ‘boundaryless careers’ and ‘peripatetic careers’ appear to have developed separately from the youth-related literature, albeit dealing in part with similar issues. Departing from Furlong’s work on metaphors in youth studies, this article interrogates potential for intertwining research lines within the growing debate on mobility in youth transitions. The article develops at a conceptual level; however it takes on Furlong’s legacy in the sense of contributing to a youth research agenda which is attentive to both the creation of new imaginative categories for the study of current conditions of youth, and the challenges that emerge in discursively positioning youth in society.     

Queer visual pleasures and the policing of male sexuality in responses to images of David Beckham

Since he stepped out in a sarong in 1998, David Beckham's sexuality and gendered image has been a popular topic of discussion in the media. He has also attracted academic attention for the expanded range of masculinities he seems to represent. Some academic studies of Beckham have employed ‘queer theory’ to analyse the destabilising of gender that his public presentations seem to embody but little attention has been paid to the specifically visual dynamics of images of Beckham. In this essay, I take Sam Taylor-Wood's David (2004) as a starting point to suggest the types of visual pleasure that images of Beckham might be seen to offer to both male and female audiences. For the remainder of the essay I focus on an Armani male underwear advertisement from the 2007–2008 campaign. Informed by discourse analysis and queer theory, I identify a set of ‘queer’ responses to the advertisement, suggesting they represent the ‘policing’ of male sexuality, which often accompanies potential signifiers of homoeroticism. I conclude by considering how and why Beckham has retained his status as a heteronormative masculine icon despite his continued appearance in homoerotic images.     

Theory-bashing and answer-improving in the study of social movements

Over the 1970s and 1980s, a “theory-bashing” mindset gained popularity among sociologists of social movements and, for a period, overshadowed the alternative mindset of seeking to improve answers to questions about social movements. Now on the wane, theory-bashing nonetheless retains a significant presence. This mindset has a number of attractions and virtues and it is, broadly speaking, legitimate. But, it also has negative features and consequences that I want to point out. I begin by showing how the theory-bashing differs from the answer-improving mindset and I then explain ways in which the former hinders the analysis of social movements even though it can also be helpful. Finally, I offer a sociological account of why theory-bashing has been so popular in movement studies. His most recent book isPolite Protesters: The American Peace Movement of the 1980s (Syracuse University Press, 1993).     

DisPovertyPorn: Benefits Street and the dis/ability paradox

In this article, we offer a timely socio-cultural analysis, informed by a critical disability perspective, of UK Channel 4’s reality television series Benefits Street. Drawing on the work of Allen, Tyler, and De Benedictus and Jensen on ‘poverty porn’, we broaden their analysis to ask how dis/ability disrupts the ‘poverty porn’ narrative. We pay attention to the dis/appearance of dis/ability on Benefits Street and, in doing so, we also extend an analysis of how impairment labels function in people’s lives as socio-cultural categories that place limits on what labelled people can do and can be. We suggest that both the articulation and erasure of dis/ability are used as a form of narrative prosthesis to support the overarching story line that people on benefits are unworthy ‘scroungers’.     

Polanyi’s two transformations revisited: a ‘bottom up’ perspective

ABSTRACT

In The Great Transformation, Karl Polanyi offers a ‘top-down’ analysis of the rise and demise of Europe’s unregulated market system. He assumes that changes in the organization of the international economy provide particular kinds of opportunities for states to act which, in turn, shapes the extent to which social forces will be able to influence state policy. Consequently, his analysis focuses, first, on the international institutions created by the self-regulating market system; then on the ‘liberal state’ which these made possible; and finally on how the system impacts ‘society as a whole’. The account which this analysis produces systematically underplays the social struggles which propelled and emerged from the rise of Europe’s nineteenth century system and which ultimately led to its demise. In revisiting the two periods that are the focus of Polanyi’s analysis, this article assumes that states and interstate systems reflect the interests of powerful social forces. Thus, working from the ‘bottom up’, it focuses on the class interests that produced Europe’s market system, the state and international structures which reflected and supported them, and the social struggles that ultimately brought about the collapse of the system. What this ‘bottom up’ account reveals is the centrality of a ‘double movement’, not of market expansion and a protective countermove on the part of ‘society as a whole’, but of dominant classes monopolizing economic opportunities from global expansion, and a rising ‘red tide’ of disaffected workers. This double movement, it argues, better explains the demise of the system and the changes that ensued from it.     

Engaging with Listening,Silence and Noise: Peering‐into the Analytical/Continental Divide

In this paper I offer, by way of a circuitous route, a journey examining ‘how we know we know’. This examination is significant as it again rehearses the division between ‘Analytical’ and ‘Continental’ knowing. A division in valuing knowing that, when tested in the circumstances of a performance of John Cage's ‘4 minutes and 33 seconds’ and an engagement with Diego Velázquez's painting Las Meninas, exposes the role of the audience in their engagement with any object or event.