Online video sharing: an alternative channel for film distribution? Copyright enforcement,censorship, and Chinese independent cinema

Regarding piracy as the crime of stealing copyright holders’ rightful profits, many creative industries, such as the film, music, and gaming industries, are battling for stricter administrative and legal enforcement against copyright infringement. However, there is a counterargument that piracy could benefit copyright holders in the form of free promotion. Given China’s strict censorship of film content, this paper investigates how online piracy complicates the distribution of independent films in China. The advance of cyber technology and high-speed Internet access has not only fueled the spread of online film sharing, but has also encouraged public participation in the debate on the complex relationship between piracy, copyright, and censorship. Taking Jia Zhangke’s A Touch of Sin (2013) as a case study, this paper evaluates the alternative business models for Chinese independent cinema put forward by Chinese netizens.     

British Muslim Minorities Today: Challenges and Opportunities to Europeanism, Multiculturalism and Islamism

This essay explores the issues of multiculturalism, Islamism and the experiences of Muslim minorities in Western Europe and in Britain in the light of the events of 9/11 and 7 July London bombings. First, the experience of immigrants and minorities and the key historical and cultural debates in which the idea of Europe has emerged is contextualised. Second, the debate in relation to how multiculturalism in Western Europe is conceived and problematised is focused upon. Third, a detailed discussion of the British experience of multiculturalism is elaborated upon, exploring the various shifts in discourse and policy-maker thinking. Finally, suggestions for moving ahead are discussed, and how it might provide impetus to academic, governmental, civil society and practitioner action. In conclusion, it is argued that the challenges that Muslim minority youth face in Western Europe are many but not insurmountable if one takes into consideration the needs and aspirations of a society that is inclusive and forward looking but also aware of the historical and contemporaneous factors involved in the alienation and the marginalisation of variously incorporated Muslim minorities.     

Incorporation as an Interactive Process: Cherokee Resistance to Expansion of the Capitalist World-System, 1560–1763*

Like capitalism itself, incorporation is a dialectical historical process that involves both social structure and human agency. On the one hand, transformations are determined by hegemonic forces in the capitalist world-system itself. Incorporation is the long-range civilizational project of capitalist colonizers. This historical process is best understood not as a cultural conflict between indigenes and European invaders, but as an economic conflict between precapitalist or communal modes of production and capitalist modes. Driven by the cultural logic of historical capitalism, the intruders mythologize their economic domination as a lofty mission to implant civilization on savages. On the other hand, indigenous people are not passive recipients of Western civilization. In sharp contrast to the imperialistic goals of the interlopers, the indigenous group seeks to safeguard its established way of life. The devastating effects of change are ameliorated because the impacted people act, react, and resist. As a result, the dominated disrupt the agenda of the colonizers and create a historical window by which they prevent their cultural annihilation.     

Which countries protect intellectual property? The case of software piracy

Using data on software piracy, we examine how protection of intellectual property varies across countries. Consistent with other studies, we find that intellectual property receives greater protection in developed economies; high-income countries have lower piracy rates. We also find that protection depends on cultural factors. Countries with an individualist culture have lower piracy rates than do countries with a collectivist culture. Piracy rates are also lower in countries that have strong institutions that enforce contracts and protect property from expropriation. These results suggest that national policies toward intellectual property reflect not only economic concerns but also national culture and institutions.     

INNOVATION, ELECTRONIC PUBLISHING AND THE MANAGEMENT OF INTELLECTUAL PROPERTY: What of digital piracy?

This article aims to analyse the effects of piracy on the management of intellectual property (IP) and innovation. The first section discusses the problems associated with digital technologies that are confronting rightholders, and highlights the view that the versatility of these technologies constitutes a major asset for the growth of both electronic publishing and piracy. The effect of piracy on the management of IP and innovation will be discussed in terms of (1) how IP is created; (2) the resources required to stay in the business and the difficulties in maintaining market presence; (3) the means of protection of IP, and (4) the entry barriers to the electronic publishing sector. The analysis is based on an interview sample of thirty-one small- and medium-sized UK-based electronic publishers. The article concludes that while it is right for legislators and those within the industry to seek enhanced copyright protection, it is less clear whether piracy is a material threat to investment in electronic publishing, as it is widely posited to be by the industry.     

Sociological Perspectives on Japanese Manga in America

Japanese popular culture has, according to journalist Roland Kelts, “invaded” the United States in the 21st century, and in particular Japanese comics, known as manga, have successfully “conquered America,” according to Wired magazine. Within the publishing trade itself, the medium's cultural and commercial success became known as the “manga revolution” or the “manga boom.” Yet despite all of this excitable rhetoric, there has thus far been scant sociological research into the particularities of this emerging phenomenon, and what exists is widely dispersed across multiple humanities and social science disciplines. This essay therefore aims to unite this scattered literature and provide a comprehensive survey of sociological perspectives on Japanese manga in America. I identify and explore three main substantive trends in the scholarly discourse: (i) studies of gender and sexuality and the homoerotic manga genres known as boys' love or yaoi; (ii) intellectual property, copyright, and the global digital piracy of manga colloquially known as “scanlation”; and (iii) studies of cultural production and the political economy of the American manga industry. This essay concludes with a discussion of the limitations these perspectives have in common and suggests a more critical research program drawing upon an expanded theoretical toolkit.     

The individual in Japanese history: Parallels to and divergences from the European experience

This paper shows that Japan underwent a sequence of historical periods during which the level of technical development and the place of the individual in society paralleled that of similar periods in Europe. Particular attention is paid to 16th-century Japan, a period remarkably similar to the European Renaissance in its individualism and socioeconomic and cultural vitality. In both Japan and Western Europe, this renaissance followed the breakdown of an imperium and its replacement by a feudal system. The historical parallel continues with those parts of Europe in which absolutist governments were successfully imposed, since Japan underwent a similar phenomenon, accompanied by a similar decline in individualism and in technological development. Although no definitive conclusions can be reached, the paper explores the implications of these parallels for our understanding of both Japan and the general historical and psychological processes involved in the growth of individualism and technology.     

Global citizens,exotic others,and unwanted migrants: mobilities in and of Europe

This article reflects on Europe’s problematic relationship with its ‘others’, asking in particular how the idea of the ‘exotic’ – constituting one of Europe’s ‘imperial ruins’ – intersects with the figure of the Muslim migrant. The Muslim migrant has in the present become in Europe a potent marker of otherness, which reflects how some cosmopolitan aspirations are perceived negatively in European discourses, revealing how mobility itself is racilized and gendered. WoDaaBe Fulani migrants from Niger have historically occupied a subject position in Europe as identified with ‘the exotic’. The article discusses WoDaaBe temporary migration to Europe to supplement their income back home, and their intersecting positions as ‘exotic’, as Muslims and black Africans. While contemporary discourses tend to highlight Europe’s status as a site of equality, human rights, and cradle of civilization, some bodies are welcome within the space of Europe while others are not.     

Can I own my writings and sell them too? A brief history of copyright in China from the late Qing era to Mao's China

This article briefly reviews the growth of copyright, as an idea, an industrial practice and a state policy, in the context of social transformation in China from the mid-nineteenth century to the late 1970s. Understanding copyright as one dimension of cultural commodification, it aims to reconceptualize Chinese copyright history by focusing on China's development and the transformation of cultural industries and cultural control. It argues that private control over cultural products is not alien to Chinese tradition, and calls for a shift of attention from anti- or pro-copyright assumptions about Chinese culture to the changing political economy of cultural industries that gives rise to certain forms of cultural privatization. It also analyzes copyright's role in state developmental policy and in the reshuffling of social classes and hierarchy.     

Extracting the commons

This article investigates how resources that are perceived as common are turned into property through different interventions of extractivism, and how this provokes counter-activism from groups and actors who see their rights and living conditions threatened by the practices of extraction. The article looks at how extraction is enacted through three distinct practices: prospecting, enclosure and unbundling, studied through three different cases. The cases involve resources that are material and immaterial, renewable as well as non-renewable, ‘natural’ as well as man-made. Prospecting is exemplified by patenting of genetic resources and traditional knowledge, enclosure is exemplified by debates over copyright expansionism and information commons, and unbundling through conflicts over mining and gas extraction. The article draws on fieldwork involving interviews and participant observation with protesters at contested mining sites in Australia and with digital rights activists from across the world who protest against how the expansion of copyright limits public access to culture and information. The article departs from an understanding of ‘commons’ not as an open access resource, but as a resource shared by a group of people, often subjected to particular social norms that regulate how it can be used. Enclosure and extraction are both social processes, dependent on recognising some and downplaying or misrecognising other social relations when it comes to resources and processes of property creation. These processes are always, regardless of the particular resources at stake, cultural in the sense that the uses of the commons are regulated through cultural norms and contracts, but also that they carry profound cultural and social meanings for those who use them. Finally, the commonalities and heterogeneities of these protest movements are analysed as ‘working in common’, where the resistance to extraction in itself represents a process of commoning.     

Elephant empire: zoos and colonial encounters in Eastern Europe

ABSTRACT

Whereas zoological gardens and animal collections in North America and Western Europe are well researched from historical, philosophical, and cultural perspectives, surprisingly little attention has been paid to the history and legacy of these modernizing institutions in Eastern Europe. To bridge this gap in scholarship, I investigate the traffic in exotic animals to this region with a focus on a particular species. Historically, elephants have been considered prime symbols of the power and triumph of the colonial empire, and were thus often the jewels of colonial animal collections across Europe. In this article, I explore how the colonial origin of elephants as both big game and charismatic megafauna translates into a geopolitical context without direct overseas colonies, in order to trace the material links between species, race, transnational commodity networks, and structures of identity formation. Based on archival and bibliographic research focused on the Poznań Zoo in years 1871–1945, this article offers a critical analysis of the role of elephant performance in zoos, circuses, and travelling shows in mediating and mobilizing imperial longings. From this vantage point I suggest that studying public zoos in Eastern Europe offers a unique insight into a physical presence of colonial imperialism (via traffic in exotic species) in an area without overseas colonies, through a site where modernist models of citizenship, nationhood, and Europeanness are forged at the interface between science, education, and transnational politics. Given that zoos were crucial for the development of the biological perspective in the West, I posit a reconfiguration of zoos as ‘contact zones’ and primary sites for colonial encounter within the empire from a semi-peripheral perspective.     

Hybridising the cultural identity of Mulan from a Chinese ballad to American films

Hybridisation refers to the fusion of diverse cultural elements which generates new cultural forms that are distinct yet interconnected with one another. Previous studies affirmed that hybridisation has become part of an ongoing trend in transnational culture, emerging from a Third Space where diverse cultural elements enmesh. This study aims to explore how Mulan's cultural identity is hybridised when the folklore flows from China to America, becoming entangled within a conflict of Chinese-Western transcultural clashes. Using Jameson's cultural identity model, the paper analyses Mulan's cultural identity in three texts which are the original The Ballad of Mulan, Disney's animated movie Mulan (1998) and its subsequent life-action installment Mulan (2020). Components measuring the protagonist's cultural identity comprising vocation, class, geography, philosophy, language, biological traits with cultural aspects are compared. The findings show that the movies have particularly hybridise the protagonist's cultural identity from the aspects of geography, philosophy, and language. This results in a hybrid cultural identity with transnational markers in Mulan. The significance of the research thus lies in its contribution towards highlighting how Chinese figures are increasingly hybridised by Western influences as the Chinese culture continues to transcend transnational borders.     

GENDERED SPECTRE

The focus of this essay is gendered collective memory of the partition of the Indian sub-continent in 1947, at the time of Independence from British rule. The essay addresses the question of whether there are similarities between trauma studies that developed within a Western Freudian psychoanalytic framework and the anti-colonial theory practiced by decolonizing nations. Taking two women's texts, the essay examines how gender manifests itself within the framework of trauma and how it is played out in collective memory of partition. The texts chosen raise interesting questions about gender, trauma and the nation and provide an alternative non-Western framework through which the trauma of partition can be read. The essay points to how the category of memory and its meanings vary in their national, cultural and historical specificity.     

Constructions of Europe in the run-up to the EU referendum in the UK

The paper reports findings from a focus group study on representations of Europe, conducted in England in the run-up to the UK EU referendum. Four themes were identified in the analysis: ‘cultured Europe’; ‘little Europe/global Britain’; ‘Europe as a cultural threat’; and ‘Eastern vs. Western Europe’. Analysis of these themes showed that Europe was an ambivalent identity category that could encapsulate contrary ideas such as cosmopolitanism/isolationism and cultural enrichment/undermining. Europe’s relation to Britain was also ambivalent in the data. Britain could be positioned as superior to Europe, sometimes being seen as closer to the ‘European essence’ in the context of the EU’s eastward expansion, which was seen as diluting European culture. But, Britain could also be seen as backward compared to the idea of cosmopolitan continental Europe. These different lines of argument and their ideological underpinnings are explored in the discussion of the findings.     

LOCATING CULTURE IN THE US AND CENTRAL EUROPE - A TRANSATLANTIC PERSPECTIVE ON CULTURAL STUDIES

This article attempts a comparative critique of interdisciplinary cultural analysis in the US and Central Europe. It tries to sketch out the different points of departure and methodological approaches used in American and British cultural studies on the side, and in German Kulturwissenschaften (cultural sciences) on the other side. Furthermore it is asked in which ways the critical political impetus of cultural studies can be made productive for the further advancement of Kulturwissenschaften, and how they could perform an innovative role for the understanding of problems posed by the current political and social situation in Central Europe.     

The Kazakhs of Western Mongolia: transnational migration from 1990–2008

The Kazakhs are the largest minority group in Mongolia, a relatively homogenous country dominated by Khalkh Mongols. Since 1991, Mongolia has transitioned politically and economically and witnessed significant changes in internal and international migration flows. The large-scale movement of ethnic Kazakhs from Western Mongolia to Kazakhstan represents one such emerging international flow. This migration is influenced by economic motivations, historical cultural ties to Kazakhstan, and immigration policies of both countries. This paper assesses the local and national circumstances that shape migration decision-making in Western Mongolia during the transition years and highlights changes in the characteristics and directions of migration flows during this time. We identify three periods of migration with each period characterized by changing economies and national policies in Mongolia and Kazakhstan, as well as changes in communications technologies and extensiveness of social networks among prospective migrants. These periods illustrate how transnational migration flows evolve through time and are affected by national, local, and individual circumstances.     

FAIRY SALES: THE BUDAPEST INTERNATIONAL FAIRS AS VIRTUAL SHOPPING TOURS

Shopping tourism has been a widespread phenomenon since the emergence of the modern consumer culture. It has played a crucial role in the formation and transformation of the structures of wants by constructing and displaying tangible instantiations of cultural otherness. By centring our paper around the concept of ‘virtual shopping tours’ we would like to make sense of the historical and theoretical momentum of shopping tourism in the context of the socialist shortage economies. In post-war Central and Eastern Europe travelling to the West was few people's privilege; nevertheless, almost everybody was interested in, fantasized about, and imitated Western trends. Our attempt is to understand how people sought information and tried to keep up with the Western world in their lifestyles. By ‘virtual shopping’, we mean a sort of quasi-consumption where the choice of goods is shown but not or not immediately available. Visiting international commercial fairs – just as discussing the inaccessible goods seen in Western movies or in expired catalogues of Western department stores – was among the chief occasions for virtual shopping tours. The Budapest International Fairs have been the greatest and most significant fairs in Hungary since the 1890s. Focusing on the post-war period, our paper describes the changing selection of goods, explores the hidden political and cultural functions of the different forms of display, and analyses the attitudes of the various groups of visitors and the meanings they attached to certain products and practices.     

Radio Free Europe and the Catholic Church in Poland During the 1950s and 1960s.

A review of the literature on Radio Free Europe’s role throughout the Cold War reveals its underdeveloped historiography. Yet, how valuable are RFE’s reports and broadcasts as a tool for historical exploration? Drawing on a wealth of materials from Polish programming, this analysis uses the case study of the role of the Catholic Church in Poland throughout the 1950s and the 1960s, to appraise not only the content of RFE reports but also the extent to which they can be used as a historical tool. The reports reveal, for example, that the Church became politically active already in the mid 1960s during its struggle with the Communist regime over the Millennium anniversary celebrations and the issue of Poland’s Western territories. This analytical framework allows for an examination of RFE’s comments in terms of what they might tell us about what really happened, and in terms of what they actually tell us about the station’s perceptions of what happened. The station’s position as an observer, critic and participant in the turmoil of the Cold War, gave it a distinct ability to access both the realities behind the Iron Curtain and the Western perceptions of what was happening in the satellite countries.     

广州能成为大珠三角都市圈的文化之核吗？

现代文明是海洋性的。将我国绵长的海岸线分为南、东、北三个区域,有着充分的文化地理、历史现实原因,更有着极为重要的文化、经济、政治意义。在＂三驾马车＂的比较中,京津冀都市圈的区位性质属于舵位,长三角都市圈的区域性质属于中坚,而大珠三角都市圈的区域性质当属前沿。大珠三角要在中国的现代文明转型过程中始终作为具足的＂海洋性＂之文化的突出表征,始终肩负中国现代化进程之前沿的责任,广州,或曰＂广佛＂就应然和必须始终是大珠三角都市圈的双核之文化之核。     

The role of educational institutions in the clientization of immigrants: The Swedish case

European nations are multicultural societies. Multiculturalism is more a part of these countries' intellectual debates, however, than part of their policies and practices. The public and governmental sectors of Europe still remain monocultural. Monoculturalism, which entails the cultural hegemony of the ‘white majority’ of European societies over ‘other’ cultural groups, is a part of the systematic reproduction of an established social order. Formal education is an important means of reproduction of the monocultural order. European monoculturalism is based on an ethnocentrism that has a long tradition in the Western worldview and is institutionalized in its political, judicial, educational and bureaucratic systems. Western monoculturalism has become increasingly problematic in the face of growing multiculturalism in Europe and jeopardizes the existing social order. The integration of diverse immigrant groups into the host societies is not compatible with the reproduction of Western cultural hegemony, a hegemony through which the policy of integration is simply reduced to a political goal that limits immigrants' action to that of adjusting themselves to objective norms and rules. Monoculturally educated groups, who are supposed to help immigrants become integrated into such societies, paradoxically construct obstacles to their integration.