PRAGMATISM AND GRIEVING: INCORPORATING MEAD AND DEWEY TO UNDERSTAND THE GRIEVING OF PEOPLE WITH MENTAL RETARDATION

Although the philosophy of pragmatism influenced American sociology, specifically that of symbolic interactionism, its use as a tool for explanation of everyday life has been underutilized throughout sociology. In this article, pragmatism, specifically the ideas of George Herbert Mead and John Dewey provide a framework for the understanding of grieving, specifically as it relates to people with mental retardation. Both Mead and Dewey's use and inclusion of physics into their philosophies proved paramount in their assertions regarding Cartesian or ontological dualism. They then demonstrated through the inclusion of quantum physics how to avoid positivism, thereby creating the necessary link of science with human perception and human action. Mead's use of the Theory of Relativity, as well as Sociality; and Dewey's incorporation of the Uncertainty Principle, and addressing the sum of possibilities, provides a context where the grieving process of people with mental retardation will be much more pronounced. People with mental retardation, by definition, through their neural networks have an inability to perceive existence in a manner that is functionally the same as the rest of the population. Their abilities influence how people with mental retardation relate to themselves or environment, thereby creating either fewer realities or systems from which to interact, or creating ones that are functionally dissimilar from the typical population, hence the label “mental retardation;” therefore, the loss of someone or something creates a greater hole or emptiness for people with mental retardation than the rest of society.     

STATUS POLITICS AND THE POLITICAL AGENDA OF THE CHRISTIAN RIGHT

Status politics has been used by scholars to explain social protest movements, particularly those that have been right-wing in orientation. In recent years, some scholars have placed the Christian Right within the context of status politics, while others have suggested it is erroneous to do so. This article examines the applicability of status politics to the Chrisitan Right from the perspective of the political agenda the movement has pushed in the Congress. The argument is that status politics fails to explain adequately the moral, nonsymbolic, and "offensive" dimensions of the Christian Right.     

国内企业艺术品收藏优缺及未来走向

近几年,国内越来越多的企业和机构开始介入艺术品收藏和投资领域,机构收藏对国内艺术品市场甚至艺术生态的影响已经显现,不少业内人士均表示,由“散户市”走向“机构市”是国内艺术品市场未来的趋势,也是市场正规化、专业化的表现。     

THE ART OF BEING CRENTE: THE BANIWA PROTESTANT ETHIC AND THE SPIRIT OF SUSTAINABLE DEVELOPMENT

The central objectives of this article are to describe and analyze the Baniwa Art Project, a sustainable development project based on intensive production and commercialization of basketwork, which the Baniwa Indians of the Northwest Amazon (population approximately 12,000), with the assessment of the SocioEnvironmental Institute (ISA), a major NGO in Brazil, launched in the late 1990s. The goals of this project were to enhance the value of the Baniwa basket-making tradition, increase production within the limits of the sustainable use of natural resources, generate income for indigenous producers and their political associations, and train indigenous leadership in the skills of business management. This very successful project was initiated shortly after the creation of the Indigenous Organization of the Içana River Basin (OIBI) and essentially involves 16 of the more than 100 Baniwa communities of the Içana River and its tributaries in Brazil. This article reflects on how young Baniwa evangelical political leaders, with the support of the NGO, promoted the rise of individualism, as well as the introduction of Western values of economic and political success. This generated conflicts with more “traditional” values and practices of egalitarianism producing an increase of witchcraft accusations. The case of a young Baniwa leader who coordinated both the political association and the Art Project illustrates extremely well the sorts of grave conflicts that emerged. This article will also reflect on modifications in human/spirit relations following the introduction of evangelicalism and sustainable development projects. For this, I shall cite extensively from a recent interview I conducted with a Baniwa political leader regarding his perceptions of the relations between evangelicalism, the political movement, and the meanings for the Indians of the notion of “sustainable development.”     

THE EVERYDAY LIFE OF ART: VARIATION IN THE VALUATION OF ART WORKS IN A COMMUNITY ART MUSEUM*

This paper examines variation in the valuation of art works in a community art museum. It often is assumed that art objects collected and displayed by museums are treated as highly valued if not sacred objects. Research at a community art museum indicates that the value of art works varies. Frontstage at the museum, art works are treated with care by museum workers. Backstage, they may be destroyed, misplaced, lost, or stolen. In addition, when not engaged in playing the conventional role of museum visitor, visitors to the museum may disregard and even mistreat art objects. Data are based on observations and interviews conducted over a two-year period in a medium-sized community art museum.     

GENDER, CLASS, AND THE ART AND CRAFT OF SOCIAL CAPITAL

Social capital is generally recognized as the positive outcome of sociability and social connection and, more specifically, as the capacity to realize economic benefits through social connections. Limited attention has been paid to understanding the potential of social capital at the intersection of socioeconomic disadvantage. The first part of the article examines assumptions of class and gender in the theoretical literature on social capital. The second part explores the influence of class and gender contexts on social networks among women living in socioeconomically disadvantaged neighborhoods in Victoria, Australia. The analysis reveals the ways in which social network assets are conditional on socioeconomic and gender circumstances.     

REVEALING THE UNSEEN: TOURISM,ART AND PHOTOGRAPHY

Contemporary cultural criticism is increasingly recognizing the central place that tourism occupies in organizing interactions, both economic and social, between different peoples in the world today. In this paper, I take up the question of what role photography plays in determining the nature of touristic experience.By drawing on Martin Heidegger's account of modernity as the epoch of modern technology, I seek to articulate an understanding of touristic photography that goes beyond conventional critiques of its objectifying character and tendency to conform to predetermined semiotic markers. Instead, by considering the examples of the photographing of local peoples, and of attempts to photograph what I refer to ‘the unphotographable sight’, I develop an alternative perspective on both the dangers and the epistemic possibilities of touristic photography. Such a perspective, it is argued, allows us to move beyond the identification of photography with the ocularcentric discourses of Western modernity and towards a consideration of the possibilities of touristic photography as art. By foregrounding the role of photographic images in the production of memory and self identity, it is suggested that tourism can be understood in terms of what Michel Foucault refers to as the creation of one's life as a work of art. Finally, I argue that by attending to the limits of touristic photography, the potential to develop a new way of seeing may be fostered.     

MEASURING PUBLIC SUPPORT FOR THE NEW CHRISTIAN RIGHT: THE PERILS OF POINT ESTIMATION

It has been reported that 30% of American adults support the"sociomoral platform of the Moral Majority" (Simpson, 1983).We lodge several criticisms of this estimate and/or the wayit has subsequently been interpreted, involving the treatmentof "don't know" responses, the selection of response categorycutting points, the passage of time, the effects of questionwording, and substance. We derive a much different estimateof public support for the Moral Majority platform in the sameyear, but our more basic conclusion is simply that public opinionon this issue, as on most complex issues, cannot be fairly reflectedby a single number.     

THE LAOCOON: SYSTEMIC CONCEPTS IN A WORK OF ART

One of the most important ways of examining artistic works, and of explicating psychotherapeutic theories, has been the application of psychotherapy's ideas to works of art. In this paper I've explored the Roman sculpture, the Laocoon , from a systems point of view, discussing ways in which this work embodies family therapy concepts and how in turn those concepts help explain this masterpiece.     

看企业大佬如何融入艺术文化的新商业模式

近年来中国企业家参与到艺术品市场成为一个很明显的趋势,并且已超出因喜爱而收藏的范围,甚至可以说是一种有目的性的“攻掠”行为。这是否意味市场将进入到一个以艺术文化为主导的新商业运营模式？     

DIS-GNOSIS : DISNEY AND THE RE-TOOLING OF KNOWLEDGE,ART, CULTURE,LIFE, ETC.

This essay was written in 2000, hence before 9/11, Dot.Bomb, the stock market crash and the War on Terror, each of which may well have modified and/or intensified elements in the configuration proposed below. In an earlier draft, the essay accompanied an exhibition of Disney-influenced art entitled ’Never Never Land’, curated by Omar Lopez-Chahoud. The exhibition was installed in 2000-2001 at art museums at Florida Atlantic University, South Florida University and Rutgers. The show featured work by Jim Anderson, James Angus, Markus Baenziger, Bonnie Collura, Rico Gatson, Arturo Herrera, Colin Keefe, Tommy Kenny, Mary Magsamen, Melissa Marks, Jason Middlebrook, Michael Minelli, Daniel Mirer, Takashi Murikami, Stephen Pascher, Daniela Steinfield, Gabriele Stellbaum, Brian Tolle and Type A. Drawing alternately on the critical literature and fairy tales, the essay examines the integrated and integrative logics of, on the one hand, the Disney business plan and, on the other, the trademark Disney modes of narration. A broad range of ‘disneyfied’ effects are proposed on everything from work, retail and consumer culture to contemporary art and architecture. I argue that these effects are underpinned by a figuration and positioning of both childhood and ‘innocence’ that is consistent across the entire spectrum of Disney products/texts and which is global in its scope and implications. ‘Dis-gnosis’, a neologism coined for this essay, is related, though not reducible to sibling terms like ideology, mauvaise, foi, amnesia and false consciousness. Dis-gnosis refers to the putative ‘knowledge’ effect produced by the strategies, logics and inferred purposes that form the objects of study.     

HERE WE GO AGAIN: MAPS, TERRITORIES, INTERPRETATIONS, AND THE DISTINCTION BETWEEN "THE" AND "A" OR "AN"

Humpty Dumpty was dead wrong when he said, "When I use a word hellip; it means just what I choose it to mean-neither more nor less.""The question is," said Alice, "whether you can make words mean so many different things" (Carroll, 1972, p. 90).
And Humpty Dumpty was quite right when he continued, "The question is hellip; which is to be master-that's all" (Carroll, 1972, p. 90). And the answer is, it is the word that is master not its user. A word always means more and less than we, as users, as authors, mean it to mean.     

INTERPRETING THE SOCIOLOGICAL CLASSICS: CAN THERE BE A “TRUE” MEANING OF MEAD?

Many sociologists have tried in vain to find the “true” meaning of the classic works in the discipline. An interactionist perspective suggests that this search is not a valid one for sociologists, especially symbolic interactionists. Although there can be no “true” meaning, some authors use conventions of writing that make their work more or less clear. Using Mead's Mind, Self and Society as an example, we discuss the dimensions of clarity. We then argue that the sociological classics should be read to (I) simulate new theories and research (pragmatic analysis), (2) determine how sociologists have used that classic to support or refute particular theories or perspectives (rhetorical analysis), and (3) provide information about the sociological concerns of the author and his/her contemporaries (historical analysis).     

'ASK YOUR DOCTOR ABOUT...': DIRECT-TO-CONSUMER PRESCRIPTION DRUG ADVERTISING AND THE HIV/AIDS MEDICAL MARKETPLACE

This essay combines economic, historical and textual analysis to map the role of consumer-directed pharmaceutical advertising in the construction of the HIV/AIDS medical marketplace. In an apparent break from previous mainstream media representations that focused on HIV/AIDS as a ‘death sentence’, recent pharmaceutical advertising emphasizes the manageability of the syndrome by telling patients/consumers how they can live with HIV/AIDS. Historicizing the rise of direct-to-consumer drug advertising, the essay examines how this mode of consumerism might facilitate ‘political activism at the point of consumption’ (Nava, 1999).     

REPUTATION,PRICE, AND DEATH: AN EMPIRICAL ANALYSIS OF ART PRICE FORMATION

We analyze how an artist's death influences the market prices of her works of art. Death has two opposing effects on art prices. By irrevocably restricting the artist's oeuvre, prices, ceteris paribus, increase when the artist dies. On the other hand, an untimely death may well frustrate the collectors' hopes of owning artwork that will, as the artist's career progresses, become generally known and appreciated. By frustrating expected future name recognition, death impacts negatively on art prices. In conjunction, these two channels of influence give rise to a hump‐shaped relationship between age at death and death‐induced price changes. Using transactions from fine art auctions, we show that the empirically identified death effects indeed conform to our theoretical predictions. We derive our results from hedonic art price regressions, making use of a dataset which exceeds the sample size of traditional studies in cultural economics by an order of magnitude. (JEL Z11, J24, G12)     

THE DEGRADATION OF THE SACRED: APPROACHES OF COOLEY AND GOFFMAN

Charles Horton Cooley and Erving Goffman both have provided similar, although usually overlooked, contributions to a sociology of religion and culture, namely, their analysis of the process whereby sacred representations of the self-transcending aspect of human nature frequently devolve into fragmented or distorted cultural symbols that increasingly provide legitimation for self-interest alone. Cooley's writings revolve around the dynamic whereby the cultural symbols of Christian mysticism degenerate into the liberal models of economic man. Goffman's work centers around the manner in which sacred rituals, originally emblematic of the social, are degraded and distorted by the onset of self-interested motivations.