From first daughter to first lady to first woman president: Park Geun-Hye’s path to the South Korean presidency

This paper examines the role of gender and familial ties in Park Geun-Hye’s political trajectory to become the first female president of South Korea. Even though her entry into politics was heavily indebted to her kinship ties to her father Park Jung-Hee, an authoritarian leader who led South Korea from 1963 to 1979, she has consolidated her position within the party and among Korean voters as a viable, competent politician over the last fifteen years. Analyzing Korean news reports, campaign pamphlets, and her autobiography, this study reveals that Park used stereotypes of women as problem solvers in difficult times to open doors for her political entry. During the presidential campaign in 2012, Park was adept at stressing her positive “feminine” traits, overcoming the perceived weaknesses of female politicians by emphasizing her long political credentials and strengths in diplomacy and national security issues. Park presented herself as the embodiment of both change and experience through her campaign slogan “the well-prepared female president” and the public reacted favorably to the appeal.     

Women's Responsibilities,Freedoms, and Pleasures

In the building of the Swedish welfare state, men and women have been seen as equal in their roles as parents, breadwinners, and citizens. This conception is not confirmed by the images produced by advertising. The article presents an analysis of alcohol-related advertisements published in Swedish women's magazines from the 1960s to the 2000s. The advertisements are approached as representations of gendered performances in which gender is made visible “here and now” by placing women in particular subject positions that are related to private or public spheres and associated with specific kinds of gender norms reflecting women's shifting responsibilities, freedoms, and pleasures. The article asks what kind of drinking-related subject positions have been portrayed as desirable in women's magazine advertisements over the past few decades and how those positions have changed as we move closer to the present day. The analysis reveals both continuity and variability in alcohol-related subject positions in Swedish women's magazine advertisements. It shows how women's responsibilities, freedoms, and pleasures have expanded from the traditional domain of the private sphere to multiple new areas as Sweden has developed from a modern welfare state to a late-modern competition state. However, this does not mean that the traditional gender norms have disintegrated and been replaced by equal gender norms. Rather, it seems that traditional gender norms continue to be reproduced in alcohol-related advertising.     

The Politician,The Wife,The Citizen,and her Newspaper

Recent dramatic rises in the number of women elected to British parliaments have renewed critical interest in the significance of gender, and ways of theorising and researching women's political representation. However, the central role played by the media in contemporary politics is often neglected in feminist political scholarship. At the same time, the spaces occupied by women in political news journalism and the body politic remain under-explored by media theorists. This article argues that if we are to fully understand the politics of representation and what fairer representation for women might mean, we need to address these neglected dimensions. To make the case, I present an analysis of press coverage of the 1997 British General Election campaign. This seeks to draw together conventionally disparate strands of feminist, political and media theorising in order to highlight the gendered politics of newspaper imag(in)ing, storytelling, and commentary. Improving women's presence in media(ted) political discourse, I conclude, might be one means of strengthening women's symbolic and substantive representation.     

Drinking as a Feminine Practice: Post-Feminist images of women's drinking in Swedish women's magazines

Previous feminist analyses have pointed out how the news media demonize women who drink, labelling them as irresponsible, disturbing or behaving “like men.” Popular media such as women's magazines, however, construct alternative representations, that frame women's drinking encouragingly and as part of a successful and “modern” femininity. This study carries out an analysis of fashion reports from six Swedish women's magazines, published between 1984 and 2008. It concludes that despite the fact that women's magazines create an alternative to problematizing portrayals of women who drink, this does not necessarily make them unproblematic from a feminist point of view. While the prevalence of positive and encouraging images may be interpreted as indicating a change towards more gender equal or gender neutral depictions of drinking; this article argues instead that these images should be regarded as parts of a discourse that celebrates stereotypical femininity and reproduces gender difference. As such, the present article brings new perspectives to the complex discourses that give shape to ideas about gender and alcohol in general, and women's drinking in particular.     

Neoliberalism,Soul Food,and the Weight of Black Women

This article examines the representation of Black women's weight in contemporary diet advertising and African American film. It positions socioeconomic class as a significant factor that distinguishes between “good” weight and “bad” weight. I argue that there is a distinction to be made between representations of poor and working-class fat Black women and middle-class fat Black women. The increased presence of Black women as diet spokeswomen is also questioned. The social construction and filmic representation of the African American cuisine “Soul Food” and the political economic notion of neoliberalism are used as frameworks to deconstruct how notions of self-discipline, personal responsibility, and citizenship impact upon Black women's bodies. As a case study, I examine the careers of Oprah Winfrey and Gabourey Sidibe and the ways in which their weight has been differently coded based on class, the neoliberal rhetoric of “personal responsibility,” and food. I ultimately critique how contemporary media has helped to shape contemporary discourses on Black women's weight.     

Pregnancy,Then It's “Back To Business”

This essay theorizes the contours of a post-feminist gender regime that utilizes figures such as Beyoncé in order to hail women as self-governing subjects who make the right choices with respect to career, marriage, motherhood, and the disciplining of their bodies. As a black woman, the narrative about Beyoncé's life and choices has specific implications; it positions professional black women as ideal citizens and mothers and also seeks to reconfigure and normalize representations of the black family. The body, specifically the black female body, plays an important role in attempting to transform and normalize these representations. This essay offers one of the few examinations of black women's relationship to post-feminism. Although post-feminism has been conceptualized in ways that ignore black women, I aim to demonstrate why further consideration of black women's relationship to post-feminism is needed. It is my contention that with successful black women increasingly in the public eye, what they say about feminism and how they relate to feminist politics have important implications for how all women, but especially young black women, engage in types of activism that go beyond placing value on individualism at the expense of the collective.     

Schröder versus Schwarzer?

This article attempts to map the discursive terrain that marks contemporary engagements with feminism in Germany. In particular, the article explores a 2010 interview with Germany's family minister, Kristina Schröder, and its coverage in the media. Based on a discourse analysis, the article traces four discursive themes that characterise contemporary negotiations of feminism: a repudiation of the figure of the “feminist-as-lesbian”; a postfeminist sensibility; an individualist and neoliberal outlook; and a limited engagement with differences amongst women. By theorising these discursive strands, the article places the German context into wider debates. More specifically, it makes contributions to existing research by demonstrating how particular stereotypes—e.g., feminists are against heterosexual sex—attach to feminism through reiteration. In addition, it intervenes in current debates about gender politics by demonstrating how statements about “western” women's emancipation work in tandem with problematic discourses about “other,” allegedly oppressed women, to construct the western, autonomous, feminine subject.     

Religious Attendance,Stress, and Happiness in South Korea: Do Gender and Religious Affiliation Matter?

Is religious attendance positively associated with happiness in South Korea? If yes, can religious attendance buffer against the harmful effect of stress on happiness? Moreover, do gender and religious affiliation modify these associations? This study addresses these questions with data from 2009 Korean General Social Survey which is a nationally representative survey (N = 1,599). Ordinal least square regression analyses reveal that although the effect size is relatively small, religious attendance is associated with a higher level of happiness in South Korea. However, this positive effect holds only for women and only for Protestants. In addition, an interaction effect between religious attendance and stress is observed for women only; the negative association between stress and happiness is weakened among those women who report more frequent church attendance. In this regard, a high level of church attendance buffers against the deleterious effects of stress on happiness for women. I discuss the implications of the findings with regard to theories about religion, mental health, and gender in South Korean context.     

The Japanese Women's Liberation Movement and the United Red Army

This article examines how the Japanese women's liberation movement responded to the news coverage of the United Red Army Incidents in 1972. The United Red Army was considered to be Japan's most violent domestic revolutionary sect. The United Red Army's misguided use of “revolutionary violence” in 1972 was devastating for Japanese leftist radicalism. The Japanese women's liberation movement was a political formation that emerged in 1970 in the wake of the Anti-Vietnam War and student movements of the late 1960s. In contrast to how the United Red Army received condemnation from across the political spectrum, from the right to the far-left, I focus on how these activists supported and identified with the women of the URA as an expression of their feminist politics. Through my analysis of the alternative media produced by these Japanese feminists and their multi-faceted support for the women in the URA, I argue that their intervention constituted a feminist praxis of critical solidarity and provides an illuminating feminist response to political violence.     

Feminism and women's film criticism in post-war Britain, 1945–1959

Feminist film criticism is widely thought to have started in the late 1960s and early 1970s when the “Images of Woman” debate associated with critics such as Marjorie Rosen provided the foundation for later developments in feminist film theory. Antonia Lant has recently claimed the immediate post-1950 period to be a barren time for female-authored publications on film and cinema. This article argues that, contrary to received wisdom, the post-war period (1945–1959) in Britain was a time when women's film criticism flourished, with writers such as Dilys Powell, C.A. Lejeune, Catherine de la Roche and E. Arnot Robertson enjoying high-profile careers. Moving beyond a simple recovery of women's “hidden histories,” this article highlights the points of connection between the post-war period and later film criticism informed by second wave feminism. Through a case study of de la Roche and Robertson this article explores how women critics in this period were similarly preoccupied with screen representations of women and women's roles within the film industry, anticipating the later concerns of Rosen and others. I argue that a cross-media focus is a productive method for generating insights into women's critical agency at this time, and conclude that women's film criticism demonstrates something of the wider shifts taking place in gender relations in British society.     

韩国出生性别比失衡的公共治理及对中国的启示

韩国出生性别比呈现先上升后下降的态势,韩国出生性别比偏高的直接原因是性别选择流、引产,而传统文化是根源性的原因,韩国性别失衡带来一系列社会后果,影响了韩国的社会稳定;韩国政府出台了一系列旨在维护女童权益、反对歧视女性、提高女性地位的法律法规;韩国的公民社会也作出了许多有益的尝试,通过公共治理,出生性别比出现显著下降,而且女性地位得到较大提升;韩国性别比失衡问题的治理对中国解决相关人口问题有着重要的借鉴意义。     

“I Dumped My Husband For a Turkish Toyboy”

In this article, we analyse how British tabloid newspapers represent relationships between mature British women and the younger Turkish toyboy lovers they meet (and sometimes look for) on their holiday; a practice that is often considered as the female counterpart to male sex tourism, albeit labelled differently as “romance tourism.” Employing a combination of thematic, lexical, narrative, and visual analysis, we examine how the British tabloids make sense of the contradicting social categories and power relations at play in these encounters, in particular with respect to age, gender, nation, and economic position. We consider these contradictions as typical for the intersectionality of gender identities, and use the tabloid stories about romance tourism as a means to study how such intersectionality becomes manifest in everyday practices. We find that the tabloids construct only one dimension of identity as key to women's lives, that is the one of motherhood and more abstractly of caring for others. In addition, they present women as highly vulnerable to exploitation by foreign, exotic others, who are portrayed either as evil con men or—in the sporadic upbeat, happy-ending story we found—as dependent and passive objects of women's desires.     

Feminine Sexualities in the Chick Genre

This paper foregrounds the voices of women who read chick lit or watch contemporary chick flicks or both, and who, to date, have been absent in the scholarship on representations of women's sexuality in this genre. It is informed by an empirical study of responses from forty-one Australian women to an anonymous Internet survey that asked, “How do you think women's experiences of sex are portrayed in the chick genre?” and “If you were a writer of the chick genre, how else would you portray women's sexual experiences?” Following the works of Jonathan Potter and Margaret Wetherell, and Joke Hermes on “interpretive repertoires,” the data reveal that most readers draw on two repertoires to interpret representations of women's sexuality—one, as “passive or asexual,” and the other as “perfect with Mr Right”—both of which are situated within a wider “romantic love” frame of reference. Participants are, predominantly, critical of the way women's sexuality is represented in the chick genre. The findings, that also show that most readers have a preference for texts that show a broader range of sexual representations for women, are discussed in the light of current theorizing about postfeminist texts.     

“Choice” and Feminist Praxis in Neoliberal Times

This article addresses the visual debate around a new image of the autonomous woman emerging on satellite television in West Bengal, India, a region rapidly changing under the influx of multinational finance. While this image appears to promote a revolutionary vision of choice opposing gender stratifications, it responds to the sexual anxieties of a shifting postcolonial context by reconciling women's choices with patriarchal and communalist values. To justify its ostensible “feminist” revolution, the imagery draws upon indigenous oppositional traditions of gender portrayal while flexibly utilizing opposition in the services of an inequitable market.

Even as the neoliberal canon of (free) women and (unfree) labor is narrowcast on regional-language satellite channels throughout Bengal and its diasporas, this canon is being debated through critical embodiments of women, work, and choice in oppositional-feminist cinema. I look, on the one hand, at televisual adaptations of woman-centered works by a foremost gender-activist of the anti-colonial era, Rabindranath Tagore. The adaptive canon is read in tandem with a widely popular game show on Bengali satellite television called The Earning Homemaker. On the other hand, I consider how oppositional-feminist filmmaker Aparna Sen is undoing the prevalent canon of woman's autonomy in her recent films. My point overall is to explore how we could disentangle the oppositional from dominant neo-humanist communication patterns. I argue that we must situate various depictions of women's “choice” within specific relations of power, distribution, and technologies of persuasion—considering what differs and why the differences tend to be elided.     

“Loser” aesthetics: Korean internet freaks and gender politics

In the aftermath of the 1997 Asian Financial Crisis, a new Internet freak culture emerged in South Korea in response to the rapid development of the Internet as well as the country’s neoliberal reforms. At this time, images of losers, freaks, and other surplus populations circulated online. This article examines the gender politics of Internet freaks through an analysis of one online fan forum, the Lee Joon Gi gallery of DCinside.com. Lee’s fan forum acquired a reputation through sexually charged posts from its female-user base in the late 2000s and is still active today. By appropriating attributes of online male culture and forms of communication, such as absurd statements, rudeness, and aggressive sexual expression, the users of this fan community created a carnivalesque space for themselves and subverted rigid Korean gender ideologies. Such parodies have transformed the fear of misogyny and sexism in the offline world into laughter online and become fertile ground for changes in gender politics in online spaces.     

Women's and Men's Relative Status and Intimate Partner Violence in India

In recent years, gender‐based violence in South Asia has been of great concern to scholars and policymakers alike. This study explores the effects of women's relative resources on several dimensions of intimate partner violence in India, and tests whether economic resources allow women to “bargain” for less violence, or exacerbate the violence they face. To explore both possibilities, I use data from the 2005–06 Indian National Family Health Survey. The findings indicate that women with relatively higher education, employment, or earnings status than their spouse face more frequent and severe violence than women with lower status. Together, these findings suggest that women's superior material power bases threaten patriarchal norms and are responded to with the use of violence.     

“Be Patient,Dear Mother … Wait For Me”

In social reality, illness and death occur in myriad ways, yet Hollywood films have historically preferred spectacular, violent death over realist depictions of the terminal stages of life. Yet an ever-growing number of popular films, which I term neo-infirmity films, incorporate episodes of women characters debilitated by illness or injury. Operating at the intersection of melodrama and realism, the scenes are instrumental in staging contemporary cinema's gender politics. I argue that women's deathbed and hospital-bed scenes in contemporary cinema validate anew the maternal role and the figure of the mother, transporting the woman-centered discursive space of melodrama into narrative terrain often hostile to women's presence. Through this relocation, the films emphasize her importance to sons in particular (and less often to daughters, husbands, and the larger family unit). Many such scenes simultaneously undermine women's agency, reducing mothers to principally symbolic, literally immobile roles. Ailing women can become catalysts for male psychological transformation occurring through grief, action, or both in combination. In all, such scenes speak to continued ambivalence surrounding women's representation in popular cinema, and to continued patrolling of the boundaries of female power. This essay compares selected texts from contemporary Hollywood cinema, alongside three parallel discourses that also deploy melodramatic modes of articulation: nonfiction amateur video as relayed via television news programs, international art cinema, and US independent cinema. Arguing for homologies across multiple fields of textual production, I seek through this comparison to generate insights into the cultural work done by filmic representation.     

Relationships Among Older Women Living in a Nursing Home

SUMMARY

Literature suggests that women's skills in establishing close ties with other women help sustain them in old age by giving them a sense of control over their lives. This paper questions how such a notion may apply to women in a nursing home setting and contrasts women's experiences with those of men. It is a reanalysis of data from a previously reported study of institutionalized elders' social networks, this time with a specific focus on women residents' relationships with one another. Here, I consider the role of negative interaction in personal relationships, the meaning of intimacy and reciprocity in the nursing home context, and issues of age and gender. The final section, implications for practice and future research, includes a discussion of the opportunities for and constraints on relationship formation.     

The Decline of Son Preference in South Korea: The Roles of Development and Public Policy

For years, sex ratios at birth kept rising in South Korea despite rapid development. We show that this was not an anomaly: underlying son preference fell with development, but the effect of son preference on sex ratios at birth rose until the mid‐1990s as a result of improved sex‐selection technology. Now South Korea leads Asia with a declining sex ratio at birth. We explore how son preference was affected by development and by public policy. Decomposition analysis indicates that development reduced son preference primarily through triggering normative changes across society—rather than just in individuals whose socioeconomic circumstances had changed. The cultural underpinnings of son preference in preindustrial Korea were unraveled by industrialization and urbanization even as public policies sought to uphold the patriarchal family system. Our results suggest that child sex ratios in China and India may decline before those countries reach South Korean levels of development, since the governments of both countries vigorously promote normative change to reduce son preference.     

Chicks,Dicks, and Contradictions

This essay examines Playgirl as a rich, yet overlooked, archive in the history of American pornography. Although the magazine often is dismissed as the token attempt of a masculinist industry to equalize its representational politics, I argue instead that a significant synergy exists between Playgirl and entwined debates over pornography, gender, and commercialized sexuality in 1970s America. Employing established conventions of the women's magazine, Playgirl utilized that form toward granting women access to explicit images. Yet given its “better lifestyling” advice on how the sexually liberated woman might find empowerment by viewing male nudes, Playgirl's reluctance to display full-frontal nudity until the midpoint of its first year fashioned an initially compromised aesthetic. Not only were women interpolated as untutored viewers within this regime of genital obstruction, but models also were all but emasculated. Consequently, the degree of male exposure that could be handled by both viewers and models was questioned, critiqued, and debated across Playgirl's letters to the editor section, aptly entitled “In-ter-course.” As an artifact of sexual media history, Playgirl is invaluable because readers are able to trace throughout its pages the ways in which changing tides of gendered power began to problematize pornography's routine dichotomy between masculine subjectivity and female objectification.