Space,Agency, and the Transfiguring of Lesbian/Queer Desire

In this study, the author uses ethnographic and interview data from Pussy Palace, a lesbian/queer bathhouse in Toronto, Canada, to examine the ways in which the bathhouse space impacted participants' sexuality, behaviors, and notions of self. The Toronto Women's Bathhouse Committee (TWBC), an explicitly feminist and queer organization, is responsible for putting on Pussy Palace events and in creating an atmosphere that is simultaneously sexual and safe. Findings indicate elements of both spatial praxis and sexual agency, wherein individuals expressed being able to “take risks,” “find their sexuality,” and “discover who they are” in a safe space, where nonnormative bodies and sexualities are to be celebrated. Although participants expressed feeling “liberated,” many also described feeling anxious, awkward, and insecure. Within a sexual space where bodies are exposed and highly salient, these anxieties worked to inhibit and curtail bodily expression. The author concludes by discussing the significance of spaces like Pussy Palace for lesbian/queer individuals when it comes to sexual expression and the need for further research when it comes to examining lesbian/queer sexualities and public sexual cultures.     

A Body of Text

This article re-evaluates the relationship between gender identities, embodiment, sexuality and text-based, synchronous CMC (computer-mediated communication). A discourse analysis was conducted on two different IRC channels: #Cyberbar, a channel that hosts predominantly “straight” male/female gender performances; and #Queer, a channel mostly visited by participants who articulate “gay male” gender identities. The notion of embodiment played a pivotal role in both channels, as demonstrated by the identification of three “interpretative repertoires” that involve the invocation of corporeal aspects in the participants' performance of gender and sexuality. This invocation reaffirms gender's status as connected to a binary sexed body, which limits the scope of gender performances in a text-based environment such as IRC. However, the discursive interactions in #Queer did articulate alternative interpretations of masculinity, which challenged traditional heteronormative standards governing “male behavior.” Eventually, it is concluded that the discourse in both channels is constructed by participants who bring their everyday, embodied experiences online. IRC might be a textual environment, in contrast to many of the web's popular graphical spaces, but this does not mean that the body is any less present.     

Walt Whitman,Our Great Gay Poet?

ABSTRACT

This article surveys the critical debates around Walt Whitman's “Calamus” cluster, arguing that a “queer” reading of Whitman—one that does not see him as, for example, a closeted homosexual who censored his work for fear of being “outed”—is both historically accurate and politically efficacious. While previous efforts to reclaim Whitman as “our great gay poet” are understandable—particularly given critical readings of Whitman that denied the homoeroticism of his poems—today, a reading of Whitman as homosexual threatens to simplify our understanding of the history of homosexuality and to blunt the power of Whitman's poetry to continue to “queer” normative understandings of sex and gender identity categories and their relationship to politics.     

Staging Gender and Sexuality in Experimental TV Entertainment

ABSTRACT

Via examples from recent Norwegian experimental TV shows, this article explores the function of “eye-catchers,” parodic (hetero)sexualization, female masquerade and neo-masculinization as strategies for “repetitions with a difference” of traditional styles and motifs by female show hosts, as well as the queer gendering and sexualization of men and masculinities by their male counterparts. Both formats represent innovative renegotiations of gender and sexuality that illustrate the relationship between post-modernism and queer aesthetics.     

Strange Bedfellows: Anachronisms,Identity Politics,and the Queer Case of Trans*

This article explores trans identities, as articulated within a few historical texts. From early literary depictions of gender difference, to medicalized conceptions of transsexualism, to a proliferation of trans and queer identities represented by an ever-expanding “alphabet soup” of identity labels, our understandings of identities, sexualities, and queer community-building continue to change. I use the notion of “kind-making,” as elaborated on in the work of Ian Hacking, to illustrate that some queer and trans identifications are affiliative, whereas others are contrastive or oppositional in nature, and these structural differences have important implications with respect to understanding identity and sexuality, and also trans inclusion within LGBT communities and activist efforts.     

LGBTQ+ Young Adults on the Street and on Campus: Identity as a Product of Social Context

Lesbian, gay, bisexual, queer, and other sexual and gender minority (LGBTQ+) young adults face unique identity-related experiences based on their immersion in distinctive social contexts. The predominant framework of performing separate analyses on samples of LGBTQ+ young people by their primary social status obfuscates more holistic understandings of the role of social context. Using 46 in-depth interviews with LGBTQ+ college students and LGBTQ+ homeless young adults, we ask: How are LGBTQ+ young adults’ capacities for “doing” their gender and sexual identities shaped by their distinctive social contexts? In developing their identities, both groups of LGBTQ+ young adults navigated their social environments to seek out resources and support. Most college students described their educational contexts as conducive to helping them develop their identities, or “undo” rigid norms of gender and sexuality. Homeless young adults’ social environments, meanwhile, imposed complex barriers to self-expression that reinforced more normative expectations of “doing” gender and sexual identities.     

Coming In: Queer Narratives of Sexual Self-Discovery

Many models of queer sexuality continue to depict a linear narrative of sexual development, beginning in repression/concealment and eventuating in coming out. The present study sought to challenge this by engaging in a hermeneutically informed thematic analysis of interviews with eight queer people living in Western Australia. Four themes were identified: “searching for identity,” “society, stigma, and self,” “sexual self-discovery,” and “coming in.” Interviewees discussed internalized homophobia and its impact on their life; experiences and implications of finding a community and achieving a sense of belonging; the concept of sexual self-discovery being a lifelong process; and sexuality as fluid, dynamic, and situational rather than static. The article concludes by suggesting that the idea of “coming in”—arriving at a place of acceptance of one’s sexuality, regardless of its fluidity or how it is viewed by society—offers considerable analytic leverage for understanding the journeys of sexual self-discovery of queer-identified people.     

Feminine Sexualities in the Chick Genre

This paper foregrounds the voices of women who read chick lit or watch contemporary chick flicks or both, and who, to date, have been absent in the scholarship on representations of women's sexuality in this genre. It is informed by an empirical study of responses from forty-one Australian women to an anonymous Internet survey that asked, “How do you think women's experiences of sex are portrayed in the chick genre?” and “If you were a writer of the chick genre, how else would you portray women's sexual experiences?” Following the works of Jonathan Potter and Margaret Wetherell, and Joke Hermes on “interpretive repertoires,” the data reveal that most readers draw on two repertoires to interpret representations of women's sexuality—one, as “passive or asexual,” and the other as “perfect with Mr Right”—both of which are situated within a wider “romantic love” frame of reference. Participants are, predominantly, critical of the way women's sexuality is represented in the chick genre. The findings, that also show that most readers have a preference for texts that show a broader range of sexual representations for women, are discussed in the light of current theorizing about postfeminist texts.     

Truth or Dare

The performative identities of both Black and queer characters in film have been noted by academics in “Black queer diasporic theory” (Rinaldo Walcott) and artists such as Cheryl Dunye and Isaac Julien, with particular focus on the ways in which these identities have been constructed from both within and outside of their respective communities. Australian Indigenous and lesbian filmmaker Sonja Dare took the discourse one step further, however, in her 2007 release Destiny in Alice, a twenty-seven-minute mockumentary film which parodies a David Attenborough-style search for the rare “desert lesbian” of Alice Springs in Australia's outback. Her film actively pursues the intersection of cultural and sexual expressiveness and suppression, interrogates notions of belonging and exclusion within these communities, and challenges marginalisations of all subaltern identities in the evolving criticality of performing race, sex and gender in modernity.     

Rural Men,Sexual Identity and Community

The relationship between rurality and men's sexuality remain relatively unexplored. This study addresses the knowledge gap in the research literature by focusing on men who have sex with men in rural areas across Ontario, Canada. Employing a constructivist grounded theory methodology, interviews were conducted with 32 men across 28 geographic locales consisting of populations of less than 10,000 people. Men identified as gay, bisexual, queer/bisexual, or refused labels. These self-selected identifiers were then explored to determine how participants conceptualized and organized their sexual identities in relation to context. Participants held divergent management strategies that resulted in two general identity grouping: “natives” and “transplanters.”     

“Nobody Don’t Really Know What That Mean”: Understandings of “Queer” among Urban LGBTQ Young People of Color

ABSTRACT

Drawing from in-depth, semi-structured interviews with 40 urban LGBTQ young people of color, I explore their uses, understandings, and meanings of “queer.” With several notable exceptions—those who at least occasionally self-identified as queer—most of the young people avoided using the term altogether. Although the majority expressed confusion about what “queer” meant, many understood it to be somehow related to sexuality or being gay, but considered it potentially insulting. I discuss the relevance of these findings for work in queer fields, where research participants may not explicitly identify as queer or make use of the word.     

Engaged with eBay

eBay promises individuals varied identity positions but renders the most traditional roles—particularly wedding engagements and marriages between a woman and a man. The company indicates that “you can get it on eBay” and the site satisfies desires, fulfills consumer needs, and connects people. Yet, eBay also controls the messy and queer aspects of collecting, and institutes a normalizing structure that compels most individuals to follow eBay's directives, attend to its moral codes, and facilitate community trust. I use close visual and textual analysis and feminist and collecting literature to interrogate how eBay deploys narratives about engagement rings, weddings, and heterosexual unions. I also consider the related ways women sellers list their personal wedding dresses. By providing representations of their weddings and marriages, these women support eBay's normalizing structure and trouble some of its functions. Studying such practices is important because wedding cultures and related rituals ordinarily articulate gender, race, and sexuality positions; conceptions of the individual, family, community, and state; connections between love and consumerism; and the standards by which people are expected to live their lives.     

Homosexual Experience,Desire and Identity Among Young Adults

ABSTRACT

Is young people's sexuality becoming more fluid and less tied to steady, stable identity patterns? Are we developing into a society where sexual relationships between individuals of the same sex are no longer reserved for the small minority of gay men and lesbian women? Adherents of so-called queer theory have promulgated such views. Using a population-based sample of young adults (aged 19 to 26, N 2753), we investigated homosexual experiences, desire and identity. We found that levels of prevalence of homosexuality were primarily a function of the criteria we used. Using the most restricted (“narrow”) definitions, we found that about one percent of both genders reported “exclusive” homosexual interest and identity. Using the most inclusive criteria, we found that one of ten young men and one of four young women reported having some homosexual experience, interest or identity. Still, the most striking finding involved the substantial gender-specific differences: homoerotic activity and interest are far more interwoven with heterosexual activity for women. There are strong indications that homosexuality is a lot more threatening and potentially in conflict with traditional male gender roles than we find to be the case for women. In other words, while there may be signs of more fluid sexual identity categories, this phenomenon primarily applies to women.     

Patriarchy,Power, and Female Masculinity

ABSTRACT

This article examines the place of “butch” within the women's movement. The political potentials of butch in both her refusal of patriarchal constructs of femininity and her transmutation of masculinity will be explored. It will be argued that the butch lesbian threatens male power by severing the naturalized connection between masculinity and male bodies, by causing masculinity to appear “queer,” and by usurping men's roles. However, for “butch” to truly have feminist potential, it also needs to be accompanied by a feminist awareness and a rejection of aspects of masculinity that are oppressive to women. Hence, “butch feminist” need not be an oxymoron, but a strategy for challenging male domination and power.     

Inventing the Pedophile in the Journal of Homosexuality

ABSTRACT

This article serves as one of the supplementary pieces of this special issue on “Mapping Queer Bioethics,” in which we take a solipsistic turn to “map” the Journal of Homosexuality itself. Here, the author examines one of the most controversial moments in the history of the journal, whereby a contributor was subject to governmental and popular rebuke for his scholarship on pederasty, pedophilia, and underage queer sexuality. In a chronological and intellectual appraisal of this pedophilia-themed text, the author asks us to recalibrate the disquietude we posit when same-sex affection, youthful sexuality, and sexual abuse are in close proximity.     

Preposterous Histories

This article explores maternal desire, loss, and control by reading Carolee Schneemann's performance Interior Scroll (1975) through Tracey Emin's photographic print I've Got It All (2000). More specifically, I consider Schneemann's work on the energy of female sexuality and maternal desire through Emin's recurrent visualizations of sexuality and maternal loss. The artists' refusal to disengage with the commodified (dis)pleasures of femininity leads me to consider the differently contextualized handling of these issues in each artwork. I explore the mediation of the body of each artist by positioning Emin's work as a “source” for my reading of Schneemann's performance. Invoking the notion of “preposterous history” (Bal 1999), I argue that the concepts of the “live” and the “mediated” are differently intensified by operating outside of the constraints of chronology. Hence the inter-generational dialogue between these particular female artists, whose work has been produced at different historical moments, is itself generative of thoughts and ideas that are irreducible to the individual works.     

Complicating the Coming Out Narrative: Becoming Oneself in a Heterosexist and Cissexist World

Traditional stage models of LGBTQ identity development have conceptualized coming out as a linear process from “closeted” to “out” that all queer/trans individuals must follow if they are to be considered healthy and well adjusted. These stage models have been critiqued for their rigidity and absence of a dynamic understanding of the coming out process. In this article we explore the findings from a qualitative photovoice study with 15 LGBTQ youths in a small urban center in Ontario that supports these critiques. We explore the efficacy of the photovoice technique in investigating questions of sexual and gender identity. This article identifies some contextual factors that are important in understanding coming out as a social (rather than internal) process; it also identifies some of the ways in which these youths’ experiences challenge normative understandings of the “good, out queer.”     

The Big Freak Out: Educator Fear in Response to the Presence of Transgender Elementary School Students

Increased visibility of transgender children requires elementary school professionals to take on issues of gender diversity, sex and sexuality, which are considered taboo in elementary school spaces. School professionals who have worked with transgender children were interviewed about their experience with these students, perceptions of their school's success in supporting them, and recommendations for information and resources needed by schools to provide support. Findings indicate that fear and anxiety are common educator responses to the presence of a transgender child and the disruption of the gender binary, and these emotions are limiting the possibilities for schools to affirm transgender identity.     

“Nyota Uhura is Not a White Girl”

This essay examines the online debate surrounding representation of the Black/African character of Lt. Uhura in the 2009 prequel film, Star Trek. Some fans, particularly those viewing the film from a gender/race intersection, applauded her portrayal, while others, including many “slashers” who espouse a homoerotic reading of classic Trek from an ostensible gender/sexuality standpoint, disapproved—especially of Uhura's romantic storyline. Virtual observation and appraisal of these discourses demonstrate the adaptability of Patricia Hill Collins' intersectionality framework to studies of media reception, especially in terms of hegemonic and interpersonal domains of power and cultural studies notions of articulation. Accordingly, the investigation finds the first fan faction's rhetorical efforts more authentically and pro-actively oppositional.