Ultimate concerns in late modernity: Archer,Bourdieu and reflexivity

Through a critique of Margaret Archer's theory of reflexivity, this paper explores the theoretical contribution of a Bourdieusian sociology of the subject for understanding social change. Archer's theory of reflexivity holds that conscious ‘internal conversations’ are the motor of society, central both to human subjectivity and to the ‘reflexive imperative’ of late modernity. This is established through critiques of Bourdieu, who is held to erase creativity and meaningful personal investments from subjectivity, and late modernity is depicted as a time when a ‘situational logic of opportunity’ renders embodied dispositions and the reproduction of symbolic advantages obsolete. Maintaining Archer's focus on ‘ultimate concerns’ in a context of social change, this paper argues that her theory of reflexivity is established through a narrow misreading and rejection of Bourdieu's work, which ultimately creates problems for her own approach. Archer's rejection of any pre‐reflexive dimensions to subjectivity and social action leaves her unable to sociologically explain the genesis of ‘ultimate concerns’, and creates an empirically dubious narrative of the consequences of social change. Through a focus on Archer's concept of ‘fractured reflexivity’, the paper explores the theoretical necessity of habitus and illusio for understanding the social changes that Archer is grappling with. In late modernity, reflexivity is valorized just as the conditions for its successful operation are increasingly foreclosed, creating ‘fractured reflexivity’ emblematic of the complex contemporary interaction between habitus, illusio, and accelerating social change.     

Sex Differences in Body Movement and Visual Attention: An Integrated Analysis of Movement and Gaze in Mixed-Sex Dyads

The body movement and visual behavior of women and men engaged in mixed-sex dyadic interactions were analyzed in a three-factorial design including the personal factor sex of the interactants, the situational factor partner familiarity, and the situational factor visual attention of the interaction partner. Measures of nonverbal activity were derived from integrated time-series protocols of body movement and gaze for both interaction partners. Data analysis revealed significant sex differences in individual frequency and duration of movement and gaze, as well as dyadic differences for both behavior measures. Men, in general, were more active while women were more visually attentive. Also, the results point to specific interaction effects between sex and familiarity. The data indicate that there were specific adaptational strategies for both sexes with familiar and unfamiliar partners.     

Schulman's Urban Lesbian: A HoboSexual Pedestrian Rhetoric

The following article reads the protagonist in Sarah Schulman's Girls, Visions and Everything as not only lesbian, but as hobosexual—a concept representative of anti-capitalist practices in both sex and labor. The hobosexual is developed as an extension of the lesbian flâneur, as a concept that requires reading Schulman's urban lesbian at the intersection of class and sexuality. Lila Futuransky's sexual identity is suspended and complicated through an emphasis on her desire for queer mobility; her urban movements connect her to hobo history, but also expose the effects of capitalism that thwart her urban movement.     

Generational Sexualities,Subterranean Traditions,and the Hauntings of the Sexual World: Some Preliminary Remarks

In this article I argue that generation is a relatively neglected concept for thinking about both the social and the sexual, and that symbolic interactionism has much to offer in developing our understanding of this idea. Using both personal experience and the wide‐ranging literature on sexualities, I explore the role of synchronic and diachronic time in organizing both the flow of sexual lives and the hierarchy of age‐sexual orders. The core organizing concepts are those of generational sexualities and subterranean traditions; the approach is seen to provide a further complication to standpoint, queer, and intersectionality theory. The core of the article suggests an array of sensitizing concepts and research areas that might sharpen future analyses. Schematic and exploratory, the article draws from a wide range of examples. Careful the things you say, Careful the tale you tell, Children will listen. Stephen Sondheim, Into the Woods (1986) Reality exists in a present … we look forward with vivid interest to the reconstruction, in the world that will be, of the world that has been for we realize that the world that will be cannot differ from the world that is without rewriting the past to which we now look back. George Herbert Mead, The Philosophy of the Present (1932) Generations are in a constant state of interaction. Karl Mannheim, Essays on the Sociology of Knowledge (1997) How long is a man's life, finally? A thousand days or only one? One week or a few centuries? How long does a man's death last? And what do we mean when we say, “gone forever”? Brian Patten, “So Many Different Lengths of Time,” Selected Poems (2007) To study social life one must confront the ghostly aspects of it. Avery Gordon, Ghostly Matters (1997)     

Compulsion mechanisms: state-movement dynamics in Buenos Aires

The article reveals and explains the workings of generally ignored mechanism of state–movement interaction proposed by Charles Tilly, namely the compulsion mechanism. Specifically, two types of compulsion mechanisms will be defined: compulsive support and compulsive control. In both types, without using physical repression, the state’s institutions reinforce the movement’s identity while also prompting it to adapt its repertoire of strategies to the state institutions’ requirements. Empirically, this article focuses on the interaction of the assembly movement with the state in the City of Buenos Aires. This movement emerged as a result of the socioeconomic and political crises of 2001–2002 in Argentina. Based on ethnographic fieldwork and archival research, the purpose is to unpack how the assembly movement’s identities and strategies were built and how its interaction with the state evolved.     

From armed group to movement: armed struggle and movement formation in Northern Ireland and the Basque Country

In recent decades, social movement scholars have expanded our understanding of ‘terrorism’ by analyzing a particular trajectory, movement to armed group, whereby movement demobilization spurs armed struggle. This article analyzes an alternative trajectory: armed group to movement. Once armed struggle’s limitations become apparent, armed groups often adopt an attritional military strategy suited to their capacities. To securely wage an attritional campaign, groups disembed through the adoption of insular structures, removing them from their milieux and from recruits and resources needed for organizational reproduction. To offset this, armed groups reembed through the development of politico-military movement structures: forming allied aboveground movement organizations; coordinating armed and unarmed activism; and creating a ‘movement’ identity. This offsets disembedding in three ways. First, collective action augments armed groups’ violence by expanding the struggle into new domains. Second, mobilized support provides armed groups political legitimacy, countering the ‘terrorist’ label. Third, aboveground movement organizations assist in recruitment, alliance-formation, public communication, and mobilization, facilitating armed groups’ organizational reproduction. This paper investigates the strategic decision to adopt movement structures by analyzing documents produced by militants linked to the IRA and to rival ETAs, ETA Politico-Military and ETA Military, allowing for the exploration of different aspects of the decision to adopt movement structures. From Irish republican texts, insights into the basic benefits of movement development are gleaned. Basque separatist documents, on the other hand, provide perspectives on the nature of interorganizational centralization and coordination within politico-military movements.     

Discourse marker ‘oh’ as a means for realizing the identity potential of constructed dialogue in interaction1

This research explores how discourse marker oh works with constructed dialogue (quoted speech), identifying a use of oh not discussed in previous research in which it can serve to signal speaker stance towards quoted material. While both discourse markers and constructed dialogue have been widely discussed as identity resources in the discourse analytic and interactional‐sociolinguistic tradition, there has been little work considering how these linguistic features may work together. In this paper, I address this gap by illustrating how Bakhtin's (1984) notions of uni‐directional and vari‐directional double voicing articulate with information display and evaluation functions of oh identified by Schiffrin (1987) , suggesting that oh (when occurring as a preface to constructed dialogue), works both to display and evaluate quoted material for the purposes of identity construction in interaction. Such uses of this discourse marker provide illustration of how footing works together with related concepts of evaluation, positioning, and alignment as part of a process of stancetaking in interaction ( Du Bois 2007 ). Examples are taken from ethnographic interviews collected as part of a larger study of the linguistic style of a community of improv performers in Washington, D.C. focusing primarily on examples contributed by one speaker, Josh.     

The future is plastic: refiguring Malabou’s plasticity

This article investigates Catherine Malabou’s claims to have produced some form of beyond of deconstruction with her reworking of the Hegelian concept of ‘plasticity’ (Plastizität). In the light of Malabou’s critique of the unsuitability of the Derridean non-concept of ‘text’ as metaphor for neuronal functioning in her Plasticité, I turn this question back on Malabou’s own work; that is to say, this article will examine what the implications of the metaphorics of plasticity are for Malabou’s own oeuvre and its relationship with neuroscience and her critique of connexionist capitalism. To this end, this article is particularly interested in the political claims made for plasticity and how some of the ‘everyday’ meanings of plasticity, and Malabou’s decision not to incorporate them into her conceptual working through, might threaten this enterprise.     

Katabasis,adult betrayals and liminal identities in China Keitetsi’s Child Soldier: Fighting for My Life

In Child Soldier, China Keitetsi recounts her experiences as a child and a soldier during Yoweri Museveni’s guerrilla war against then Ugandan president, Milton Obote. Drawing on key debates on literary representations of katabasis, this paper examines Keitetsi’s portrait of adult betrayal and parental abuse of children at home, and as child soldiers. I argue that Child Soldier is a text that lends itself to a katabatic analysis, and that Keitetsi is a katabasist who frames her experiences as a child and a soldier “within the narrative structure of a descent into Hell and return” . I argue that “hellish” elements in the memoir are more than just incidental: they point to a world where tenderness and love have long given way to cruelty and cynicism, and where madness and violence and despair are the order of the day. I also draw on Sigmund Freud and Homi Bhabha’s notions of the unhomely, to suggest that the memoir introduces interesting parallels between the unhomeliness in the home and that brought on by the civil war. Subconsciously, then, examining the memoir under the tropes of katabasis and the unhomely allows us to view her life as floating in-between the child she wishes she should have been and the abused and rejected young woman she becomes.     

‘So Much We Still Don't Know’: An Interview with Averil Earnshaw

I was independently told about Averil Earnshaw by three different people in the same six month period. Each of them had heard, or heard of, Averil's presentations on the theme of time-linked intergenerational repetitions, and knew of my own interest in repeating patterns in families. Averil very willingly granted me the interview that follows, and in the course of talking with her, I began to realise that Averil's was yet another story of someone who had formulated an original hypothesis based on repeated clinical observation, and had the courage to present it to gatherings of her peers, only to encounter skepticism, lack of interest, or charges of ‘idiosyncrasy’. Despite Averil's best efforts to show that her hypothesis was consistent with the direction of Freud's own thinking, the psychoanalytic movement had greeted it lukewarmly, and it seemed to me that perhaps it might be of more interest to readers of this Journal, since the older and more psychoanalytically-influenced generation of family therapists (e.g. Bowen, 1978; Skynner, 1976) recognised the general principle of repeating patterns across generations, although not the very particular temporal law that Averil has suggested. The Earnshaw hypothesis is simply enough stated: the emotional and intellectual crises of adults’ lives (including onset of mental and physical illnesses, creative break-throughs and creative blocks) are time-linked to major events in the lives of their same-sex parents at the same age. Often, though not always, says Averil, one experiences a crisis when one is the same age as one's same-sex parent was at the time of the birth of one's next sibling, or even when one is the same age as one's parent was at one's own birth. Averil's short bookTime Will Tell (1995) illustrates this hypothesis with some fifty brief case studies based on biographical data from the lives of famous individuals, as well as with a number of cases from her clinical practice, and examples from her own life. Averil herself recognises that her hypothesis needs to be rigorously tested on a wider sample, but to date, those who have criticised it as ‘merely anecdotal’ have not been willing to undertake such a study.     

Certainty,Fairness, and Balance: State Resonance and Environmental Justice Policy Implementation1

Little research has examined how and why institutional context and framing dynamics shape the institutionalization of movement claims into the state’s formal policies, and what the implication of these processes might be for movements attempting to mobilize on the same conceptual terms after institutionalization. In this study, I explore the role institutional context and framing play in the institutionalization of movement claims in a case: the implementation of environmental justice policy in the California Environmental Protection Agency from 2002 to 2007. I ask: How and why were aspects of the environmental justice frame institutionalized into regulatory policy while others were not? I use ethnographic field methods and content analysis of archival data to answer this question and offer two contributions to previous research. First, I add to previous scholarship on the environmental justice movement by identifying the character of newer problems faced by movement actors as they engage in regulatory policy processes with opponents in the United States. Second, I extend social movement framing theory by developing the notion of “state resonance” to understand how and why a collective action frame is institutionalized and implemented in regulatory policy.     

Humor and Social Movements

At first glance, humor and politics may appear oppositional. Politics is often understood as serious, important, and grave, while humor is perceived as lighthearted and frivolous. Beneath the surface, however, it is evident that humor and politics are actually inextricably linked and have been throughout political history. This paper interrogates the tensions between humor and seriousness, importance and frivolity, and legitimate and dismissible to examine the manifestations of humor in social movement protest. I discuss how humor is used as a communicative and emotional strategy for social movement activists and organizations and focus on two constellations of movement humor: humor directed outside the group in the forms of tactics and frames, which I term external humor, and the role of humor in leadership, collective identity, and emotional labor, termed internal humor. To illustrate the role of humor in protest, I integrate examples from scholarly research, media depictions, and participant observation data to provide examples of how humor is manifest as an external tactic, social movement frame, and its potential role in strengthening ties to leadership and collective identity. The essay concludes by highlighting some potential paths for future study about the relationship between humor, ideology, identity, and power.     

Keynote Address: Making Campuses Safer Communities for Students

As a chief spokesperson for a national movement to prevent violence and a frequent speaker in national media and public forums, Dr. Deborah Prothrow-Stith is a nationally recognized public health leader. In 1987, she was appointed the first woman Commissioner of Public Health for the Commonwealth of Massachusetts. In that role, she established the first Office of Violence Prevention in a state department of public health, expanded prevention programs for HIV/AIDS, and increased drug treatment and rehabilitation programs. Dr. Prothrow-Stith currently serves as Associate Dean for Faculty Development and Professor of Public Health Practice at the Harvard School of Public Health (HSPH) and founding director of the Division of Public Health Practice.

Dr. Prothrow-Stith supports the application of rigorous scientific methods to strengthen violence prevention programs. She developed and wrote The Violence Prevention Curriculum for Adolescents, a forerunner of violence prevention curriculum for schools and communities. She is the author of Deadly Consequences, the first book to present the public health perspective on violence to a mass audience. She has authored and co-authored more than 80 publications on medical and public health issues.

Dr. Prothrow-Stith was the keynote speaker for the annual meeting of American College Health Association in May 2006. The Editors of The Journal of American College Health have revised her speech to share her comments in this issue and thought her words would be a proper introduction to the ACHA White Paper on Domestic Violence.     

Northern Theory: The Political Geography of General Social Theory

The relationship between geopolitical position and general social theory is examined by a detailed reading of three important texts, Coleman’s Foundations of Social Theory, Bourdieu’s Logic of Practice, and Giddens’s Constitution of Society. Effects of metropolitan position are traced in theoretical strategies, conceptions of time and history, models of agency, ideas of modernity, and other central features of their theorizing. Four textual moves are identified that together constitute the northernness of general social theory: claiming universality, reading from the center, gestures of exclusion, and grand erasure. Some alternative paths for theory, embodying different relations with the global South, are briefly indicated. Raewyn Connell is University Professor at the University of Sydney, and author, co-author, or editor of nineteen books, including Ruling Class Ruling Culture (1977), Making the Difference (1982), Gender and Power (1987), Schools and Social Justice (1992), Masculinities (1995), The Men and the Boys (2000), and Gender (2002). Connell is an Editor of Theory and Society. A contributor to research journals in sociology, education, political science, gender studies, and related fields, her current research concerns social theory, neo-liberalism, corporate masculinities, gender practices, and intellectual labor.     

Looking Outside the (Voice)Box

Laura S. Brown, PhD, is a clinical and forensic psychologist in independent practice in Seattle, Washington. The bulk of her scholarly work has been in the fields of feminist therapy theory, trauma treatment, lesbian and gay issues, assessment and diagnosis, ethics and standards of care in psychotherapy, and cultural competence. She has authored or edited ten professional books, including the award-winning Subversive Dialogues: Theory in Feminist Therapy, as well as more than 140 other professional publications. She has also recently published her first book for general audiences, Your turn for care: Surviving the aging and death of the adults who harmed you. Laura has been featured in five psychotherapy training videos produced by the American Psychological Association. She was President of American Psychological Association Divisions 35 (Society for the Psychology of Women), 44 (Society for the Psychological Study of Lesbian, Gay and Bisexual Issues), and 56 (Trauma Psychology). Laura was also President of the Washington State Psychological Association. She is the founder and Director of the Fremont Community Therapy Project, a low-fee psychotherapy training clinic in Seattle. In the fall of 2000, she was the on-site psychologist for the reality show Survivor: The Australian Outback. In 1987, Laura lost her voice and was diagnosed with spasmodic dysphonia. In 1988, she found her voice again.     

Mary Prince,Grand Turk,and Antigua

The History of Mary Prince, A West-Indian Slave, Related by Herself, published in 1831 under the auspices of London's Anti-Slavery Society, is of great historical importance because of the rich details it gives about various aspects of enslavement. Its author, Mary Prince, was born in 1788 in Bermuda. She had five owners and was enslaved in three British Overseas Territories – Bermuda, Grand Turk Island and Antigua – before self-manumission in London in 1828. Prince is the earliest known freed black West Indian woman to author such a testimony. Susanna Strickland (later Moodie), a young abolitionist and skilled writer working with the Anti-Slavery Society, compiled the narrative which was a bestseller going to print three times in its first year of publication. It was also a valuable part of the abolitionists' strategy to attract public support for the abolitionist movement of the day. Investigation and authentication of the History's historical dimensions, such as physical remnants of sites where Prince was enslaved and listings in the Slave Registers of Former British Overseas Territories, may put to rest suspicion that it was exaggerated or partially fabricated by abolitionists. Much of this work has been completed in Bermuda but little has been done with regard to Grand Turk Island and Antigua, although Prince spent more than half her life enslaved in those two islands. This article outlines preliminary findings in both territories.     

Polish Foreign Trade: A Retrospective View

The unspecified visual art referent in Akhmatova’s enigmatic poem, “An Old Portrait” (Staryi portret, 1910), dedicated to the painter Aleksandra Ekster, has long inspired critical speculation. scholars (superfin and Timenchik, Rosslyn, Rubins) have proposed numerous readings, but none has entirely resolved the poem’s mysteries. I will argue that the ballets Le Pavillon d’Armide and Cléopâtre, performed in the first Paris season of the Ballets Russes, provide hitherto unexplored subtexts for the spare but dramatic poem. Considered within the context of the ballets, the poem’s characters and details take on more specific and meaningful contours. By analyzing these ballets’ respective libretti, costume designs and stage sets, it becomes possible to detect in the poem references to the Gobelins portrait depicting the deadly enchantress in Le Pavillon d’Armide, the poisoning of Amoun at the conclusion of Cléopâtre, and Vaclav Nijinsky’s performances as Armida’s servant in Le Pavillon d’Armide and Cleopatra’s slave in Cléopâtre. The poem also demonstrates Akhmatova’s early fascination with portraiture, especially the complex relationship between artist and sitter. In this sense, “An Old Portrait” anticipates the poet’s eventual cultivation of her own image in portraits painted by her contemporaries.     

Paradoxical Peace: A Scholar-activist's Auto-ethnography on Religious Pacifism and Anti-capitalism

Abstract

How can one subscribe to forms of ethico-religious pacifism and revolutionary communism or anarchism simultaneously, let alone conceive of their adherents as comprising the same transnational social movement? The author explores this conundrum via a playful probing of her own paradoxes related to violence and peace, dualism and non-dualistic thinking, and activist engagement along with more contemplative and quiet reflection. It experiments with expressive auto-ethnography in order to convey what living in and through these paradoxes feels like, and to access and convey other kinds of insights, (self) knowledge, and wisdom, unavailable or inadmissible by more orthodox forms of social science inquiry and writing. It embraces the postmodern relationship among authors, audiences, and texts and valorizes storytelling as deeply pedagogical, constitutive, meaningful, and meaning-making phenomena. The essay weaves together newspaper headlines, apocryphal diary entries, and dream poems into a methodological bricolage drawing from postmodern, poststructural and postcolonial scholars Deleuze and Guattari, Michael Shapiro, Anna Agathangelou, and Ruth Behar among others.     

Coming Out as Queen: Jewish Identity,Queer Theory,and the Book of Esther

Alfred Hitchcock’s film Psycho (1960) is a significant work on many levels—to Hitchcock’s career, to film history, to the horror genre. I propose that a crucial aspect of Psycho’s design, one that relates to Hitchcock films as a whole, is its thematization of a concept that I call the “death-mother.” A distinction between Mrs. Bates/“Mother,” on the one hand, and the death-mother, on the other hand, impels this discussion. The death-mother—which relates to the varieties of femininity on display but exceeds their specific aspects and implications—is an effect produced by the film text and can only be understood through an analysis of the work as a whole. Exceeding the specifications of the Mrs. Bates character, the death-mother maps onto tropes and preoccupations in Hitchcock’s oeuvre but, more importantly, indicates the aesthetic implications, for the male artist most commonly, of the dread of femininity. I develop the concept of the death-mother from the writings of Freud, Nietzsche, and André Green and from feminist psychoanalytic theory: Barbara Creed, in her reworking of Julia Kristeva’s theory of abjection, and Diane Jonte-Pace, in her analysis of Freud’s work. My analysis focuses on the relevance of the death-mother to issues of femininity and queer sexuality crucial to and enduringly controversial within Psycho.     

Crying for Food: The Mexican Myths of ‘La Llorona’ and ‘The Hungry Woman’ in Cherríe L. Moraga

The Mexican legend of ‘La Llorona’ (‘The Weeping Woman’), who drowned her children out of revenge for being abandoned by her lover, and the Aztec creation myth of ‘The Hungry Woman’ — crying constantly for food, with mouths all around her body — have inspired Chicana writers in the symbolic representation of their own yearning, be it sexual, identity-building, or anti-patriarchal. This essay seeks to lay the mythical groundwork within this topic, as well as to illustrate with some particular examples the different reappropriations of these myths in Cherríe L. Moraga, mainly in her play The Hungry Woman: A Mexican Medea (2001). With a view to opening up a past ‘that can provide a kind of road map to our future’ (: ix), these examples of transgressive women will be deprived of the feminine colonial passivity imbued by the dominant male discourse, and analysed as a complex, active, polyvalent mythological female corpus that integrates both life and death, womb and grave. This hybrid approach is inherent to the Aztec mythology on which Moraga relies in order to transcend Manichaeistic resolutions and probe the social, political, and gender reasons leading a hungry mother to commit infanticide.