Sexism,Erotophobia, and the Illusory “No”

SUMMARY

I examined erotophobic, sex-negative attitudes toward female sexuality as they relate to acquaintance rape. Evidence suggests that sexist assumptions about female eroticism are intrinsically related to sexual violence against women. The argument is made that society's willingness to acknowledge women as sexual victims while simultaneously failing to validate women as sexual agents creates an ideal breeding ground for acquaintance rape. Accordingly, an analysis will be offered: in a culture that denies women freedom to say “yes” to sex without negative stigma, “no” does not always mean “no.” In this article, I will assert mat those who care about stopping sexual aggression in dating relationships have an obligation to work to eradicate sexist assumptions that neuter women's erotic selves.     

Conceptualizing the role of consent in the definition of rape at the international criminal court: a norm transfer perspective

Over the past three decades, international criminal legal standards on sexual and gender-based violence have developed rapidly, sparking debate within feminist circles over the extent to which these developments might be relevant to domestic contexts in a process termed “norm transfer.” Indeed, non-governmental organizations and feminist scholars have called for domestic adoption of the International Criminal Court (ICC) definition of rape due to its omission of the element of the absence of consent. However, the place of consent in an international criminal definition of rape is a hotly contested topic, with disagreement as to whether rape in conflict should be considered “exceptional” or a continuation of everyday violence against women. This article provides a new lens through which to explore these questions by situating the feminist strategy of norm transfer within the complementarity-based system of the ICC. It uncovers a number of gaps within the ICC definition that raise questions not only about the status of the definition as a candidate for norm transfer but also about the robustness of the definition itself. The article concludes by considering the role of consent as an implicit element within the ICC definition and its operation as a defense.     

从“摇滚”到“佛系”:流行歌曲中的青年亚文化流变解读

音乐是文化的符号,流行歌曲根植于所处时代的现实土壤之中。改革开放以来,不同时期的流行歌曲以一种鲜明的风格记录时代声音,为我们透视青年亚文化流变提供了独特的视角。“摇滚”歌曲反映了改革开放初期,青年释放自我与现实抗争的文化情结;“怀旧”音乐是青年人在“前面无路想回头”境况下的一种心理调节;以“自我”为主题的歌曲是青年主体意识增强的现实回应;“佛系”歌曲映射了青年人自由空间被挤占后的一种养心策略。     

Creativity and Learning Jazz: The Practice of “Listening”

This article is about interaction, culture, and creativity. The ethnographic setting is a set of jazz performance classes at a California university. Although I write about jazz music, the reader need not have a background in studying or performing jazz (or music in general) to understand this article. In the title of the article, the term “practice” refers to (1) “listening” as a culturally specific communicative practice, and (2) the practice (a.k.a. rehearsal) of that culturally specific version of “listening”. I document and analyze how jazz instructors communicate with students about group interplay during musical performance. Extrapolating from this focus, I suggest some ways that contemporary linguistic anthropology can contribute to theories of creativity, focusing on the role that cultural norms of interaction defined by a particular activity play in constraining or shaping creative processes.     

The Interaction Order and Musical Sound: Shopping with Erving Goffman

Drawing on qualitative interviews and extending insights provided by Erving Goffman (1983, 1971), this article argues that music plays a crucial role in the interaction order of retail environments. I suggest music permeates these locations of consumption; shoppers are presented as perceiving musical sounds as both “territorial offenses” and sounds that can also represent an “intimate ally.” Crucial here is the nature of territoriality that manages an individual's exposure through the symbolic and literal placement of boundaries around the self, covering and protecting the self while navigating public space, tacitly securing rights in relation to others, and minimizing encroachments upon the “territories of the self.” I contend that when shopping, participants can feel “at home” in these locations thanks in part to the role of music but also in other cases actively avoid these situations, using privatizing music as a means of regaining auditory discretion. The contribution of this article extends Goffman's formulation of the interaction order, accounting for the dual role that music represents, as both a territorial offense and an intimate ally for shoppers.     

Rethinking a Case of Paranoia as a Workplace Complaint

This essay re-reads Freud’s essay “A Case of Paranoia Running Counter to the Theory of the Disease” (1963) through Marxist feminist writing on the division of labor. I approach the story presented in that essay as a workplace complaint and use it to meditate on sexual harassment as a haunting of the workplace.     

Curious erasures: the sexual in wartime sexual violence

Wartime sexual violence is especially egregious precisely because it is a sexual form of violence that causes particular harms. Yet, curiously, and in contrast to feminist theory on sexual violence more generally, the sexual has been erased from frames of understanding in dominant accounts of wartime rape. This article places the seeming certainty that “wartime rape is not about sex (it’s about power/violence)” under critical scrutiny and poses questions about the stakes of the erasure of the sexual in explanations of conflict-related sexual violence. It argues that the particular urgency that accompanies this erasure reflects the workings of familiar distinctions between war and peace, as well as efforts to clearly recognize violence and separate it from sex. Erasing the sexual from accounts of wartime rape thus ultimately reinscribes the normal and the exceptional as separate, and reproduces a reductive notion of heterosexual masculine sex (in peacetime) that is ontologically different from the violence of war.     

Phallus or Penis: Commentary on Cornelia St. John's Paper

The Lacanian concept of the masculine and feminine as symbolic positions, which may or may not correspond to anatomy, is clinically useful in the case of Mr. M. This discussion suggests that these concerns can be addressed by the feminist Lacanian theorists (Ragland, 1995), who discuss language within the landscape of primary repression as well as secondary repression. The analyst here illustrates the insufficiency of listening or speaking from only a preoedipal/maternal or an oedipal/paternal position; both are needed. In this discussion, the factors of sexual difference, psychosexual identification, gender definitions, and object choice are described in their different relations to one another when in preoedipal land (the Law of Language) versus the oedipal territory (Law of the father/culture). In summary, it could be said that stuttering or the inability to speak one's name is an incomplete weaning–there is no “I” who speaks from a secure symbolic indentification.     

Sex Ed in Higher Ed: Should We Say Yes to “Affirmative Consent?”

In this essay, the author explores the concept of “affirmative consent” as a sociolegal strategy for reducing sexual violence on college campuses. Meanings and implications of “consent” are considered from a psychoanalytic perspective, using the work of Laplanche and relational psychoanalysis to consider the fit between the construct of consent as it is invoked in contemporary sexual politics and our psychoanalytic understandings of sexual experience. The discourse of consent is also explored from the standpoint of queer and feminist theory. Finally, a brief clinical vignette is offered to illuminate the real challenges that are encountered in the effort to use language to communicate about sex. The author suggests an interdisciplinary, nonregulatory, exploratory approach to addressing the problem of sex and sexual violence on college campuses.     

《爱上邓丽君》——“中西合璧”再现经典歌声

中国著名音东剧制作人李盾的艺术创作生涯中,有一位“女神”一直深深地打动着他,那就是邓丽君。在他眼中,邓丽君的歌声曾经“改变了一个时代,引领了一个时代,感动了一个时代,也温暖了一个时代。”邓丽君生前有一大遗撼,未曾在大陆举办演唱会,为热爱她的人们现场演绎她音乐的美。今年6月至8月,李盾携手美国百老汇创作班底,将原创音乐剧《爱上邓丽君》（2014修排版）搬上北京东方剧院的舞台,用一种特殊的方式让邓丽君“魂归故里”,也让年轻一代重新认识邓丽君,爱上邓丽君。     

An Interplay of Individual Motivations and Sociocultural Factors Predisposing Men to Acts of Rape in Kenya

ABSTRACT

There is a general public perception in Kenya that rapists are “sick” people who deserve to be put far away from the society. Consequently, rape perpetrators are left to be dealt with by the criminal justice system while most of the research has focused on the rape survivors without taking into consideration the need to explore and understand the motivations and sociocultural factors that could predispose men to rape. This paper examines this form of “deviant” sexuality characteristic of some men. The paper is based on findings of a study conducted in three main prisons in Kenya between January and March 2008. The study sample was drawn from the Kamiti, Naivasha, and Nyeri main prisons. Respondents were convicted rapists serving their jail terms. The findings suggest that a number of factors may predispose a man to rape. These factors could be either individual motivational factors, sociocultural factors, or a combination of both. The individual motivational factors identified included drug consumption, marital problems as an excuse for rape, inability to negotiate for consensual sex due to being shy or afraid of women, rape as a form of sexual access, psychological factors like pornographic influence and rape hallucinations, impersonal sex and power, and use of rape as a “tool” for punishment. On the other hand, the sociocultural factors identified included the view of rape as a sexual act rather than an act of violence, social attitude that the woman “invited” the rape, early childhood environment, cultural practices, peer influence, and a lack of parental advice on sexual activities.     

Intersectional Individuality: Georg Simmel's Concept of “The Intersection of Social Circles” and the Emancipation of Women

Georg Simmel's “The intersection of social circles,” a chapter in his 1908 Sociology, contains discussions of class, religion, ethnic, and gender relations that are highly relevant to contemporary sociological concerns. Simmel's argument is based on a notion of historical dynamic that interprets increasingly complex intersectionality as a sign of progressing civilization. The article establishes how Simmel describes “the intersection of social circles” and then looks at Simmel's account through the concept of “intersectionality” as developed in contemporary feminist theory. The article suggests that although some aspects of Simmel's account of women in modernity are incompatible with contemporary feminism, the shared use of the same image, “intersection,” in Simmel and in contemporary feminist theory is the symptom of a shared concern with a particular aspect of the complexity of modern society. In Simmel, the increasing density of the intersections of social circles points to the increasingly complex individuality of modern subjects, whereas the use of the same image in contemporary feminist theory is part of a critique of inequality and oppression in the same modern society whose advent Simmel celebrated. Intersectionality is a characteristic of modern society that first became visible more than a century ago and has meanwhile become ever the more a signature of modernity.     

The “ethical loneliness” of male sexual violence survivors in Northern Uganda: gendered reflections on silencing

In this article, I explore the gendered silencing of conflict-related sexual violence against men and of male survivors’ lived realities in Northern Uganda using the frame of masculinities. Utilizing Stauffer’s conceptual framework of “ethical loneliness,” I elucidate how male survivors’ experiences of sexual violence are characterized by various layers of externally imposed silences by different actors and institutions often over decades. I demonstrate that the harms experienced by survivors in Northern Uganda are characterized by silence, isolation and abandonment, “compounded by the cruelty of wrongs not being heard” and constituted through multiple rounds of neglect. Exemplified through the narrative of a male survivor, I argue that in particular, the externally imposed silencing by institutions designed to listen entrenches further harms. I unpack how these layered silences are gendered and conditioned by socially constructed incompatibilities between masculinities and vulnerabilities, which disallow men to openly speak about their sexual violations and to seek services and support. Working with the concept of “ethical loneliness,” I propose a novel theoretical framework for analyzing the effects of externally imposed and gender-specific silencing with wider utility beyond male sexual violence, applicable to survivors of political and wartime gendered violence more broadly.     

Criminal sittings – rape in the colony, New Zealand, 1862

In 1862 His Honor, Justice Johnston, issued his instructions to the jury of the New Zealand Supreme Court for two simultaneous rape trials – the alleged rape of a European woman by two Māori men, and an alleged “assault with intent to commit a rape” of a Māori woman by a European man. This article argues that those instructions should be read within an historiographical critique of British colonial expansion, print capitalism and violence. Drawing on feminist postcolonial theorizing the question posed here, is, “What is the historical, ideological context for a newspaper reporting of the possible rape of a Māori woman in 1862?     

Contending masculinities: the gendered (re) negotiation of colonial hierarchy in the United Nations debates on decolonization

The emergence of legal decolonization in the mid-twentieth century, as evidenced by the 1960 United Nations Declaration on the Granting of Independence to Colonial Countries and Peoples, is often understood through the lens of race and the disruption of racial hierarchy. If we take seriously the transnational feminist contention that the colonial racial order was also gendered, however, how might this perspective shift our understanding of decolonization? In this article, I explore the debates on decolonization that take place in the UN General Assembly from 1946–1960 that lead to the 1960 Declaration from a transnational feminist perspective to answer this question. Specifically, I use comparative historical and discourse methods of analysis to explore how colonialists and anti-colonialists negotiate the onset of legal decolonization, focusing especially on how colonialist hierarchies of race, culture, and gender are addressed in these debates. I argue that, on the one hand, colonialists rely on a paternalist masculinity to legitimate their rule (i.e., our dependencies require our rule the way a child requires a father). In response, anti-colonialists reply with a resistance masculinity (i.e., “colonialism is emasculating;” “decolonization is necessary for a return of masculine dignity”). I argue that decolonization in the United Nations transpires via contentions among differentially racialized masculinities. Ultimately, a transnational feminist perspective that centers the intersection of race and gender offers a richer analysis than a perspective that examines race alone.     

Style and Language Use among Youth of the New Immigration: Formations of Race,Ethnicity, Gender,and Class in Everyday Practice

In this article I consider “style” as a linguistic and cultural concept that can demonstrate how identities performed through language use are linked to topics of central concern in studies of immigrant youth, including racial and ethnic formation, generational cohorts, acculturation, assimilation, and gender. I draw on anthropological and sociolinguistic approaches to style not generally considered in migration studies and present ethnographic data of two cliques of Desi (South Asian American) teens in a Northern California high school. I argue that analyses of youth style can substantially complicate assimilation frameworks by highlighting the ways in which young peoples' linguistic practices may not fit neatly into commonly used analytical categories of “immigrant” and “American.” Focusing on how political economy and local histories inform power and difference that shape migration experiences for youth, the article moves beyond routinely examined areas of heritage language retention and loss to analyze the significance of youth performances of heritage languages as well as English.     

CONSTRUCTING RAPE: FEMINISM,CHANGE, AND WOMEN'S EVERYDAY UNDERSTANDINGS OF SEXUAL ASSAULT

The cultural and legal meaning of rape has changed dramatically over the past 30 years as the feminist movement has challenged traditional constructions of sexual violence and offered an alternative construction of the meaning of rape. The transformation of rape into a social problem has brought increased attention to the subject in both popular and academic realms. Despite the growing body of research and theory on sexual violence, little inquiry exists into women s everyday constructions of rape and the degree to which such constructions have been influenced by the feminist movement. This article uses a constructionist framework to examine the everyday understandings of rape held by a diverse sample of women. Data gathered through an open-ended survey instrument were analyzed to reveal both interesting similarities and significant differences in the ways women of different ages, races, and personal histories define and interpret the phenomenon of rape. By examining these data, the extent to which the feminist reconstruction of rape has influenced women s everyday assumptions is examined, and the role of differences among women in perceptions of rape is explored. The findings presented in this article have implications for theories of social problems, for feminist discourse, and for the application of research on rape in applied settings.     

The love bug and the melancholic drag queen or a reflection on the cultural/political “grounds” of subjects as sexual

The notion of the subject and its formation has long been at the centre of discussion in critical theory. Identity discourse constructed a passive subject made up of qualities such us gender, sexuality, race, ethnicity and age. Poststructuralist thought on the other hand invested its critical mind in producing a mobile subject, one that is both the product and the producer of practices, power and processes. While identity discourse put qualities such as “sex” at the centre of its analysis of subject formation and produced a sexual subject, poststructuralist thought emphasised “bodies and pleasure” and produced the subject as sexual. This article addresses the formation of the subject as sexual through an everyday practice that forms a dominant part of our contemporary computerised era, namely that of the opening of an e‐mail. It reads the effects of the “Love Bug”, the e‐mail that infected millions of computer systems on the 4th of May 2000, so as to assess the extent it produces a different subject sexual than the one already promoted in poststructuralist thought. Butler’s notion of “gender performativity” (a dominant concept in relation to the subject as sexual) and her allegory of the melancholic drag queen are evaluated through ?i?ek’s critique and the example of the “Love Bug” e‐mail. This produces a different reading of the subject as sexual: one that understands sexual pleasure as being at the foundations of subject formation.     

Gender,Field, and Habitus: How Gendered Dispositions Reproduce Fields of Cultural Production

Bourdieu argues that fields of action produce a specific habitus in participants, and views this specific habitus as a mechanism through which the field is reproduced. Although Bourdieu acknowledges the habitus as gendered, he does not theorize gender as part of the mutually constitutive relationship between field and habitus. Using evidence from two cultural fields, the Toronto heavy metal and folk music scenes, I show that gender is central to the process through which field and habitus sustain each other. The metal field produces a “metalhead habitus” that privileges gender performances centered on individual dominance and status competition. In contrast, the “folkie habitus” encourages gender performances centered on caring, emotional relations with others, and community‐building. These differently gendered habitus support different working conventions: music production occurs largely through volunteer‐based nonprofit organizations in the folk field, and individual entrepreneurship in the metal field. The gendered habitus also supports different stylistic conventions: guitar virtuosity in the metal field, and participatory music‐making in folk. Applying a gendered lens to the field–habitus relationship clarifies the mechanisms through which cultural fields shape individual action, and the mechanisms through which cultural fields are reproduced and maintained.     

Why populism?

It is a commonplace to observe that we have been living through an extraordinary pan-European and trans-Atlantic populist moment. But do the heterogeneous phenomena lumped under the rubric “populist” in fact belong together? Or is “populism” just a journalistic cliché and political epithet? In the first part of the article, I defend the use of “populism” as an analytic category and the characterization of the last few years as a “populist moment,” and I propose an account of populism as a discursive and stylistic repertoire. In the second part, I specify the structural trends and the conjunctural convergence of a series of crises that jointly explain the clustering in space and time that constitutes the populist moment. The question in my title is thus twofold: it is a question about populism as a term or concept and a question about populism as a phenomenon in the world. The article addresses both the conceptual and the explanatory question, limiting the scope of the explanatory argument to the pan-European and trans-Atlantic populist conjuncture of the last few years.